The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand. The resulting objects lie ambiguously between a representation of a human torso and a shamanistic mask. The work is reminiscent of Yoruba and Makonde body masks that portray pregnant forms, as well as Roman armor with nipple rings.
Llorar mucho (To Cry A Lot) is representative of Fernanda Laguna’s practice of the past twenty years. It is an upshot of intense emotional stress and psychological regression for the artist, which resulted in her renewed and strengthened commitment to feminist causes, especially in Villa Fiorito, but also as part of the leading committee of Ni Una Menos in Argentina. It also picks up the thread of earlier works, accentuating the use of cotton, and embracing an almost cornily sentimental tone.
The Wings by Pichet Piaklin is a creation story of fragility, where the desire for freedom is mired in blood red by the inculcation of faith and violence. Piaklin was born and continues to live and work in Thailand’s deep south, a geographical area once known as the Pattani Kingdom (now the Pattani, Yala, and Narathiwat provinces), before it was annexed by the Siam Kingdom in the early 1900s. As a consequence of unreconciled historical conflict, this predominantly Muslim community continues to endure oppressive social and political conditions under the ruling Thai Buddhist monarchy.
RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture. While these muscular works evoke the forms and dynamism of mid-century modernism, they can also be seen as a translation of Goethe’s idea that “architecture is frozen music”. RUINER III is exemplary of how the artist’s disembodied sets typically evoke a sense of longing through absence, and in so doing, draw out an extended mediation on how audiences project mental or emotional energy onto a person, object, or idea.
Flesh in Stone – Ghost No. 1 is a stunning series of cement made body parts in various scales and movements, along with components such as iron and plaster molds to emphasize their tension. The “incompleteness” of Flesh in Stone weakens the figurative image itself, thus shifting the viewer’s focus onto the relationship between the rough material and the ideal rounded body shapes.
tombs and ignitions is a collaborative ceramic sculpture by artists Tyler Cross and Kyle Lypka. The work was translated by Kyle Lypka from Tyler Cross’s original drawing into three dimensions by coil building upwards. Lypka chose to coil build instead of using slabs because, although very flat and geometric, he believed that the form would benefit from the more organic technique of coil building, which after drying and firing tends to twist and pull, adding a sort of paradoxical swing and motion to the work’s angularity.
home, a temporary place by Mithu Sen is part of a project called AºVOID. In this fragmented mental map, the landscape is fleeting, embossed, and ethereal; there are moments of recognition and also a near-violent sudden emptying of memory. Bodies are skeletal, nature is in entropy, context is removed.
Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal. Visually seductive yet charged with political and symbolic associations, the rugs bridge elements of American popular culture with aspects of Islamic worship that may be poorly understood in contemporary secular contexts. Encouraged by Khan to take their shoes off and interact with the rugs, viewers participate in a decolonizing process as they meditate on their poetic allusions or perform the traditional salat, the daily prayers that constitute one of the five pillars of Islam, the others being faith, charity, fasting, and pilgrimage to Mecca.
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession. Her mother had long talked about making quilts with these panels; there were many questions about what she would do with so many panels, which were ultimately used to compose Risham Syed’s work Ali Trade Center Series IV (with Buddleia) . After her mother’s death, Syed began to explore the history of this fabric as a material linked to commerce, power, social class, and culture, and thus linked to a history of violence, hardship, upheaval, and conflict.
Yang Song’s Die features a clay mask of the artist himself slowly dissolving into water. Clay returns to clay. Clay originates from and returns to earth, becoming a metaphor for life.
Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships. The artist probes societal differences and how these variations affect individual and group responses to themes of beauty, the body, and broader issues of identity. Untitled explores these themes and addresses the processes through which women navigate such issues.
The Korean title for U: Repair the cowshed after losing the cow = Too late is —a famous Korean proverb meaning “you are doing something when you are already late to do it”. This work by Seulgi Lee is a nubi (traditional Korean quilt) blanket project that shows Korean proverbs expressed as geometric shapes. Nubi blankets were used as single sheet summer blankets in Korean households until the 1980s.
Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions. During the process of depuration of forms he develops a series of translations whose inception is the daily life and culture of his community, deep in the Amazon rainforest. The works reveal structures rather than shapes, organization rather than form, exposing a way of seeing where nature and culture are not mutually exclusive but manifesting simultaneously.
Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance. Known for going against trends, Aitken often favored dimensions, such as the square, that were otherwise considered out of style in contemporary painting. In this double-sided painting, one side depicts the titular boombox set up—a boxy cassette player, flanked by a pair of stereo speakers in front of wood panelling.
