My specialty was to make a peasants’ haircut, but they obliged me work till midnight often
2017 - Textile (Textile)
93.50 x 94.00 cm
Mounira Al Solh
In 2011, Mounira Al Solh began a series of drawings that documented her meetings and conversations with displaced Syrian refugees in Lebanon and various European countries. The oral histories she collected are very different from those told in administrative interviews or police interviews. My specialty was to make a peasants’ haircut, but they obliged me work till midnight often (2017) is part of a series of embroideries that speaks to how personal stories in this political context create collective history. The artist’s conversations inspire her to write a few sentences that attempt to get as close as possible to the personality of the embroidered subject. The artist worked collaboratively with immigrant women, establishing a community and safe spaces of listening and dialogue. Embroidery involves an intimate relationship to time and moves away from the more mechanical practices of photography and documentary video. This work is a transcription of a moment recalling the physical and visual relationship that is at stake in a meeting.
Mounira Al Solh’s art practice embraces inter alia drawing, painting, embroidery, performative gestures, video and video installations. Irony and self-reflectivity are central themes for her work, which explores feminist issues, tracks patterns of microhistory, is socially engaged, and can be political and escapist all at once. Self-reflexivity is present in her work, and for several years she has collected stories and personal experiences provoked by the political and humanitarian crises in Syria and, more broadly, in the Middle East.
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Whitney Biennial 2024 — Even Better Than the Real Thing — Divers lieux — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Whitney Biennial 2024 — Even Better Than the Real Thing — Divers lieux — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Whitney Biennial 2024 — Even Better Than the Real Thing Exposition Techniques mixtes À venir Biennale du Whitney 2024 © Whitney Biennial Whitney Biennial 2024 Even Better Than the Real Thing Dans environ un mois : 20 mars → 28 avril 2024 Soixante-et-onze artistes et collectifs participent à la 81e édition de la Biennale de Whitney, qui ouvre ses portes le 20 mars 2024...
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