Drawing & Print (Drawing & Print)
The series Castigos del caucho by Santiago Yahuarcani originates in the oral memory transmitted by the artist’s grandfather, who was a survivor of the Putumayo genocide where thousands of Indigenous people were annihilated and enslaved to extract rubber from the Amazon forest between 1879 and 1912. Yahuarcani’s complex narrative paintings on tree bark highlight a long history of colonial violence against the Uitoto and other Indigenous communities. They also show the destruction of the rainforest under Western models of extraction, privatization, and development.
Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
The Third Seal—They Are Already Old. They Don’t Need To Exist Anymore is part of The Seven Seals , Tsang’s ongoing series of digital videos that are projected as installations onto the walls and ceilings of dark rooms. Using texts and computer technology, the series draws its reference from various sources—the Bible, Judeo-Christian eschatology, existentialism, metaphysics, politics, among others—to articulate the world’s complexity and the dilemmas that people face while approaching “the end of the world.” The Third Seal is a nineteen-by-twenty-seven-foot projection on a single wall that, together with sound, creates an immersive and dynamic environment.
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities. This mise en scène of found kitchenware also exists with a rounder and flatter plain modern white porcelain teapot.
Drawing & Print (Drawing & Print)
Study of History III by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949. Wentzel’s original color photographs document the transportation of a Mercedes Benz, carried on a wood armature by sixty porters, over a rocky trail from Bhimphedi to Kathmandu in Nepal. At the time of Wentzel’s photographs, paved roads in Nepal only existed within the Kathmandu Valley and cars had to be carried into the city from the surrounding hills on foot.
The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation. In a contemporary Indian society beholden by strongmen, Abidi uses Sutar’s studio to fictionalize a sculptor producing commemorative works for populist, preening figures, surrounded by the likenesses of idolized politicians of the post-colony. Abidi’s video presents one such aspirational bureaucrat, trailed by a cadre of lackeys who fawn over the varying statues that are laboriously carted out for his approval.
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel. His photograph of this throwaway object calls back the body, and the handprint is in fact his own right hand; thus the piece can function as a self-portrait of the artist, in an ironic twist on the art historical genre.
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum. However, the simplest arcane gesture presented in the work oscillates sculptural syllabary and verse that mysteriously run through and connotes the artist’s personal, cultural, and diasporic history. Installed on the floor with a humble combination of folded burlap bags, commonly found in Korean construction sites or markets, and aluminum cast lotus roots, a common ingredient in traditional Korean cuisine.
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
Eight Views of Xiao and Xiang is a series of landscapes in the Xiaoxiang region in the modern day Hunan Province, China, and was a popular subject of poems, drawings and paintings during the Song Dynasty (960–1279). Liang follows tradition by interpreting the historical subjects by classical Chinese artists including Dong Yuan (934–962 AD), Mu Xi (died in 1281 AD), Wen Weiming (1470–1559 AD). This reinterpretation represents the meeting point of the Xiang River and the Dongting Lake.
Kapwani Kiwanga’s Linear Painting series (2017) reflect the artist’s research into disciplinary architecture, including schools, prisons, hospitals, and mental health facilities. When they were presented together, the paintings were arranged according to a black horizontal line placed at 160 centimeters from the floor, which traced the entire perimeter of the gallery. According to hygiene standards in Europe, this would mark the height below which walls should be washed in order to prevent the spread of illnesses.
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning. With copper wire stretched out across the room like a clothesline, Valeska Soares’ La Ligne du Temps creates a timeline out of fluttering, old book pages. Read upon the pages of this delicately wrought installation are linguistic approaches to time and its phenomonologies.
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways. The video begins with the pedestrian traversing a seemingly idyllic ivy lined stone and concrete thoroughfare. As his pace begins to accelerate, the camera follows him with greater urgency, slowly settling and become stable again as his pace decelerates.
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo. The materiality and form of this traditional headpiece represents the strength and fierceness of forest warriors. Their ‘chimneys’ on top are intended to resemble trees in the jungle onto which hornbill feathers would once have been stuffed.