A Thoughtful Gift by Pio Abad is based on a version of a letter written by the former First Lady of the United States, Nancy Reagan to the former First Lady of the Philippines, Imelda Marcos. Written in 1986, the letter assures Marcos of their safety from persecution in the United States, following widespread anti-government protests across the Philippines. The Marcoses were granted exile in the United States by the Reagan administration and they eventually fled to Honolulu.
Hog feed 102 is an exemplary work by Jared Owens that combines two of the artist’s primary signatures: the use of soil smuggled out of the grounds at F. C. I. Fairton, a prison in which Owens was incarcerated, and the stowage diagram of the Brookes slave ship. This diagram from 1788 is a logistical blueprint of how to pack Black bodies efficiently, in tiered serial form, into the hold of a ship. Merging these vocabularies, Owens has laced a burlap sack for pig feed into the work to advance a multi-layered commentary on American prisons as ostensible ‘human farms’ that dehumanize inmates by turning them into a commodity for the prison industrial complex.
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram. Bold shapes, and the breaks between them, create a rhythm and compose an engaging abstract image. At the same time, the work deals with the conditions of the photograph’s manufacture.
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results. The installation is a large rectangular frame created out of shards of clear and colored glass that protrude from the wall. The use of glass fragments is reminiscent of Robert Smithson’s sculpture Map of Glass (Atlantis) (1969), yet the concerns here are very different.
Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics. The materials related to the techniques of the sculpture or the painting but also others, which refer to commerce, to objects of consumption. The chair refers directly to the body as does the title of the work, Blue Elbow .
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology. Engaging different methods of construction, he frequently uses wood, concrete, glass, steel, and piping as materials to create his structures and installations. Tuazon’s works have roots in minimalism, conceptualism, and architecture, and have a direct relationship with both the site in which they are presented, as well as with their viewer, often through physical engagement.
thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s. The work is based on the popularity of mid-90s era Star Shots photographs, which usually featured graphic backgrounds and highly glamorized subjects wearing heavy makeup, matching outfits, perfectly coiffed hair, and dramatic expressions. In Los Angeles, esparza remembers many Black and Brown youths going to the mall (where many Star Shots photo studios were located) to circulate the photos with personal messages written on the back.
Masterpiece in the Water by Lu Pingyuan tells the story of an impatient collector who is killed by an artist. This murder becomes an artwork in of itself as the story within the story sheds light on the psychological anxieties faced by soldiers during war time, the family bond, and the paranormal. This playful, yet violent, story explores the amusing similarity between supernatural events and the creation of artistic ideas, while reflecting on the complex relationships that exist within the art world.
Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle. Her careful meditations in fabric reflect Plata’s ongoing interest in the relationship between people and their environments, in fragility, systems, and destruction.
– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal. Filmed at the scale of a fold of matter, this cut is the axiom on which the first season of The Unmanned rests.
#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms. This technical rework allows for a clinical inspection of the material contents of the piece and the resulting slanted industrial monolith echoes minimalist sculpture, although with a different expressive texture. Indeed, Untitled can be seen as a contemporary pyramid with a painterly surface.
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969. This article, which is the only trace of his work, is indicative of a lack of interest by Neuestern to leave his name in history; to “defend an artistic activity that has little or no interest to last.” Oscar Neuestern could only remember the previous 24 hours, of which his life and his work are in constant erasure and reconstruction. His practice was “to let things be done with time and the unconscious,” while “not fearing the void.” He looked for the absolute through transparency and symmetry.
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...
Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...
Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...
Sandra Monterroso is a Guatemalan artist of Maya Q’eqchi’ decent...
Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...
Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...
Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...
Designed by the artist and fabricated in collaboration with Kashmiri artisans, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly colored symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...
Although trained as a painter, David Haxton is known for his exploration of light through the mediums of photography and film...
Curtis Talwst Santiago is a multimedia artist making work centered on the diasporic experience, transculturalism, and memory...
Kadar Brock makes large-scale abstract paintings via a rigorous process of layering, erasing, and reworking his surfaces; his highly textured canvases are variously discordant, exuberant, and topographical in nature...
Nathaniel Dorsky belongs to a younger generation of filmmakers that follows key figures of the Bay Area avant-garde scene, like Bruce Conner, and is mainly associated with Canyon Cinema...
Eileen Quinlan makes photographic images through unusual processes, stripping the medium down to its essentials, and working experimentally with light, lenses, chemicals, reflections, and shadows...
Artist Tanatchai Bandasak began his career as a filmmaker, however following his studies at art school in France, he began exploring installation and sculptural strategies for presenting moving images...
