Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials. Untitled (Ticket Roll) belongs to this group of sculptures and consists of three smooth ornate marble elements and a roll of public transport tickets. The artist poetically associates finesse and fragility as in a number of these works.
he woke up with seeds in his lungs by Prajakta Potnis is a set of x-ray films presented through backlit light boxes of found objects constructed to evoke the body or organs that turns the host into a foreign element. The title of the work is inspired by a story the artist came across during her research, according to which a man had swallowed seeds that started to grow inside his organs. In the work, interior scapes of the body appear as radioactive rays pass through various materials.
Maria Taniguchi works across several media but is principally known for her long-running series of quasi-abstract paintings featuring a stylized brick wall device. Full of subtle gradations and low-key modulations, these are her trademark: a sustained, reiterative practice, steeped in repetition but carefully attuned to the economies and the sculptural presence of painting. Her approach to painting is conceptual.
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine.
The series of prints titled Mr. Shadow by Nontawat Numbenchapol engages with the history of and current state of militarization in Thailand. Each print features an invisible person, their silhouette only outlined by the military fatigues that they wear.
The Third Seal—They Are Already Old. They Don’t Need To Exist Anymore is part of The Seven Seals , Tsang’s ongoing series of digital videos that are projected as installations onto the walls and ceilings of dark rooms. Using texts and computer technology, the series draws its reference from various sources—the Bible, Judeo-Christian eschatology, existentialism, metaphysics, politics, among others—to articulate the world’s complexity and the dilemmas that people face while approaching “the end of the world.” The Third Seal is a nineteen-by-twenty-seven-foot projection on a single wall that, together with sound, creates an immersive and dynamic environment.
Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history. Akpo uses different mediums in these projects, as a metaphor to the complex stories of the figures and their true political weight. One part of the project, the Agbara Women photographic series, employs fictional portraits that sheds light on the queens’ histories.
Drawing & Print (Drawing & Print)
Nos visages ( Our Faces ) continues Nidhal Chamekh’s research around visual souvenirs of figures of the past and the light they might shed on our contemporary era. For this series of drawings, the artist draws from articles of French colonial propaganda, specifically the magazine Le Miroir , founded in 1910. In these documents Senegalese and Berber “infantrymen” participating in the First World War were represented in a way that situates them “somewhere between the ethnographical survey and the hackneyed colonial and orientalist image” says Morad Montazami.
Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1. Lutz has edited the recording by slowing it down slightly and adding background sound from the same recording. In Lutz’s edit, these are all the names of the ancestors of Jesus leading up to Joseph, but she leaves Jesus out of it, then reverses chronologically.
Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey. At once attractive and repulsive, the sculpture combines objects of adornment with what appears to be viscera. The sculpture’s curious delicacy evokes a ritualistic catharsis, in response to persistent forms of medical racial violence and objectification for Black people in America and around the world.
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel. In the video, a fallen parachutist hangs tangled by his own lines, suspended between two electrical towers in a surreally desolate landscape of overgrown fields in the Jordan Valley of Israel. A group of over a hundred men and women approach the towers, working with almost mechanic efficiency to free the parachutist from the power lines overhead.
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology. The original photographs were taken during protests in France, Cirio collected these images and created an online platform containing a database of the 4000 police faces that the AI program isolated. The artist crowdsourced their identification by name and then publicly exposed the officers by printing their headshots and posting them throughout Paris.
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology. The original photographs were taken during protests in France, Cirio collected these images and created an online platform containing a database of the 4000 police faces that the AI program isolated. The artist crowdsourced their identification by name and then publicly exposed the officers by printing their headshots and posting them throughout Paris.
The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture. Collaging together a chorus of subservient snapshots of women responding to an off-screen man with “si señor”, the accumulative effect of these spliced together scenes weighs heavy as the film plays on both humour and collective discomfort. In order to complete the work the artist watched hours upon hours of telenovelas, the impact of which on the collective consciousness is explored through her film.
The Territory is not for sale is a process of reflection and research with people, thinkers and community leaders from Usme, a rural part of Bogotá on the tenuous verge of becoming urban. As an art object and installation, it comprises multiple stacks of paper each containing the decrees of land expropriation from many different peasant farmers who are being forced to sell their lots of land back to the government. Usme lies at the southern urban-rural border strategically located next to the Páramo de Sumapaz, an enormous neo-tropical tundra ecosystem and water reserve.
