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The subtle rules the dense
© » KADIST

Phoebe Collings-James

Sculpture (Sculpture)

The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand. The resulting objects lie ambiguously between a representation of a human torso and a shamanistic mask. The work is reminiscent of Yoruba and Makonde body masks that portray pregnant forms, as well as Roman armor with nipple rings.

Llorar mucho (To Cry A Lot)
© » KADIST

Fernanda Laguna

Painting (Painting)

Llorar mucho (To Cry A Lot) is representative of Fernanda Laguna’s practice of the past twenty years. It is an upshot of intense emotional stress and psychological regression for the artist, which resulted in her renewed and strengthened commitment to feminist causes, especially in Villa Fiorito, but also as part of the leading committee of Ni Una Menos in Argentina. It also picks up the thread of earlier works, accentuating the use of cotton, and embracing an almost cornily sentimental tone.

The Wings
© » KADIST

Pichet Piaklin

Sculpture (Sculpture)

The Wings by Pichet Piaklin is a creation story of fragility, where the desire for freedom is mired in blood red by the inculcation of faith and violence. Piaklin was born and continues to live and work in Thailand’s deep south, a geographical area once known as the Pattani Kingdom (now the Pattani, Yala, and Narathiwat provinces), before it was annexed by the Siam Kingdom in the early 1900s. As a consequence of unreconciled historical conflict, this predominantly Muslim community continues to endure oppressive social and political conditions under the ruling Thai Buddhist monarchy.

RUINER III
© » KADIST

Nikita Gale

Sculpture (Sculpture)

RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture. While these muscular works evoke the forms and dynamism of mid-century modernism, they can also be seen as a translation of Goethe’s idea that “architecture is frozen music”. RUINER III is exemplary of how the artist’s disembodied sets typically evoke a sense of longing through absence, and in so doing, draw out an extended mediation on how audiences project mental or emotional energy onto a person, object, or idea.

Flesh in Stone - Ghost No.1
© » KADIST

Yu Ji

Sculpture (Sculpture)

Flesh in Stone – Ghost No. 1 is a stunning series of cement made body parts in various scales and movements, along with components such as iron and plaster molds to emphasize their tension. The “incompleteness” of Flesh in Stone weakens the figurative image itself, thus shifting the viewer’s focus onto the relationship between the rough material and the ideal rounded body shapes.

tombs and ignition
© » KADIST

Cross Lypka

Sculpture (Sculpture)

tombs and ignitions is a collaborative ceramic sculpture by artists Tyler Cross and Kyle Lypka. The work was translated by Kyle Lypka from Tyler Cross’s original drawing into three dimensions by coil building upwards. Lypka chose to coil build instead of using slabs because, although very flat and geometric, he believed that the form would benefit from the more organic technique of coil building, which after drying and firing tends to twist and pull, adding a sort of paradoxical swing and motion to the work’s angularity.

Fig. 33. 9 Your Love is a King
© » KADIST

Yeni Mao

Sculpture (Sculpture)

Fig. 33. 9 Your Love is a King by Yeni Mao is a sculpture made of blackened steel, brass, glazed ceramic, and leather.

home, a temporary place
© » KADIST

Mithu Sen

Installation (Installation)

home, a temporary place by Mithu Sen is part of a project called AºVOID. In this fragmented mental map, the landscape is fleeting, embossed, and ethereal; there are moments of recognition and also a near-violent sudden emptying of memory. Bodies are skeletal, nature is in entropy, context is removed.

Act Up (Psychedelic Prayer Rugs)
© » KADIST

Baseera Khan

Textile (Textile)

Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal. Visually seductive yet charged with political and symbolic associations, the rugs bridge elements of American popular culture with aspects of Islamic worship that may be poorly understood in contemporary secular contexts. Encouraged by Khan to take their shoes off and interact with the rugs, viewers participate in a decolonizing process as they meditate on their poetic allusions or perform the traditional salat, the daily prayers that constitute one of the five pillars of Islam, the others being faith, charity, fasting, and pilgrimage to Mecca.

Ali Trade Center Series IV (with Buddleia)
© » KADIST

Risham Syed

Textile (Textile)

Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession. Her mother had long talked about making quilts with these panels; there were many questions about what she would do with so many panels, which were ultimately used to compose Risham Syed’s work Ali Trade Center Series IV (with Buddleia) . After her mother’s death, Syed began to explore the history of this fabric as a material linked to commerce, power, social class, and culture, and thus linked to a history of violence, hardship, upheaval, and conflict.

Die
© » KADIST

Yang Song

Film & Video (Film & Video)

Yang Song’s Die features a clay mask of the artist himself slowly dissolving into water. Clay returns to clay. Clay originates from and returns to earth, becoming a metaphor for life.

