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A Soldiers’ Garden #c
© » KADIST

Nguyen 'Quoc' Thành

Photography (Photography)

A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.

Castigos del caucho
© » KADIST

Santiago Yahuarcani

Drawing & Print (Drawing & Print)

The series Castigos del caucho by Santiago Yahuarcani originates in the oral memory transmitted by the artist’s grandfather, who was a survivor of the Putumayo genocide where thousands of Indigenous people were annihilated and enslaved to extract rubber from the Amazon forest between 1879 and 1912. Yahuarcani’s complex narrative paintings on tree bark highlight a long history of colonial violence against the Uitoto and other Indigenous communities. They also show the destruction of the rainforest under Western models of extraction, privatization, and development.

Untitled
© » KADIST

N. Dash

Sculpture (Sculpture)

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

Film & Video (Film & Video)

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation. In a contemporary Indian society beholden by strongmen, Abidi uses Sutar’s studio to fictionalize a sculptor producing commemorative works for populist, preening figures, surrounded by the likenesses of idolized politicians of the post-colony. Abidi’s video presents one such aspirational bureaucrat, trailed by a cadre of lackeys who fawn over the varying statues that are laboriously carted out for his approval.

The Third Seal-They Are Already Old, They Don't Need to Exist Anymore
© » KADIST

Tsang Kin-Wah

Film & Video (Film & Video)

The Third Seal—They Are Already Old. They Don’t Need To Exist Anymore is part of The Seven Seals , Tsang’s ongoing series of digital videos that are projected as installations onto the walls and ceilings of dark rooms. Using texts and computer technology, the series draws its reference from various sources—the Bible, Judeo-Christian eschatology, existentialism, metaphysics, politics, among others—to articulate the world’s complexity and the dilemmas that people face while approaching “the end of the world.” The Third Seal is a nineteen-by-twenty-seven-foot projection on a single wall that, together with sound, creates an immersive and dynamic environment.

Teapot with shadow
© » KADIST

Hans-Peter Feldmann

Installation (Installation)

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities. This mise en scène of found kitchenware also exists with a rounder and flatter plain modern white porcelain teapot.

Study of History III
© » KADIST

Subas Tamang

Drawing & Print (Drawing & Print)

Study of History III by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949. Wentzel’s original color photographs document the transportation of a Mercedes Benz, carried on a wood armature by sixty porters, over a rocky trail from Bhimphedi to Kathmandu in Nepal. At the time of Wentzel’s photographs, paved roads in Nepal only existed within the Kathmandu Valley and cars had to be carried into the city from the surrounding hills on foot.

LAB
© » KADIST

Kori Newkirk

Photography (Photography)

LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel. His photograph of this throwaway object calls back the body, and the handprint is in fact his own right hand; thus the piece can function as a self-portrait of the artist, in an ironic twist on the art historical genre.

Linear Painting #5 – Saint Laurent du Maroni prison (Guiana)
© » KADIST

Kapwani Kiwanga

Painting (Painting)

Kapwani Kiwanga’s Linear Painting series (2017) reflect the artist’s research into disciplinary architecture, including schools, prisons, hospitals, and mental health facilities. When they were presented together, the paintings were arranged according to a black horizontal line placed at 160 centimeters from the floor, which traced the entire perimeter of the gallery. According to hygiene standards in Europe, this would mark the height below which walls should be washed in order to prevent the spread of illnesses.

Untitled (Checkers)
© » KADIST

Gregory Halpern

NFT (NFT)

Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.

Eight Views of Xiao and Xiang V
© » KADIST

Hao Liang

Painting (Painting)

Eight Views of Xiao and Xiang is a series of landscapes in the Xiaoxiang region in the modern day Hunan Province, China, and was a popular subject of poems, drawings and paintings during the Song Dynasty (960–1279). Liang follows tradition by interpreting the historical subjects by classical Chinese artists including Dong Yuan (934–962 AD), Mu Xi (died in 1281 AD), Wen Weiming (1470–1559 AD). This reinterpretation represents the meeting point of the Xiang River and the Dongting Lake.

La Ligne du Temps
© » KADIST

Valeska Soares

Installation (Installation)

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning. With copper wire stretched out across the room like a clothesline, Valeska Soares’ La Ligne du Temps creates a timeline out of fluttering, old book pages. Read upon the pages of this delicately wrought installation are linguistic approaches to time and its phenomonologies.