Adnan’s paintings are simple images with bold contrasting colors and rich textures. This particular work has an iconic feel and a strong physical presence in spite of its diminutive size. All of her paintings are small but, like Howard Hodgkin’s work, their intensity gains from their diminutive size.
“We both died at the same moment” is a humorous observation of anthropomorphism, the attribution of human emotions to nature and animals. A siliquaria armata is a slitworm that loosley-coiles a shell. Growing inside a sea-bed, a siliquaria armata will grow vertically until it touches another siliquaria armata, at which point they will knot together.
Game (Six Pieces) by Erbossyn Meldibekov is inspired by the popular Rubik’s cube puzzle and is composed of three colors (red, green and white) instead of six, referencing the colors of the Afghan flag. The work provides a revisionist interpretation of the legacy of The Great Game (the original 19th-century standoff between Russian and British empires over Afghanistan), and Afghanistan’s position as a centerpiece of the longstanding War on Terror, (the military campaign led by the United States and their allies against organizations and regimes they identified as terrorists after 9/11). Game (Six Pieces) mobilizes dark humor and irony to illustrate the complex and unstable relationships between communism, Islam, and American and British imperialism.
Drawing & Print (Drawing & Print)
David Gustav Cramer’s are composed of simple, descriptive texts accompanied by found photographs, letters or other materials. The elements juxtaposed in each work operate like the lines of a Haiku. It is the tension between them that opens space for thought.
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner. An emptiness (some are burned letting appear a white or mirror background or a mirror) replaces the eyes, giving the impression of a blind eye deprived of all expression. Paradoxically, the work looks at us all the more intensely.
The final work in the Marshal Tie Jia series (of which Turtle Island is in the KADIST collection), Spirit Writing features the Marshal in conversation with Chia-Wei Hsu, by way of a ritual involving the Marshal’s divination chair. Marshal Tie Jia is a frog god, who was born in a pond in Jiangxi, China, before fleeing to Matsu Island off the coast of Taiwan during the Cultural Revolution after his temple was destroyed. Spirit Writing attempts to reconstruct the original temple using 3D modeling software, operated in real time as Hsu asks the Marshal questions, receiving answers through a divination ritual in which the chair is swung violently around by his acolytes.
Drawing & Print (Drawing & Print)
Now; 1992 is Ali Yass’s attempt to remake his childhood drawings, which were lost after he was forced to leave Iraq following the 2003 US occupation. The drawings are chimeric compositions of animated limbs, animal, human, and machine, that seem to hurl in all directions and mediums, unified as colorful figurations posed against blank backgrounds, rendering the curious characters suspended in time. This suspension materializes the artist’s view on violence and temporality, on which he has claimed: “I will not talk about war because it is from the past.
Abel Rodríguez’s precise, botanical illustrations are drawn from memory and knowledge acquired by oral traditions. They are the visions of someone who sees the potential of plants as food, material for dwellings and clothing, and for use in sacred rites. Terraza Alta V is part of a series of drawings that track the changing appearance and life of an area identified as Terraza Alta.
Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I . This title references Duncan’s early artistic influences from the punk and hardcore music communities in tandem with his conceptual interest in perception and optics. This small painting features a glowing cluster of colorful dots on a bright blue background, also created from an accumulation of blue dots in varying tones.
A child and dreamer my whole life long (broken tree) (2004) is a sculpture made of filler, wire, copper, oil paint, and wood depicting a tree just at it’s moment of breaking into half – one part alive with foliage and blooming branches and the other the crisp of the break exposed, with the trunk adhered solidly to a plinth. The sculpture appears to speak quite bluntly about Isaac’s own sense of bleak pessimism when exposing a severed tree, the universe’s sacred sign of life and birth. Through the perfect rendering of this encapsulated moment, Isaacs demonstrates the strength of the sculptural artifact and his interest in failure and fragility.
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects. For the installtion 1,2,3 soleil ! the space was structured like a material index, posing limbs and skins from stadiums and public spaces —namely floodlights, electric poles and asphalt— alongside abstract drawings inspired by policing and sporting data visualization iconography.
Drawing & Print (Drawing & Print)
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate. The form used for this drawing details a weekly menu for the prisoners. Hough’s drawing depicts three grimacing figures, riding atop the back of a larger, female figure on all fours.
Drawing & Print (Drawing & Print)
These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory. Gupta created each map by superimposing 100 separate drawings of each country. The project investigates modern notions of the nation-state, national identity, and borders by looking at countries in which boundaries are contested and the history of the land far precedes such ideas.
Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag. Intrigued by the two shades of blue used for the source object (a deep dusty blue and a bold vivid cobalt blue) the artist replicated these shades in her painting. Craig then added in her own colors, including the pink-orange hues, to achieve a bold but soft quality about the work, as she states that she intended the work to convey vulnerability.
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
Artist Paolo Cirio engages with legal, economic, and cultural systems of information...
Chris Duncan employs repetition and accumulation as a basis for experiments in visual and sound-based media...
Chemi Rosado-Seijo’s work consists of community-based interventions linked to the site where they have been developed...
Joana Hadjithomas and Khalil Joreige collaborate as both filmmakers and artists, producing cinematic and visual artwork that intertwine, spanning feature and documentary films, video and photographic installations, sculpture, performance lectures and texts...
Doreen Lynette Garner’s practice examines the histories and enduring effects of racial violence in the United States...
Ishola Akpo is a photographer and multimedia artist whose practice explores the possibilities of digital technology...
Working primarily with photography, but more recently with video and lightboxes, Eason Tsang Ka takes inspiration from the urban density of Hong Kong as well as from everyday objects....
Dora Garcia was born in 1965 in Valladolid, Spain...
Haig Aivazian is an artist and a writer, born in 1980 in Beirut and currently based there...
Sergio De La Torre has worked with and documented the manifold ways in which citizens reinvent themselves in the city they inhabit, as well as the site-specific strategies they deploy to move “in and out modernity.” De La Torre often collaborates with his subjects, resulting in both intimate and critical reflections on topics like housing, immigration, and labor...
Emeka Okereke is a Nigerian visual artist and writer who lives and works between Lagos and Berlin, moving from one to the other on a frequent basis...
Arabella Campbell is a Vancouver-based painter who explores the intricacies of abstraction...
Artist Ali Eyal’s practice aims to explore the complex relationship between community and politics using different media such as video, installation, photography, and painting...
Jordan Ann Craig is a Northern Cheyenne artist born and raised in the Bay Area; she invests her work with a strong interest in Indigenous culture and the history of its destruction by settlers...
Sue Williamson (b...
Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...
Throughout her paintings, sculptures, and videos, Maria Taniguchi unpacks knowledge and experience—connecting material culture, technology, and natural evolution—and investigates space and time, along with social and historical contexts...
Departing from social and political history, the work of Rossella Biscotti (b...
Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...
Trevor Yeung’s (b...
Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory...
In a career spanning more than four decades, Lutz Bacher (born 1952, lives in New York) has built a highly heterogeneous oeuvre that defies classification...
John Isaacs’ work encompasses many different media, though much of it has origins in sculpture...
Working in ballpoint pen, pencil, and watercolor, often on the backs of bureaucratic prison forms, James “Yaya” Hough’s work conveys the burdens of incarcerated life, revealing not only the brutal reach of the carceral system, but laying bare its affects...
Arrests Made in Marc Chagall Print Theft Case - Artcentron Home » Arrests Made in Marc Chagall Print Theft Case ART Feb 10, 2024 Ξ Leave a comment Arrests Made in Marc Chagall Print Theft Case posted by ARTCENTRON Marc Chagall, Eve (1971)...
The Van Gogh painting that was stolen—and recovered in an Ikea bag—goes on show Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Adventures with Van Gogh blog The Van Gogh painting that was stolen—and recovered in an Ikea bag—goes on show Research reveals that the artist began the work as a winter scene and transformed it into a spring landscape Martin Bailey 9 February 2024 Share Conservator Marjan de Visser examining Van Gogh’s The Parsonage Garden at Nuenen in Spring (March 1884) Depot Boijmans van Beuningen...
How Berlin Gallerist Michael Janssen Is Committing to New Models of Collaboration | Artsy Skip to Main Content Advertisement Art Market How Berlin Gallerist Michael Janssen Is Committing to New Models of Collaboration Maxwell Rabb Jan 31, 2024 6:46PM Gulnur Mukazhanova Untitled, from the series ‚Self Portaits‘ , 2023 Galerie Michael Janssen €9,000 Portrait of Michael Janssen...
"Modern Land" by Artist Madeline Rupard Submit Born in the Utah desert, artist Madeline Rupard spent her formative years in Silver Spring, Maryland and Augusta, Georgia...
Darling, this is Switzerland | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Greetings from Rosie Olang’ Odhiambo Darling, this is Switzerland On a curatorial research trip through Switzerland, curator Rosie Olang’ Odhiambo shares her impressions in five postcards with a loved one in Nairobi....
