Fedex® Large Kraft Box 2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#875468976062, September 9-14, 2011, International Priority, Bejing-London trk#874594463978, March 13-15, 2012, International Priority, London-San Francisco, trk#777001529227, August 16-18, 2016, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021

2011 - Sculpture (Sculpture)

23.62 x 18.11 x 18.11 inches (60 x 46 x 46 cm)

Walead Beshty

location: Los Angeles, California
year born: 1976
gender: male
home town: London, United Kingdom

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.


Artist and writer Walead Beshty examines the processes of his own multidisciplinary (though primarily photographic) work’s production, linking these processes to global issues including human migration,displacement, and technology. His works, oftentimes visually abstracted, argue for their own production as a process of transformation, emphasizing an expansive array of actions and methods through which art can be structurally transformed or produced. In this way, by examining the matrix of production surrounding his individual artworks, Beshty’s introspection also expands outward onto a complex field of vectors connecting actions, subjects, structures, and forms. Beshty explores the limitations and possibilities of his mediums, which include photography, light, metal, glass, cardboard, and, often, distance. Often striking in their visual presence, his work reflects the movement of images and objects, both in a literal sense and in terms of the way that ideas and materials are circulated and exchanged. They also convey another narrative: the history and the processes that construct both the world and his art.


Colors:



Other related works, blended automatically

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Untitled (Schindler House, #01)
© » KADIST

Luisa Lambri

2007

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...

Faltenwurf (Stairwell)
© » KADIST

Wolfgang Tillmans

2017

Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...

Gypsy
© » KADIST

Pascal Shirley

2006

Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...

Frontier-Linear
© » KADIST

Doug Aitken

2009

The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...

7-headed Lalandau Hat
© » KADIST

Yee I-Lann

2020

7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...

Untitled (Sten-Frenke House #04)
© » KADIST

Luisa Lambri

2007

Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...

I Am A Man
© » KADIST

Hank Willis Thomas

2013

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Raven (gun)
© » KADIST

Catherine Opie

1987

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

603 Football Field
© » KADIST

Qing Zhang

2006

603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

Black Imitates White
© » KADIST

Hank Willis Thomas

2012

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

Patient Admission, US Naval Hospital Ship Mercy, Vietnam
© » KADIST

An-My LE

2010

The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...

Cathy (bed self-portrait)
© » KADIST

Catherine Opie

1987

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...

Alistair Fate
© » KADIST

Catherine Opie

1994

Alistair Fate (1994) depicts, presumably, a member of the LGBT community...

PANGKIS
© » KADIST

Yee I-Lann

2021

PANGKIS by Yee I-Lann is a looped video performance...

The Tower of Babel: The Carnaval
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

The Tower of Babel: Independence of the country
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

EASTER MORNING
© » KADIST

Bruce Conner

2008

Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...