Scaffold
© » KADIST

Lotus Laurie Kang

Sculpture (Sculpture)

Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum. However, the simplest arcane gesture presented in the work oscillates sculptural syllabary and verse that mysteriously run through and connotes the artist’s personal, cultural, and diasporic history. Installed on the floor with a humble combination of folded burlap bags, commonly found in Korean construction sites or markets, and aluminum cast lotus roots, a common ingredient in traditional Korean cuisine.

Valz
© » KADIST

Fabrice Hyber

Drawing & Print (Drawing & Print)

Drawing, which is the essential embodiment of Fabrice Hyber’s artistic thinking, is at the origin of all his works. The artist uses accumulation, hybridization and mutation to create constant shifts between extremely varied domains. Each work is just an intermediate, evolving stage of this “work in progress” that spreads like a proliferation of thought, establishing links and exchanges that then help to create other connections.

The Illusion of Everything
© » KADIST

Daniel Crooks

Film & Video (Film & Video)

The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways. The video begins with the pedestrian traversing a seemingly idyllic ivy lined stone and concrete thoroughfare. As his pace begins to accelerate, the camera follows him with greater urgency, slowly settling and become stable again as his pace decelerates.

7-headed Lalandau Hat
© » KADIST

Yee I-Lann

Sculpture (Sculpture)

7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo. The materiality and form of this traditional headpiece represents the strength and fierceness of forest warriors. Their ‘chimneys’ on top are intended to resemble trees in the jungle onto which hornbill feathers would once have been stuffed.

Teomama
© » KADIST

Alicia Smith

Film & Video (Film & Video)

The title of Alicia Smith’s video work, Teomama , means “God Carrier” in the Aztec language of Nahuatl. It was the name given to medicine men and women who carried the bones of Huitzilopochtli—the god of war, sun, and human sacrifice in ancient Mexico, and the national deity of the Aztecs. Of the many legends featuring Huitzilopochtli, the origin story of Tenochtitlan (present day Mexico City) is perhaps one of the most well-known.

Cosmos animiste
© » KADIST

Dominique Zinkpè

Painting (Painting)

Dominique Zinkpè’s works with a wide range of materials, from jute to used cars to “hôhô” figures, which come from the Cult of Twins in southern Benin as a voodoo religion symbole of fertility. His portfolio is continually morphing between mediums and subjects, tackling issues such as intimacy, sex, the sacred and the profane while linking ancestral culture with the contradictions found in today’s world. These sketches of tumultuous human drama are infused with elements of irony and satire to reveal Zinkpè’s most disturbing and arresting constructs of the imagination.

Blindseye Arranger (Max)
© » KADIST

Brian Bress

Film & Video (Film & Video)

Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape. As the video progresses, however, a disembodied hand begins to move these forms, animating a pictorial frame that was previously still. The hand – ostensibly the “arranger” of the works title – functions as a metonym of the artist’s hand, quite literally bringing a motionless work to life.

My specialty was to make a peasants’ haircut, but they obliged me work till midnight often
© » KADIST

Mounira Al Solh

Textile (Textile)

In 2011, Mounira Al Solh began a series of drawings that documented her meetings and conversations with displaced Syrian refugees in Lebanon and various European countries. The oral histories she collected are very different from those told in administrative interviews or police interviews. My specialty was to make a peasants’ haircut, but they obliged me work till midnight often (2017) is part of a series of embroideries that speaks to how personal stories in this political context create collective history.

H.2.N.Y Skeleton of the Dump
© » KADIST

Michael Landy

H.2. N. Y Skeleton of the Dump revolves entirely around the performance “Homage to New York” (1960), of the Swiss artist Jean Tinguely (1925-1991), during which the machine built by the artist in the gardens of the Museum of Modern Art (MOMA) had to self-destruct itself in 27 minutes, but, in the end, it had to be finished off by firemenbeing called in after it erupted in flames. Since the discovery of Jean tinguely’s retrospective at the Tate Gallery in London, in 1982, Michael Landy spent two years researching and sketching (charcoal, oil, glue, ink) from his previous research carried out at Museum Tinguely in Basel, and at the MOMA in New York.