Untitled
© » KADIST

Alicia Henry

Textile (Textile)

Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships. The artist probes societal differences and how these variations affect individual and group responses to themes of beauty, the body, and broader issues of identity. Untitled explores these themes and addresses the processes through which women navigate such issues.

U: Repair the cowshed after losing the cow = Too late
© » KADIST

Seulgi Lee

Textile (Textile)

The Korean title for U: Repair the cowshed after losing the cow = Too late is —a famous Korean proverb meaning “you are doing something when you are already late to do it”. This work by Seulgi Lee is a nubi (traditional Korean quilt) blanket project that shows Korean proverbs expressed as geometric shapes. Nubi blankets were used as single sheet summer blankets in Korean households until the 1980s.

Wateoma husipe / Larvas de oruga / Caterpillar larvae
© » KADIST

Sheroanawe Hakihiiwe

Painting (Painting)

Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions. During the process of depuration of forms he develops a series of translations whose inception is the daily life and culture of his community, deep in the Amazon rainforest. The works reveal structures rather than shapes, organization rather than form, exposing a way of seeing where nature and culture are not mutually exclusive but manifesting simultaneously.

Untitled (Boom Box, Double-Sided)
© » KADIST

Mary Ann Aitken

Painting (Painting)

Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance. Known for going against trends, Aitken often favored dimensions, such as the square, that were otherwise considered out of style in contemporary painting. In this double-sided painting, one side depicts the titular boombox set up—a boxy cassette player, flanked by a pair of stereo speakers in front of wood panelling.

A Thoughtful Gift
© » KADIST

Pio Abad

Sculpture (Sculpture)

A Thoughtful Gift by Pio Abad is based on a version of a letter written by the former First Lady of the United States, Nancy Reagan to the former First Lady of the Philippines, Imelda Marcos. Written in 1986, the letter assures Marcos of their safety from persecution in the United States, following widespread anti-government protests across the Philippines. The Marcoses were granted exile in the United States by the Reagan administration and they eventually fled to Honolulu.

Hog feed 102
© » KADIST

Jared Owens

Painting (Painting)

Hog feed 102 is an exemplary work by Jared Owens that combines two of the artist’s primary signatures: the use of soil smuggled out of the grounds at F. C. I. Fairton, a prison in which Owens was incarcerated, and the stowage diagram of the Brookes slave ship. This diagram from 1788 is a logistical blueprint of how to pack Black bodies efficiently, in tiered serial form, into the hold of a ship. Merging these vocabularies, Owens has laced a burlap sack for pig feed into the work to advance a multi-layered commentary on American prisons as ostensible ‘human farms’ that dehumanize inmates by turning them into a commodity for the prison industrial complex.

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910)
© » KADIST

Walead Beshty

Photography (Photography)

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram. Bold shapes, and the breaks between them, create a rhythm and compose an engaging abstract image. At the same time, the work deals with the conditions of the photograph’s manufacture.

Adição por subtração - 4
© » KADIST

Marcelo Cidade

Installation (Installation)

Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results. The installation is a large rectangular frame created out of shards of clear and colored glass that protrude from the wall. The use of glass fragments is reminiscent of Robert Smithson’s sculpture Map of Glass (Atlantis) (1969), yet the concerns here are very different.

Blue Elbow (Coude Bleu)
© » KADIST

Jumana Manna

Sculpture (Sculpture)

Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics. The materials related to the techniques of the sculpture or the painting but also others, which refer to commerce, to objects of consumption. The chair refers directly to the body as does the title of the work, Blue Elbow .

Hammer
© » KADIST

Oscar Tuazon

Sculpture (Sculpture)

Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology. Engaging different methods of construction, he frequently uses wood, concrete, glass, steel, and piping as materials to create his structures and installations. Tuazon’s works have roots in minimalism, conceptualism, and architecture, and have a direct relationship with both the site in which they are presented, as well as with their viewer, often through physical engagement.

thanks for staying alive Fern.1994
© » KADIST

rafa esparza

Painting (Painting)

thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s. The work is based on the popularity of mid-90s era Star Shots photographs, which usually featured graphic backgrounds and highly glamorized subjects wearing heavy makeup, matching outfits, perfectly coiffed hair, and dramatic expressions. In Los Angeles, esparza remembers many Black and Brown youths going to the mall (where many Star Shots photo studios were located) to circulate the photos with personal messages written on the back.