Vivian Suter was born in Buenos Aires but brought up in Switzerland where she trained to be an artist...
Risham Syed has a diverse art practice in which painting and other mediums are used to explore issues of history, sociology, and politics...
Jumana Manna is a Berlin-based artist whose work revolves around the body, national identity, and historical narratives...
Lu Pingyuan works with a variety of media such as texts, videos, installations, paintings, performances and other...
Through her art practice, Nikau Hindin revives the Maori artform of barkcloth making...
Anju Dodiya paintings feature autobiographical and human relationships, with ‘women’ usually at the center...
16 films is a selection of David Haxton’s single-screen videos, which he began producing in the 1970s as a continuation of some of the conceptual underpinnings of his earlier film installations...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
Drawing & Print
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance...
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
Drawing & Print
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Drawing & Print
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Drawing & Print
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...
#17 Pink is a photogram, a photographic image produced without the use of a camera...
In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter...
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...
Open Mind is a model created by Capote for a traversable public maze that, when seen from above, resembles the human brain...
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements...
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I ...
Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films...
Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...
In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...
Palimpsest is a series of what artist Phi Phi Oanh calls “pictorial installations”...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
These two large format untitled paintings by James Collins feature the artist’s hallmark technique, which transforms abstraction into an optical illusion that creates dimension, space, and mass...
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology...
– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal...
Drawing & Print
Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work...
Francisco Herrero Peñuela uses old forms to make his elaborate, richly textured surfaces...
Drawing & Print
Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle...
Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics...
Aqua by Fernando Palma Rodríguez is an installation formed by four gourds and one movement detector that activates them...
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
On the artwork, Rommel states: “I was reading Jonathan Franzen’s new novel Purity, where they take a lot of walks through the jungle in Uruguay, or Paraguay, I can’t remember...
Entre Chien et Loup is an installation incorporating a variety of media: rubber, discs, feathers and confetti that the artist weaves, sews and glues together...
Masterpiece in the Water by Lu Pingyuan tells the story of an impatient collector who is killed by an artist...
Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron...
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
Drawing & Print
This untitled print by Wade Guyton depicts an iteration of elements that are characteristic of the artist’s work...
Llorar mucho (To Cry A Lot) is representative of Fernanda Laguna’s practice of the past twenty years...
Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
Wind by Antonio Pichillá is a textile piece depicting the glyph that represents the element wind in the Mayan tradition...
Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
A combination of planning and improvisation, control and lack of control, this painting is typical of Amm’s work...
Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand...
Drawing & Print
Gozo Yoshimasu’s double-sided work on paper Fire Embroidery explores his response to the March 2011 Tohoku earthquake and tsunami...
The Korean title for U: Repair the cowshed after losing the cow = Too late is —a famous Korean proverb meaning “you are doing something when you are already late to do it”...
Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical...
Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition...
¡Qué triste estoy! (I’m So Sad) is representative of Fernanda Laguna’s practice of the past twenty years...
Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships...
Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric...
Diego Bianchi’s main concern is distorting straight lines, both literally and metaphorically...
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015...
RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture...
thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s...
“ I think we are oversaturated, filled to the brim with images in our inner subconscious eye...
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
In Dark Beyond Deep by Zhu Changquan the film presents the process of how consciousness gradually develops and extends from the real world to virtual space through a raven named Cyma...
The Wings by Pichet Piaklin is a creation story of fragility, where the desire for freedom is mired in blood red by the inculcation of faith and violence...
The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand...
Maori barkcloth making is the central artistic form in the Pacific, and still at the core of cultural expression in many Pacific countries...
font VII by Catalina Ouyang is part of an ongoing series of ‘fonts’, or sculptures, inspired by Catholic holy water vessels...
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
tombs and ignitions is a collaborative ceramic sculpture by artists Tyler Cross and Kyle Lypka...
Hog feed 102 is an exemplary work by Jared Owens that combines two of the artist’s primary signatures: the use of soil smuggled out of the grounds at F...
Sandra Monterroso’s video performance titled Corazón del lugar del viento (Heart of the Place of the Wind) is inspired by Seis Cielo (Six Sky), the only female Mayan ruler to be represented in classical Mayan stelae (historical monuments dedicated to the record of important events)...
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...
The Shedding by Anju Dodiya is part of a series of mattress paintings the artist creates using fabric stretched on padded and shaped boards...
One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...
Glorie #7 by Caspar Heinemann is made from cardboard boxes in which the artist received deliveries at home during lockdown, as well as other materials that he uses in an improvisatory way...
Drawing & Print
Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...