Provisão
© » KADIST

Rodrigo Braga

Film & Video (Film & Video)

Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth. As the camera fades to black, the viewer hears the repeated sound of a shovel striking dirt. The camera fades back to the clearing and zooms in on a shirtless man digging up the ground.

Anatomy of Landscape - Jos 25
© » KADIST

Abraham Oghobase

Photography (Photography)

This series of photographs is inspired by the artist’s travels to Jos, Nigeria. Having grown up in the urban environment of Lagos, Abraham Oghobase was struck by the tin-mining deposits and the man-made ponds and lakes that form a dominant part of the landscape in the city of Jos and its surroundings. While visually striking, the landscape also holds a complex history, excavated by the artist, who researched the prevalent mining of tin deposits that dates back to 1904 during the British colonial mineral exploration in the Northern Protectorate.

The Ecdysiast - Molt (Body Inspection)
© » KADIST

Yao Qingmei

Film & Video (Film & Video)

Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture. The three channels of the video respectively feature a dancer (left), a chorus (middle), and a security inspector (right). The dancer and security inspector enact a mechanical burlesque performance that parodies the body inspection procedures implemented by airport security.

The Wedding
© » KADIST

Yuri Ancarani

Film & Video (Film & Video)

The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible. The film is part of the broader project The Challenge through which the artist depicts the boredom and rituals endured by young Qatari men throughout various forms of costly and codified entertainment, including the highly theatrical practices of falcon hunting or car racing. The strange, almost surreal, choreography set against an artificial, overexposed backdrop, highlights the privileged presence of men in this part of the world, grouped together by sex and social class.

Simon & Gus
© » KADIST

Bobo

Painting (Painting)

Simon & Gus by Bobo is a binaural and fantastical artwork that tells the story of a sea steading maker-hobbyist as told from the perspective of an arduino board, and a mars dwelling stop motion animator as told from the perspective of a stop motion armature. The stop motion animator attends an artist residency on the red planet, and eventually sets out to start his own artist colony (a martian animation studio) with stupefying hubris. The result has disastrous consequences, with the martian ghosts eventually swallowing his soul, and his armature gaining full access to the animator’s motor skills and control of his ability to move.

Tughra
© » KADIST

Sharif Waked

Installation (Installation)

Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent. Under Suleiman’s reign, at the beginning of the 16th century, the Ottoman empire achieved its apex both in terms of territorial extension and cultural creation. Suleiman personally instituted major judicial changes relating to society, education, taxation, and criminal law, as such he is often referred to as ‘The Lawgiver’.

Freeway Series
© » KADIST

Catherine Opie

Photography (Photography)

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.

Monuments of the Disclosed
© » KADIST

Ahmet Ögüt

NFT (NFT)

Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers. As part of the drop of Augmented Reality sculptures, Ögüt invites the public to participate in populating public space with AR monuments, honoring those who have stood up to corrupt power. Each monument is dedicated to a different individual who stood up to protest systems far larger than themselves.

Kristen Morgin

Hao Liang

The work of Hao Liang reimagines and explores the sublime of contemporary ecological landscapes...

Abraham Oghobase

Abraham Onoriode Oghobase’s artistic practice explores identity in relation to socio-economic and historic geographies...

Alicia Smith

Alicia Smith is a Xicana artist and activist whose work thoughtfully engages with the subjects of indigeneity, colonialism, the environment, and the female body...

Gan Chin Lee

Gan Chin Lee is a Malaysian artist of Chinese descent known across Southeast Asia for his realist paintings that painstakingly register the ethnic and religious complexities of Malaysia...

Bani Abidi

Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...

Kamau Amu Patton

Kamau Amu Patton is a collector of the intangible...

davi de jesus do nascimento

davi de jesus do nascimento grew up in Pirapora, a town in the north of Minas Gerais, which guides the narratives of his work, as does the heritage of his family of fishermen, laundresses, and Carranca masters...

Michael Landy

Brian Bress

Yu Honglei

Yu Honglei produces video and mixed media works that frequently take everyday objects as their starting points...

Daniel Crooks

Tatsuki Masaru

Tatsuki Masaru became an independent photographer in the late 1990s after studying under Kyoji Takahashi, photographer mainly familiar to Japanese audiences for his commercial and fashion photography but also an independent image-maker producing photos, films and installations...

Claudia Joskowicz

Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...