The title of Alicia Smith’s video work, Teomama , means “God Carrier” in the Aztec language of Nahuatl. It was the name given to medicine men and women who carried the bones of Huitzilopochtli—the god of war, sun, and human sacrifice in ancient Mexico, and the national deity of the Aztecs. Of the many legends featuring Huitzilopochtli, the origin story of Tenochtitlan (present day Mexico City) is perhaps one of the most well-known.
Dominique Zinkpè’s works with a wide range of materials, from jute to used cars to “hôhô” figures, which come from the Cult of Twins in southern Benin as a voodoo religion symbole of fertility. His portfolio is continually morphing between mediums and subjects, tackling issues such as intimacy, sex, the sacred and the profane while linking ancestral culture with the contradictions found in today’s world. These sketches of tumultuous human drama are infused with elements of irony and satire to reveal Zinkpè’s most disturbing and arresting constructs of the imagination.
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape. As the video progresses, however, a disembodied hand begins to move these forms, animating a pictorial frame that was previously still. The hand – ostensibly the “arranger” of the works title – functions as a metonym of the artist’s hand, quite literally bringing a motionless work to life.
In 2011, Mounira Al Solh began a series of drawings that documented her meetings and conversations with displaced Syrian refugees in Lebanon and various European countries. The oral histories she collected are very different from those told in administrative interviews or police interviews. My specialty was to make a peasants’ haircut, but they obliged me work till midnight often (2017) is part of a series of embroideries that speaks to how personal stories in this political context create collective history.
Drawing & Print (Drawing & Print)
Drawing, which is the essential embodiment of Fabrice Hyber’s artistic thinking, is at the origin of all his works. The artist uses accumulation, hybridization and mutation to create constant shifts between extremely varied domains. Each work is just an intermediate, evolving stage of this “work in progress” that spreads like a proliferation of thought, establishing links and exchanges that then help to create other connections.
H.2. N. Y Skeleton of the Dump revolves entirely around the performance “Homage to New York” (1960), of the Swiss artist Jean Tinguely (1925-1991), during which the machine built by the artist in the gardens of the Museum of Modern Art (MOMA) had to self-destruct itself in 27 minutes, but, in the end, it had to be finished off by firemenbeing called in after it erupted in flames. Since the discovery of Jean tinguely’s retrospective at the Tate Gallery in London, in 1982, Michael Landy spent two years researching and sketching (charcoal, oil, glue, ink) from his previous research carried out at Museum Tinguely in Basel, and at the MOMA in New York.
Drawing & Print (Drawing & Print)
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island. Replete with its own population and constantly shifting topography, Avery’s intricately conceived project amounts to an ever-expanding body of drawings, sculptures, installations and texts which evince the island. Exhibited incrementally these heterogeneous elements serve as terms within the unifying structure of the island – as multiple emissions of an imaginary state, and as a meditation on the central themes of philosophy and the problems of art-making.
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession. Her mother had long talked about making quilts with these panels; there were many questions about what she would do with so many panels, which were ultimately used to compose Risham Syed’s work Ali Trade Center Series IV (with Buddleia) . After her mother’s death, Syed began to explore the history of this fabric as a material linked to commerce, power, social class, and culture, and thus linked to a history of violence, hardship, upheaval, and conflict.
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton. Scores of young people in the impoverished city had discovered that they could make a decent living by fabricating and circulating stories online. Originally presented as a book, Bendiksen’s haunting images show the city of Veles and its inhabitants.
The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015. Jauncems notes that the book is fragmented, following unrelated characters struggling with ennui and depression, navigating the pressures of modern reality. In her art practice, Jauncems has been interested in the lives of powerful and influential men for many years.
For the works KAKERA, Bullet Train and KAKERA, Loving God Tatsuki Masaru traveled throughout Japan to visit museums holding kakera (which translates to “fragments”) of Jomon Period potteries –Japan’s pre-history 2,300-15,000 years ago. Small and fragile, the kakera were donated by farmers who had found them in their fields, or by archeologists, and then wrapped in newspapers and stored away. Today they sit quietly on the shelves of museums, unknown to people.