Masterpiece in the Water
© » KADIST

Lu Pingyuan

Installation (Installation)

Masterpiece in the Water by Lu Pingyuan tells the story of an impatient collector who is killed by an artist. This murder becomes an artwork in of itself as the story within the story sheds light on the psychological anxieties faced by soldiers during war time, the family bond, and the paranormal. This playful, yet violent, story explores the amusing similarity between supernatural events and the creation of artistic ideas, while reflecting on the complex relationships that exist within the art world.

Sin Título (T4)
© » KADIST

Maria Fernanda Plata

Sculpture (Sculpture)

Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle. Her careful meditations in fabric reflect Plata’s ongoing interest in the relationship between people and their environments, in fragility, systems, and destruction.

0000 - The Axiom ("The Unmanned" series)
© » KADIST

Fabien Giraud & Raphael Siboni

Film & Video (Film & Video)

– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal. Filmed at the scale of a fold of matter, this cut is the axiom on which the first season of The Unmanned rests.

#17 Pink
© » KADIST

James Welling

Photography (Photography)

#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.

100 Boots
© » KADIST

Eleanor Antin

Photography (Photography)

Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.

Untitled
© » KADIST

Jedediah Caesar

Sculpture (Sculpture)

For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms. This technical rework allows for a clinical inspection of the material contents of the piece and the resulting slanted industrial monolith echoes minimalist sculpture, although with a different expressive texture. Indeed, Untitled can be seen as a contemporary pyramid with a painterly surface.

The Transparencies of the Non-Act
© » KADIST

Mario Garcia Torres

Film & Video (Film & Video)

Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969. This article, which is the only trace of his work, is indicative of a lack of interest by Neuestern to leave his name in history; to “defend an artistic activity that has little or no interest to last.” Oscar Neuestern could only remember the previous 24 hours, of which his life and his work are in constant erasure and reconstruction. His practice was “to let things be done with time and the unconscious,” while “not fearing the void.” He looked for the absolute through transparency and symmetry.

A Gust of Wind
© » KADIST

Zhang Peili

Film & Video (Film & Video)

In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.

Lisa Oppenheim

Gozo Yoshimasu

Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...

Nontawat Numbenchapol

Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...

Jiri Kovanda

Martin Creed

Martin Kippenberger

Kristen Morgin

Mary Ann Aitken

Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...

Sandra Monterroso

Sandra Monterroso is a Guatemalan artist of Maya Q’eqchi’ decent...

Diane Severin Nguyen

Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...

Mithu Sen

Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...

Fernanda Laguna

Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...

Baseera Khan

Designed by the artist and fabricated in collaboration with Kashmiri artisans, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly colored symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...

Sheroanawe Hakihiiwe

Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...

David Haxton

Although trained as a painter, David Haxton is known for his exploration of light through the mediums of photography and film...

Curtis Talwst Santiago

Curtis Talwst Santiago is a multimedia artist making work centered on the diasporic experience, transculturalism, and memory...

Haegue Yang

Kadar Brock

Kadar Brock makes large-scale abstract paintings via a rigorous process of layering, erasing, and reworking his surfaces; his highly textured canvases are variously discordant, exuberant, and topographical in nature...

Nathaniel Dorsky

Nathaniel Dorsky belongs to a younger generation of filmmakers that follows key figures of the Bay Area avant-garde scene, like Bruce Conner, and is mainly associated with Canyon Cinema...

Eileen Quinlan

Eileen Quinlan makes photographic images through unusual processes, stripping the medium down to its essentials, and working experimentally with light, lenses, chemicals, reflections, and shadows...

Tanatchai Bandasak

Artist Tanatchai Bandasak began his career as a filmmaker, however following his studies at art school in France, he began exploring installation and sculptural strategies for presenting moving images...

Vivian Suter

Vivian Suter was born in Buenos Aires but brought up in Switzerland where she trained to be an artist...

Risham Syed

Risham Syed has a diverse art practice in which painting and other mediums are used to explore issues of history, sociology, and politics...

Jumana Manna

Jumana Manna is a Berlin-based artist whose work revolves around the body, national identity, and historical narratives...

Lu Pingyuan

Lu Pingyuan works with a variety of media such as texts, videos, installations, paintings, performances and other...

Nikau Hindin

Through her art practice, Nikau Hindin revives the Maori artform of barkcloth making...

Anju Dodiya

Anju Dodiya paintings feature autobiographical and human relationships, with ‘women’ usually at the center...

Mike Kelley

© » KADIST

about 44 months ago (08/30/2020)

© » KADIST

about 50 months ago (03/30/2020)

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about 92 months ago (09/22/2016)

© » KADIST

about 129 months ago (09/10/2013)

© » KADIST

about 157 months ago (06/13/2011)

© » KADIST

about 157 months ago (06/01/2011)

© » KADIST

about 174 months ago (01/19/2010)

© » KADIST

about 190 months ago (09/18/2008)