Whilst the batteries are not included, what we discover in the exhibition is a magical atmosphere bound to the technological and scientific developments...
On this episode of the i-Dentity podcast, we look at how the hardcore Dutch subculture still informs menswear at Balenciaga and Y/Project....
Kosovo Café Massacre Plaque Blames Serbian State Security - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight The erection of a memorial plague in front of the Panda Cafe...
Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? | Londonist Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney? By M@ M@ Why Is There A Huge Mural Of Rembrandt On Mare Street, Hackney?...
Y2-Slay: Style snaps from Namasenda’s riotous London gig | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Gallery Photographer Michele Baron captures the crowd at the Stockholm-based artist’s recent XOYO show 12 December 2023 Text Dominic Cadogan Namasenda Gig Style by Michele Baron 29 Namasenda ’s unescapable sound is something of an earworm...
DSO extends music director's contract through 2031; new album on the way BRIAN MCCOLLUM DSO extends music director's contract through 2031; album of Wynton Marsalis symphony on the way Brian McCollum Detroit Free Press View Comments Detroit Symphony Orchestra music director Jader Bignamini has been given a contract extension through 2031, the DSO’s governing board announced Thursday...
Andre Braugher, Emmy-winning actor who starred in 'Homicide' and 'Brooklyn Nine-Nine,' dies at 61 | TribLIVE.com Celebrity News Andre Braugher, Emmy-winning actor who starred in 'Homicide' and 'Brooklyn Nine-Nine,' dies at 61 Associated Press Tuesday, Dec...
A line is not a border — Group show — Galerie Xippas — Exposition — Slash Paris Connexion Newsletter Twitter Facebook A line is not a border — Group show — Galerie Xippas — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour A line is not a border — Group show Exposition Installations, peinture, photographie, sculpture.....
Documentation of Michael Ho at High Art, Paris is featured on Contemporary Art Daily....
Second Clockenflap festival this December is ‘a leap of faith’, says co-founder, who promises ‘outrageous levels of fun for all who come’ | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more How will December’s Clockenflap festival differ from the March edition? Justin Sweeting, Clockenflap co-founder and head of music, talks to the Post...
The Pyschedelic Life and Art of David Edward Byrd ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In The Pyschedelic Life and Art of David Edward Byrd It All Began With a Trip to the Bathroom By Robert von Goeben November 20, 2023 It’s odd to think that this history of artist David Edward Byrd started with a trip to the bathroom… but it did...
Takashi Murakami Doraemon – Wouldn’t it Be Nice if We Could Do Such a Thing – Lithograph, 2019 Affectionately known as the ‘Mikey Mouse of Japan,’ Doraemon has enjoyed enduring popularity for decades and played a role in several of … Continue reading →...
Pantsula, a South African dance, emerged in townships as a form of political repression - France 24 Skip to main content Pantsula, a South African dance, emerged in townships as a form of political repression Issued on: 26/07/2023 - 19:17 Modified: 01/08/2023 - 11:42 01:29 Video by: Camille NEDELEC Dance company Via Katlehong is keeping South Africa's pantsula heritage alive...
Art collector Anjali Jain feels a lot needs to be done in India for visual art...
Podcast 84: Traditional Arts: Dikir Barat, Kavadi Attam and Nanyin | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 8, 2020 ArtsEquator speaks to Lyn Lee, Nirmala Seshadri and Soultari Amin Farid about Nanyin, Kavadi Attam and Dikir Barat and the study and practice of traditional arts in Singapore...
Weekly Southeast Asia Radar: Regional take on arty banana; arts centre on Fish Island | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Marketing Interactive December 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
"In Time To Come" at LumiNation 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles August 1, 2019 We asked our readers what they would put in a time capsule...
What If Your Body Turns into a Sculpture? : Interview with Sasha Waltz on "Körper" at SIFA 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 29, 2019 By Winnie Chen Dixon (600 words, four-minute read) Have you ever imagined dancers’ bodies turning into sculptures, as if time stood still? This is the impression of Körper (Body) , the signature dance performance of this year’s edition of the Singapore International Festival of Arts....
SIFA 2019: Top Ten Picks | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: SIFA 2019 April 1, 2019 By Akanksha Raja The 42nd Singapore International Festival of Arts returns this year from 16 May to 2 June 2019...