For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations. One of their projects consists in using virtual reality (environments created to simulate this world) for therapeutic reasons for soldiers suffering traumas after the Iraq war. The double projection creates a parallel between animations and testimonies by soldiers reliving their mission, the explosions, gunshots and ambushes, their fears and their guilt.
Drawing & Print (Drawing & Print)
Throughout his career, Marwan Rechmaoui has maintained a drawing practice. During the Covid-19 pandemic lockdowns the artist spent his evenings recording thoughts and imagery on paper, inspired by events happening around him, music, his garden, and the news. These drawings are contemporaneous in their concerns and are indexical of a destitute time and space in the aesthetics they conjure.
Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work. The shadow of Modernity represented via a clear cube floats over and through a barren landscape in Latin America. Juxtaposing the corrupt politics of the land, with the artist’s struggles and questioning of the effects and burden of influence of Modernity.
Jonas Bendiksen is a Norwegian-American artist and photographer whose work addresses enclaves, people on the fringes of society, and those living in isolated communities...
Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...
Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering...
Ghita Skali is a visual artist that uses odd news, rumors and propaganda to disrupt institutional power structures such as the western contemporary art world, state oppression and government politics...
Risham Syed has a diverse art practice in which painting and other mediums are used to explore issues of history, sociology, and politics...
Phoebe Collings-James’ work engages with experiences of hybridity, referring to the work of writer Sylvia Wynter as a route through which to decipher relations to Western ceramics as well as her own familial origins...
Rajni Perera’s practice foregrounds a hybrid model that merges immigrant politics, feminine power, mythology, and science fiction...
Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...
Egle Jauncems’s practice considers the relationship between painting and textile art...
Mounira Al Solh’s art practice embraces inter alia drawing, painting, embroidery, performative gestures, video and video installations...
Hikaru Fujii utilizes film to bridge art and social activism...
In the 1970s and 80s, the feature films Harun Farocki made contributed to theorizing essay-films, a cinema genre that juxtaposes archival images of different sources (news, film industry) with voiceover commentaries...
Bobo is an art collective constituting the artists Nick Payne, Andrew Gillespie, and Phil Cote, and while as a collective entity they are relatively new to the art world, they have been highly influential to many younger NY artists...
Abraham Onoriode Oghobase’s artistic practice explores identity in relation to socio-economic and historic geographies...
Harit Srikhao perceives photography as a culturally determined medium...
Informed by her long-term interest in the complex tensions between music, dance, text, and video, Yao Qingmei’s practice collapses the boundary between performance and its site...
Wah Nu and Tun Win Aung, respectively born in 1977 and 1975, Yangon, Myanmar...
Part of the Indigenous Tamsaling community in Nepal, Subas Tamang comes from a family of traditional stone carvers...
In each of his self-portraits, Fabrice Hyber (he removed the last “t” in Hybert in 2004) is elusive...
Ryan Villamael’s deeply layered practice is informed by a rare degree of skill and dexterity as well as by vivid imagination and haunting intellectual preoccupations...
Ana Navas’s practice deals with the vulgarization of modern art, understanding the term vulgar in its original sense of being appropriated by common people...
The chilling soulless cruelty of Rishi Sunak is the stuff of nightmares | Stewart Lee | The Guardian Skip to main content Skip to navigation Skip to navigation Illustration by David Foldvari...
“Green Snake: women-centred ecologies” is a group exhibition that explores the connections between art and ecology in the context of rising temperatures and...
Artist Spotlight: Maeve van Klaveren – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by artist Maeve van Klaveren (previously featured here )...
David Rhodes: Reconfiguring the authorship of a painting – Two Coats of Paint David Rhodes, 1 September 2023, 2023, acrylic on raw canvas, 23 x 15 inches...
15 Most Popular Photo Stories from LensCulture in 2023 | LensCulture Feature 15 Most Popular Photo Stories from LensCulture in 2023 Here are 15 of LensCulture’s most popular highlights from 2023 — a mix of new discoveries, photobook reviews, interviews, essays, exhibitions and visual stories...
