Stanley "Tom" Durrell, Tinsmith

2008 - Photography (Photography)

Sharon Lockhart

year born: 1964
gender: female
nationality: American
home town: Norwood, Massachusetts

Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U. S. naval shipbuilding company—in Maine. Stanley “Tom” Durrell, Tinsmith (2008) belongs to a group of portrait-like photographs of the shipyard’s workers lunchboxes. Created over the period of a year, Lockhart’s film and accompanying still photographs are intended as an exploration of the social spaces inside this kind of workplace. At the turn of the nineteenth century, the factory was an emblem for the American way of life; today, those same factories and an entire generation of the working class seem on the verge of disappearance as a result of political and economic global capitalism.


Sharon Lockhart is both a filmmaker and a photographer, and she moves seamlessly between the two. All of her work, regardless of medium, offers a prolonged investigation of the subject at hand. The artist’s almost anthropological sensibility leads her to spend months, even years, working with the same community, whether in Bath, Maine, or Lodz, Poland, resulting in provocative and thorough studies of people and places.


Colors:



Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

The Crime of Art
© » KADIST

Kota Ezawa

2017

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

Untitled Inkblot Drawing (CT-1491)
© » KADIST

Bruce Conner

1995

Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

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Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Acting Exercise: Demon Possession
© » KADIST

Miljohn Ruperto

2009

Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...

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Visalia Livestock Market, Visalia, California
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Sharon Lockhart

2011

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

The Illusion of Everything
© » KADIST

Daniel Crooks

2014

The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...

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Podcast 106: Boom
© » ARTS EQUATOR

Podcast 106: Boom | ArtsEquator Skip to content In our latest podcast, we discuss Boom, a production by A Mirage which took place on 1-20 July 2022...

The Business of Being an Art Collector: A Roundtable Discussion With Three Top Patrons About How the Pursuit Has Changed - via artnet news
© » LARRY'S LIST

Patrizia Sandretto Re Rebaudengo, Dimitris Daskalopoulos, and Paul Ettlinger sit down to discuss how art collecting has evolved....

Untitled (Chairs and View)
© » KADIST

Gregory Halpern

2016

Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...

Sheet 5 (Stamped series)
© » KADIST

John Lucas and Claudia Rankine

2018

Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes...

Other works by: » Sharon Lockhart  
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Visalia Livestock Market, Visalia, California
© » KADIST

Sharon Lockhart

2011

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Gary Gilpatrick, Insulator
© » KADIST

Sharon Lockhart

2008

Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

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Tina Knowles Made Beyonce the Art Collector She Is Today - via eonline.com
© » LARRY'S LIST

Blue Ivy's grandma tells how she introduced her kids to paintings at an early age while at The Broad's Soul of a Nation: Art in the Age of Black Power exhibit...

Muster (Rushes, 2011-2012) by Clemens Von Wedemeyer
© » KADIST

A private preview of a new film produced for dOCUMENTA (13), followed by a conversation with political philosopher Florian Grosser...

Winter
© » KADIST

Amie Siegel

2013

Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition...

Tarantism by Joachim Koester
© » KADIST

Co-presented with Headlands Center for the Arts, Copenhagen-based artist Joachim Koester presents Tarantism (2007), a film from the Kadist Collection in which performers enact the “dancing cure,” an Italian folk method of curing a tarantula bite...