I am the Greatest

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Dr...

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...

Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Dr...

In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...

Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Jean Miotte Exposition Peinture Jean Miotte, Sans titre, 2000 (Détail) Acrylique sur toile — 99,1 × 81,3 × 2,5 cm Courtesy of the artist & Galerie Almine Rech, Paris Jean Miotte Encore 11 jours : 18 novembre → 22 décembre 2023 Jean Miotte (1926-2016), qui a exposé à Paris avec Joan Mitchell, Jean-Paul Riopelle et Sam Francis, est une des figures éminentes de l’abstraction lyrique...

What Color is Luke Murphy’s outstanding digital painting that elegantly loops in nonstop motion...

New Mochi Pizza Restaurant Is Offering Free Slices in Palo Alto | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Food Free Mochi Pizza For National Pizza Day? Yes, Please Alan Chazaro Feb 6 Save Article Save Article Failed to save article Please try again Email A new Peninsula pizzeria believes mochi and pizza are the perfect combination...

Jeff Koons Killed Her Review - The New York Times Art & Design | Jeff Koons Killed Her Review https://www.nytimes.com/2023/12/17/arts/design/jeff-koons-brooklyn-rail-tulips-golan.html Share full article 271 Advertisement SKIP ADVERTISEMENT It all began with the flowers, and the hands holding them aloft...

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Foreigners Everywhere is a series of neon signs in several different languages...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations...

During the inauguration of the 14th edition of the art fair Contemporary Istanbul, chairman Ali Güreli was also enthusiastically stressing the importance of art and culture in Turkey with the statement: “The artistic and cultural dimension needs to be reinforced at all times”....

In the second part of our interview with the President of Christie’s Asia Pacific, Francis Belin opines on art hubs in the East, asserting Hong Kongs hegemony...

Arts Review: “Anida Yoeu Ali: Hybrid Skin, Mythical Presence” | Observer ‘Water Birth, The Red Chador: Genesis I,’ Kaiona Beach, Oahu, USA, 2019, Anida Yoeu Ali, Cambodian American, b...