"The Big Chill" Bernheim Gallery / London | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...
Collective Week: Kinship Photography Collective - LENSCRATCH Fine Art Photography Daily Subscribe / Contact / About Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Collective Week: Kinship Photography Collective by Kassandra Eller December 12, 2023 ©Kimberly Anderson, We Still Have The Seeds In the past few years, the term artist collective has become common, especially in larger cities where hubs of creativity form...
The real digital nomads: how, on the Mongolian steppe, mobile internet is helping save nomadic traditions | South China Morning Post The real digital nomads: how, on the Mongolian steppe, mobile internet is helping save nomadic traditions Books and literature On the Mongolian steppe, nomads are embracing digitalisation to stay connected and do business without sacrificing the best of their traditional way of life Johan Nylander + FOLLOW Published: 7:15am, 9 Dec, 2023 Why you can trust SCMP Out in the wilds of the Mongolian steppe, nomadic herders are embracing the information age...
Metropolitan Museum of Art commissions Petrit Halilaj, Lee Bul, and Tong Yang-Tze...
Agnes Martin’s market has reached extraordinary highs...
Black Figures, Modern Art Enter the Met’s European Painting Galleries – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All November 20, 2023 10:31am Pablo Picasso joins El Greco in the Met's new European paintings presentation, which expands the purview to include modern art...
Bérénice Reynaud, as Camille, in No Trifling with Love...
The Metallica drummer also revealed his favorite music of 2018 and "the best action movie of the year by far."...
The Collectors' Circle: Art Collector Evan Chow On The Importance Of Visiting Artistsâ Studios - via Asia Talter...
The fair was cancelled last year due to Covid-19 but this year was bigger than ever before, at 43 galleries...
“What gets me is work that I can’t figure out right away,” the former Grey’s Anatomy star said....
The Business of Being an Art Collector: A Roundtable Discussion With Three Top Patrons About How the Pursuit Has Changed - via artnet news...
Sarah Arison was a pre-med student whose aspirations turned to the care of emerging creators in the visual, literary and performing arts....
Inside Roxane Gay and Debbie Millman’s Stunning Art Collecttion in New York and Los Angeles - Artsy Art Market Inside My Collection: Roxane Gay and Debbie Millman Ayanna Dozier Apr 2, 2022 9:34am Ayanna Dozier Apr 2, 2022 9:34am Roxane Gay is known for her laser-sharp wit in cultural criticism and nonfiction works, but lesser known is her growing practice as an art collector...
Quiz: What's Your Guilty Pleasure? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kristina Flour via Unsplash November 11, 2021 It’s 2021 – and you’re constantly being told to be your best self! There’s that pile of books waiting to be read, countless browser tabs open with must-read articles, and a list of podcasts that are supposed to make you smarter....
COVID-19 and the arts in Southeast Asia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Photo by Hailey Oldfield on Unsplash March 27, 2020 by Nabilah Said As the world contends with the new normal of temperature checks, home quarantines and travel restrictions in the age of COVID-19, artists find themselves reckoning with a lack of paid jobs coupled with an existential question of the meaning of art in these times...
Unravelling the History of Nudity in Singapore Theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles "Undressing Room" by Ming Poon...
Podcast Interview: Performance Photographers | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Festival (Podcast) Crispian Chan (by Izdiyad Ahmad), Bernie Ng (by Biru Chua), Kuang Jingkai April 24, 2019 Duration: 45 min In this interview with Crispian Chan , Bernie Ng and Kuang Jingkai , three photographers of theatre and dance, we get to know more about a profession that’s sometimes taken for granted but is an essential aspect of the packaging of a performance...
Weekly Picks: Indonesia (23 - 29 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia July 23, 2018 Top Picks of Indonesia art events in Bali, Bromo, Solo and Jakarta from 23-29 July 2018 In Bali, Uma Seminyak is exhibiting Dolanan , an art show by 4 artists that highlights the world of imagination...