Fabrice Hyber

In each of his self-portraits, Fabrice Hyber (he removed the last “t” in Hybert in 2004) is elusive...

Roy Kiyooka

The influential, multi-disciplinary artist Roy Kiyooka worked as a painter, sculptor, teacher, poet, musician, filmmaker, and photographer...

Rodrigo Braga

Risham Syed

Risham Syed has a diverse art practice in which painting and other mediums are used to explore issues of history, sociology, and politics...

Yuri Ancarani

Yuri Ancarani’s films are quasi-hypnotic devices; following highly unique bodily and site-specific choreographies, drawing sensitive portraits of human relations...

Leung Chi Wo and Wong Sara

Leung Chi Wo tends to highlight in his art the boundaries between viewing and voyeurism, real and fictional, and art and the everyday...

Pablo Rasgado

Tsang Kin-Wah

Egle Jauncems

Egle Jauncems’s practice considers the relationship between painting and textile art...

Lotus Laurie Kang

Lotus Laurie Kang works with sculpture, photography, and site-responsive installation...

Adrian Villar Rojas

Urban Fauna Lab

Urban Fauna Laboratory is a collective founded by Russian artists Alexey Buldakov and Anastasia Potemkina in 2011...

Catherine Opie

Engel Leonardo

Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean...

Valeska Soares

Lisa Oppenheim

© » ARTSJOURNAL

about 3 months ago (02/11/2024)

Literacy crisis in college students: Essay from a professor on students who don’t read...

© » MOUSSE MAGAZINE

about 3 months ago (02/09/2024)

“Green Snake: women-centred ecologies” is a group exhibition that explores the connections between art and ecology in the context of rising temperatures and...

© » BROOKLYN STREET ART

about 3 months ago (02/08/2024)

Books in the MCL: City of Kings: A History of NYC Graffiti | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY As founding members of the Martha Cooper Library at the Urban Nation Museum in Berlin, Brooklyn Street Art (BSA) proudly showcases a monthly feature from the MCL collection, illuminating the extensive and diverse treasures we’re assembling for both researchers and enthusiasts of graffiti, street art, urban art, and its numerous offshoots...

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about 3 months ago (02/07/2024)

Fabrice Gygi — Quelques nouvelles… — Galerie Chantal Crousel — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Fabrice Gygi — Quelques nouvelles… — Galerie Chantal Crousel — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Fabrice Gygi — Quelques nouvelles… Exposition Peinture, sculpture Fabrice Gygi, Quelques nouvelles…, vue d’exposition, Galerie Chantal Crousel, Paris (2024)...

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about 3 months ago (02/02/2024)

Artist Spotlight: Maeve van Klaveren – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by artist Maeve van Klaveren (previously featured here )...

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about 3 months ago (01/31/2024)

David Rhodes: Reconfiguring the authorship of a painting – Two Coats of Paint David Rhodes, 1 September 2023, 2023, acrylic on raw canvas, 23 x 15 inches...

© » CONTEMPORARYARTDAILY

about 3 months ago (01/31/2024)

Documentation of Jan Kiefer at Good Weather, North Little Rock is featured on Contemporary Art Daily....

© » WHITEHOT

about 5 months ago (12/18/2023)

Collectors Buy the Aura: Syd Krochmalny’s works at The Opening Gallery advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Collectors Buy the Aura: Syd Krochmalny’s works at The Opening Gallery Syd Krochmalny, I Speak the Languages of the Stones, 2017...

© » TWOCOATSOFPAINT

about 5 months ago (12/16/2023)

Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...

© » HYPERALLERGIC

about 5 months ago (12/13/2023)

Far-Right President Javier Milei Axes Argentina’s Culture Ministry Skip to content Argentina's President Javier Milei lifts a chainsaw during a rally on September 25, 2023 in San Martin, Buenos Aires...

© » CONTEMPORARYARTDAILY

about 5 months ago (12/03/2023)

October 27 – December 16, 2023...

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about 6 months ago (11/22/2023)

Agnes Martin’s market has reached extraordinary highs...

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about 6 months ago (11/16/2023)

Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility | Artsy Skip to Main Content Advertisement Art Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility Rawaa Talass Nov 16, 2023 5:13PM Diana Al-Hadid The Bride in the Large Glass , 2023 Kasmin Price on request Portrait of Diana Al-Hadid by Diego Flores...