Podcast 53: Songwriter on the Spot - Ng Sze Min of Artwave Studio | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Poetry Festival Singapore On-the-Spot Poetry Singing March 18, 2019 Duration: 21 min Ng Sze Min, a young emerging music composer and producer, whips up a song based on Akanksha’s teenage poetry, and shares about the other projects that she has worked on as part of Artwave Studio, which she runs together with her partner – aside from her personal practice composing audio plays (which can be found on Spotify )...
Weekly Picks: Malaysia (12–18 Nov 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 12, 2018 Bisikan Monsoon — Open Rehearsal , at Selangor & KL Kwang Tung Association, 13 Nov, 5:30pm An invitation to view the rehearsals for Kwang Tung Dance Company’s Bisikan Monsoon (the show is travelling to China later in the month)...
Dramaturgy Under Capitalism (via Exeunt) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar November 4, 2018 At first encounter, it’s a terrifying word...
On Taipei Arts Festival with Tang Fu Kuen | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 25, 2018 By Yuka Sugiyama (480 words, three-minute read) The Taipei Arts Festival (TAF) began in 1998 as one of the main festivals in Taipei to mark the city’s contemporary consciousness through the staging of multiple artistic activities for international and national audiences...
Political artist, painter, writer, performer, photographer, David Wojnarowicz, was one of the leading figures of the New York Downtown artistic scene of the 1980s...
Born in Uganda of Indian descent, Bhimji has lived in London after her family sought refuge from the regime of Idi Amin who compulsorily expelled all Asians from Uganda...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
A child and dreamer my whole life long (broken tree) (2004) is a sculpture made of filler, wire, copper, oil paint, and wood depicting a tree just at it’s moment of breaking into half – one part alive with foliage and blooming branches and the other the crisp of the break exposed, with the trunk adhered solidly to a plinth...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope...
The television monitors utilized in the video installation Come On (2008) ostensibly serve as playback devices for a multi-channel installation of clips from blockbuster films as part of a larger commentary of mass entertainment and its relation to consumer cultures...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Drawing & Print
Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s...
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Adnan’s paintings are simple images with bold contrasting colors and rich textures...
Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I ...
The Territory is not for sale is a process of reflection and research with people, thinkers and community leaders from Usme, a rural part of Bogotá on the tenuous verge of becoming urban...
In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam...
“We both died at the same moment” is a humorous observation of anthropomorphism, the attribution of human emotions to nature and animals...
Drawing & Print
These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...
Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank...
Freedom Farming presents how, after being given the right of farming, Li Binyuan began to re-dig his land...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Maria Taniguchi works across several media but is principally known for her long-running series of quasi-abstract paintings featuring a stylized brick wall device...
Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...
The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture...
The final work in the Marshal Tie Jia series (of which Turtle Island is in the KADIST collection), Spirit Writing features the Marshal in conversation with Chia-Wei Hsu, by way of a ritual involving the Marshal’s divination chair...
Drawing & Print
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...
Drawing & Print
Cristóbal Lehyt has conducted thorough research on the historical and cultural complexity of the northern region of Chile where the Atacama Desert is located...
Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey...
Game (Six Pieces) by Erbossyn Meldibekov is inspired by the popular Rubik’s cube puzzle and is composed of three colors (red, green and white) instead of six, referencing the colors of the Afghan flag...
Produced for the Prix Marcel Duchamp and presented at the Centre Pompidou in October 2017, the installation Uncomformities is comprised of photographs, archaeological drawings, and narratives, based on the analysis of core samples from different sites in Beirut, Paris and Athens...
Abel Rodríguez’s precise, botanical illustrations are drawn from memory and knowledge acquired by oral traditions...
Untitled (Ring) consists of two prominent elements contained in water filled glass sphere...
Bariga Nights is a photographic series set in the Bariga neighborhood in Lagos (Nigeria)...
Drawing & Print
Nos visages ( Our Faces ) continues Nidhal Chamekh’s research around visual souvenirs of figures of the past and the light they might shed on our contemporary era...
Drawing & Print
Now; 1992 is Ali Yass’s attempt to remake his childhood drawings, which were lost after he was forced to leave Iraq following the 2003 US occupation...
Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag...
The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo...
he woke up with seeds in his lungs by Prajakta Potnis is a set of x-ray films presented through backlit light boxes of found objects constructed to evoke the body or organs that turns the host into a foreign element...
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
Drawing & Print
David Gustav Cramer’s are composed of simple, descriptive texts accompanied by found photographs, letters or other materials...
Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawing & Print
American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...