Black Hands, White Cotton

2014 - Drawing & Print (Drawing & Print)

Hank Willis Thomas

location: New York, New York
year born: 1976
gender: male
nationality: American
home town: Plainfield, New Jersey

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title. As with many of his works, the artist has taken a found image and manipulated it to draw out and dramatize the formal contrast between the black hands holding white cotton. Cotton, of course is one of the most familiar fabric sources to us, and becomes incredibly soft once processed. But at the time that it was being planted and picked by slaves in the United States, was severely abrasive and would lacerate the hands of the slaves dramatically. Not to mention the physical labor involved in picking cotton out in the sweltering hot fields for inhumane periods of time, and the frequent physical abuse endured by slaves in the process. This image, culled from the archives of Jive magazine in San Francisco, and blown up to a pixelated scale therefore demands not only that we confront the history of slavery and racism in the US, but does so by presenting a formal contradiction of a material that appears seductive, glamorous, and ornamental, but of a subject that represents extreme violence and oppression.


Employing the visual language and terminology of mass media, and appropriating symbols and images from popular culture, Hank Willis Thomas’ work seeks to question and subvert established definitions and positions with regards to personal identity and the narrative of race. Working across installation, photography, video, and media work, Thomas maintains his photo conceptualist roots, primarily taking source material from found photographs and archives. These images form the basis from which the artist seeks to uncover the fallacies that history claims as truth. His work illustrates how the way history is represented and consumed reinforces generalizations surrounding identity, gender, race and ethnicity, and that as an artist he has an opportunity to expose or to revise those histories from the points of view of the oppressed.


Colors:



The American War
© » KADIST

Harrell Fletcher

2005

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...

The Nightwatch
© » KADIST

Francis Alÿs

2004

The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

The Making of Monster
© » KADIST

Douglas Gordon

1996

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Other related works, blended automatically  
» see more

South Africa Righteous Space
© » KADIST

Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

The Tower of Babel: Destruction
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

Related works sharing similar palette  
» see more

Sin Título (T4)
© » KADIST

Maria Fernanda Plata

2015

Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle...

Citydance (Part 1)
© » KADIST

Co-presented with the CCA Wattis, as part of the City of Disappearances exhibition, Kadist presents two evenings of outdoor screenings of eight different video artworks on building exteriors in San Francisco...

Tsumeb Fragments
© » KADIST

Otobong Nkanga

2015

Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...

Met Museum to Return 16 Looted Khmer Artifacts
© » HYPERALLERGIC

Met Museum to Return 16 Looted Khmer Artifacts Skip to content Unknown artist, "Head of Buddha" (7th century), sandstone, 24 x 13 x 12 3/4 inches (all photos courtesy the Metropolitan Museum of Art) An ancient larger-than-life sandstone Buddha head, a bronze sculpture of a seated Bodhisattva Avalokiteshvara, and a 10th-century goddess statuette from a remote temple complex are among 16 looted Khmer works currently in the process of repatriation back to Cambodia and Thailand, according to announcements by the Metropolitan Museum of Art and the US Attorney’s Office for the Southern District of New York (SDNY) released today, December 15...

Related works from the » 2010's created around » New York, New York  
» see more

Nothing New
© » KADIST

Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

La Ligne du Temps
© » KADIST

Valeska Soares

2012

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

Other works by: » Hank Willis Thomas  
» see more

South Africa Righteous Space
© » KADIST

Hank Willis Thomas

2014

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....

I Am A Man
© » KADIST

Hank Willis Thomas

2013

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Bread and Roses
© » KADIST

Hank Willis Thomas

2012

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...

Related artist(s) to: Hank Willis Thomas » Abraham Cruzvillegas, » Claire Fontaine, » William E Jones, » Catherine Opie, » Collier Schorr, » Glenn Ligon, » Harun Farocki, » Jens Hoffmann, » Kirsten Pieroth  
» see more

Foreigners Everywhere (Italian)
© » KADIST

Claire Fontaine

2006

Foreigners Everywhere is a series of neon signs in several different languages...

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Cathy (bed self-portrait)
© » KADIST

Catherine Opie

1987

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...

Related works found in the same semantic group  
» see more

Dead Zone (4)
© » KADIST

Aria Dean

2019

Although typically sold today as a novelty item for flower arrangements and interior decorating flourishes, cotton can also be seen as a proxy, through synecdoche, for US slavery...

Whites for Sale
© » KADIST

Dread Scott

2022

In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale ...

Limbé
© » KADIST

Mathieu Abonnenc

2021

The film Limbé by Mathieu Kleyebe Abonnenc takes its inspiration and its title from a poem by the Guyanese poet Léon-Gontran Damas, one of the co-creator of the negritude movement...

8 Possible Beginnings or: The Creation of African-America
© » KADIST

Kara Walker

2005

In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...