Turning Over a New Leaf – ARTnews.com Skip to main content By Lilly Wei Plus Icon Lilly Wei author View All December 1, 2011 11:00am It doesn’t look like an exhibition about dissent, at least not to contemporary eyes accustomed to more rousing images...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Drawing & Print
Drawing, which is the essential embodiment of Fabrice Hyber’s artistic thinking, is at the origin of all his works...
Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space...
Soft Materials is a curious, touching but also disturbing sequence of confrontations between two people: a man and a woman, and machines...
#17 Pink is a photogram, a photographic image produced without the use of a camera...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45...
For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations...
Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators...
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Dominique Zinkpè’s works with a wide range of materials, from jute to used cars to “hôhô” figures, which come from the Cult of Twins in southern Benin as a voodoo religion symbole of fertility...
Drawing & Print
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...
Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work...
KLAU MICH is a TV and performance project by Dora García with Ellen Blumenstein, Samir Kandil, Jan Mech, TheaterChaosium, and Offener Kanal Kassel, during the 100 days of dOCUMENTA (13)....
Tom Nicholson’s Comparative Monument (Palestine) engages a peculiar Australian monumental tradition: war monuments that bear the name “Palestine”...
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
For the works KAKERA, Bullet Train and KAKERA, Loving God Tatsuki Masaru traveled throughout Japan to visit museums holding kakera (which translates to “fragments”) of Jomon Period potteries –Japan’s pre-history 2,300-15,000 years ago...
Pyre , an installation by Mexico City-based artist Joaquín Segura, addresses corruption, impunity, and the role that failed governments play in the normalization of violence...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible...
Drawing & Print
The series Castigos del caucho by Santiago Yahuarcani originates in the oral memory transmitted by the artist’s grandfather, who was a survivor of the Putumayo genocide where thousands of Indigenous people were annihilated and enslaved to extract rubber from the Amazon forest between 1879 and 1912...
Kapwani Kiwanga’s Linear Painting series (2017) reflect the artist’s research into disciplinary architecture, including schools, prisons, hospitals, and mental health facilities...
In 2011, Mounira Al Solh began a series of drawings that documented her meetings and conversations with displaced Syrian refugees in Lebanon and various European countries...
Misting Miner is a vapor sculpture by Alexey Buldakov from the Urban Fauna Lab collective that gives material form to the invisible phenomenon of mining cryptocurrency...
Alka domo by Seba Calfuqueo is a performative video work that recontextualizes a story about Caupolicán, the Mapuche toki (meaning symbol of strength and perseverance in the face of adversity)...
Llorar mucho (To Cry A Lot) is representative of Fernanda Laguna’s practice of the past twenty years...
Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture...
Drawing & Print
Study of History III by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
The title of Alicia Smith’s video work, Teomama , means “God Carrier” in the Aztec language of Nahuatl...
¡Qué triste estoy! (I’m So Sad) is representative of Fernanda Laguna’s practice of the past twenty years...
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
Mercedes Dorame utilizes photography to investigate, recode, and connect with her Gabrielino-Tongva tribe culture, as well as to bring current Indigenous experiences to light...
The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015...
Behold A City 4 extols the old grandeur of Manila, the nation’s storied capital – the complex nexus of heritage, modernity, and all sorts of compulsions, political or otherwise, that attempt to define it...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
The Hole’s Journey by Ghita Skali follows a complex political satire involving a worn-out floor, a political activist, and the Ouled Sbita tribe of Morocco...
The film The Anatomy Classroom is part of a research project developed by Hikaru Fujii around objects and artifacts evacuated from the Futaba Town Museum of History and Folklore, which is located in the “difficult-to-return zone” since the Fukushima Daiichi nuclear accident...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Drawing & Print
Throughout his career, Marwan Rechmaoui has maintained a drawing practice...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Drought Mask by Rajni Perera is a prototype that is suggestive of dire implications for human survival...
The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
Drawing & Print
davi de jesus do nascimento’s earthy paintings, from the series sorvedouro , recall his memories as an essentially organic matter...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Drawing & Print
Laís Amaral abstract paintings dialogue with the feminine power...