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about 6 months ago (10/25/2023)

The National Portrait Gallery's Pavilion Cafe | Londonist That Kiosk Outside The National Portrait Gallery Is About To Reopen As A Cafe By Will Noble Will Noble That Kiosk Outside The National Portrait Gallery Is About To Reopen As A Cafe The former ticket booth opens as a cafe on 1 November 2023...

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about 7 months ago (09/28/2023)

BOMB Magazine | Jenny Xie Interviewed Necessary (Required) Cookies that the site cannot function properly without...

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about 8 months ago (09/19/2023)

Bérénice Reynaud, as Camille, in No Trifling with Love...

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about 19 months ago (10/05/2022)

The Metallica drummer also revealed his favorite music of 2018 and "the best action movie of the year by far."...

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about 19 months ago (10/05/2022)

Before it decided to sell the majority of its collection, California’s di Rosa Foundation explored the exact alternative critics of its decision have suggested....

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about 19 months ago (10/05/2022)

“You have to have an office, so why not look at a Jasper Johns rather than a reproduction?” the businessman and philanthropist once said....

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about 19 months ago (10/05/2022)

One of Poland’s Top Collectors Will Auction 200 Works to Fund Her Private Museum and Expand Her Focus on Women - via ARTnews...

© » ARTS EQUATOR

about 21 months ago (08/16/2022)

Quiz: How Much do you Know About Arts Censorship in Malaysia? | ArtsEquator Skip to content From banned publications to forbidden phrases, the arts has seen it all...

© » THE JEALOUS CURATOR

about 23 months ago (06/04/2022)

Yep, that image pretty much sums it up! Large-scale, hyperreal paintings on custom-cut panel, and a pug named Mochi...

© » ARTS EQUATOR

about 30 months ago (11/11/2021)

Quiz: What's Your Guilty Pleasure? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kristina Flour via Unsplash November 11, 2021 It’s 2021 – and you’re constantly being told to be your best self! There’s that pile of books waiting to be read, countless browser tabs open with must-read articles, and a list of podcasts that are supposed to make you smarter....

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about 31 months ago (10/21/2021)

So You Wanna Be An Independent Art Curator in Singapore? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 21, 2021 By Syed Muhammad Hafiz (1,000 words, 3-minute read) For the uninitiated, art curators are a mysterious bunch...

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about 50 months ago (03/27/2020)

COVID-19 and the arts in Southeast Asia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Photo by Hailey Oldfield on Unsplash March 27, 2020 by Nabilah Said As the world contends with the new normal of temperature checks, home quarantines and travel restrictions in the age of COVID-19, artists find themselves reckoning with a lack of paid jobs coupled with an existential question of the meaning of art in these times...

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about 53 months ago (01/08/2020)

Weekly Southeast Asia Radar: Indonesian webcomics spark joy; "come try" forum theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Jim Selkin January 8, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

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about 61 months ago (04/25/2019)

Unravelling the History of Nudity in Singapore Theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles "Undressing Room" by Ming Poon...

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about 70 months ago (07/23/2018)

Weekly Picks: Indonesia (23 - 29 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia July 23, 2018 Top Picks of Indonesia art events in Bali, Bromo, Solo and Jakarta from 23-29 July 2018 In Bali, Uma Seminyak is exhibiting Dolanan , an art show by 4 artists that highlights the world of imagination...

© » ARTNEWS CN

about 151 months ago (12/01/2011)

Turning Over a New Leaf – ARTnews.com Skip to main content By Lilly Wei Plus Icon Lilly Wei author View All December 1, 2011 11:00am It doesn’t look like an exhibition about dissent, at least not to contemporary eyes accustomed to more rousing images...

© » KADIST

about 3 months ago (02/12/2024)

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about 3 months ago (02/12/2024)

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about 80 months ago (10/21/2017)

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about 90 months ago (12/08/2016)

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about 95 months ago (07/06/2016)

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about 96 months ago (07/01/2016)

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about 100 months ago (02/06/2016)

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about 124 months ago (02/22/2014)

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about 141 months ago (10/17/2012)

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about 147 months ago (04/20/2012)

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about 147 months ago (04/18/2012)

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about 151 months ago (12/06/2011)

© » KADIST

about 163 months ago (12/04/2010)