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Abece “K”
© » KADIST

Johanna Calle

Drawing & Print (Drawing & Print)

Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet. There is a drawing for each letter, in which the letter is repeated over and again in various directions and scales, thereby demonstrating how a symbol can be reoriented without changing its linguistic meaning. Here, the letter K is outlined and surrounded by a dense and varied field of other K s.

Central Region
© » KADIST

Tanatchai Bandasak

Film & Video (Film & Video)

Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War. In Bandasak’s unpretentious, animist portrait of the ruins, what is remarkable is the absence of the embodied observer, instead, it is the technical parsing of the digital video camera that enlivens these prodigiously still, mute and enduring objects, through a chanceless sequence of static shots, dissolving measure and revealing gradual modulations of light. The piece evokes a spectral landscape energised by the undead and the nonhuman, opening up contemporary philosophical questions via seemingly ageless and inert artifacts.

Meanwhile
© » KADIST

Karan Shrestha

Film & Video (Film & Video)

After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures. From accessing essentials to employment, education, compensation, legal justice, health facilities, and human rights, the people of Nepal have been forced to wait. Meanwhile by Karan Shrestha records moments of impasse as the post-conflict period dragged on.

Eight Views of Xiao and Xiang V
© » KADIST

Hao Liang

Painting (Painting)

Eight Views of Xiao and Xiang is a series of landscapes in the Xiaoxiang region in the modern day Hunan Province, China, and was a popular subject of poems, drawings and paintings during the Song Dynasty (960–1279). Liang follows tradition by interpreting the historical subjects by classical Chinese artists including Dong Yuan (934–962 AD), Mu Xi (died in 1281 AD), Wen Weiming (1470–1559 AD). This reinterpretation represents the meeting point of the Xiang River and the Dongting Lake.

Botanical Frottage (Lauren)
© » KADIST

Adrien Missika

Photography (Photography)

Adrien Missika follows in the footsteps of the Brazilian landscape architect and artist Roberto Burle Marx (1909-1994), a designer of gardens, parks and promenades who introduced modern landscape architecture to Brazil. Marx’s work is characterized by the use of native tropical vegetation as a structural element of design. He worked with Oscar Niemeyer and Lucio Costa, the architects of Brazilia, and with them, the tropical plant became a motif in urban architecture.

Gated Commune
© » KADIST

Camel Collective

Film & Video (Film & Video)

Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects. To construct a future scenario in the imagination of the viewers, a voiceover narrates two perspectives of futuristic practices in architecture and social behaviors: neo-primitives on one hand, who value organic materials and design based on geometric forms, and futurists on the other hand, who value organic forms and computer design. In this constructed universe, both perspectives lead to societal structures that malfunction due to issues with their design, which are not in line with their users’ needs.

Valz
© » KADIST

Fabrice Hyber

Drawing & Print (Drawing & Print)

Drawing, which is the essential embodiment of Fabrice Hyber’s artistic thinking, is at the origin of all his works. The artist uses accumulation, hybridization and mutation to create constant shifts between extremely varied domains. Each work is just an intermediate, evolving stage of this “work in progress” that spreads like a proliferation of thought, establishing links and exchanges that then help to create other connections.

The Illusion of Everything
© » KADIST

Daniel Crooks

Film & Video (Film & Video)

The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways. The video begins with the pedestrian traversing a seemingly idyllic ivy lined stone and concrete thoroughfare. As his pace begins to accelerate, the camera follows him with greater urgency, slowly settling and become stable again as his pace decelerates.

7-headed Lalandau Hat
© » KADIST

Yee I-Lann

Sculpture (Sculpture)

7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo. The materiality and form of this traditional headpiece represents the strength and fierceness of forest warriors. Their ‘chimneys’ on top are intended to resemble trees in the jungle onto which hornbill feathers would once have been stuffed.

Brine Lake (A New Body)
© » KADIST

Shen Xin

Film & Video (Film & Video)

Composed of five episodes, Brine Lake (A New Body) by Shen Xin is set in a fictional factory where iodine is produced as a byproduct of natural gas sourced from deep sea brine lakes. Korean, Japanese, and Russian are spoken in multiple episodes. The protagonists have multiple encounters and conversations with two unseen employees of the factory whose visions are overtaken by the camera.

Cosmovision V - VI - VII
© » KADIST

Rometti Costales

Drawing & Print (Drawing & Print)

The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute. These are views of the Amazon forest. The photographs are cut following an optical illusion pattern called “reversible cubes” or “tumbling blocks”, based on the Necker cube, a multistable object of psychophysics that is constantly switching perspectives.

he woke up with seeds in his lungs, 6
© » KADIST

Prajakta Potnis

Installation (Installation)

he woke up with seeds in his lungs by Prajakta Potnis is a set of x-ray films presented through backlit light boxes of found objects constructed to evoke the body or organs that turns the host into a foreign element. The title of the work is inspired by a story the artist came across during her research, according to which a man had swallowed seeds that started to grow inside his organs. In the work, interior scapes of the body appear as radioactive rays pass through various materials.

Mr. Shadow 1
© » KADIST

Nontawat Numbenchapol

Photography (Photography)

The series of prints titled Mr. Shadow by Nontawat Numbenchapol engages with the history of and current state of militarization in Thailand. Each print features an invisible person, their silhouette only outlined by the military fatigues that they wear.

Tremble
© » KADIST

Jiang Zhi

Film & Video (Film & Video)

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens. Each person displays a different facial expression and body position such as reading a book, arms open for a hug, holding a knife, raising a fist to take an oath. Each gesture reflects some essential social aspect of everyday life: hugging is about caring, taking oath has to do with politics, reading relates to acquiring knowledge, and raising a knife indicates violence.

The Town
© » KADIST

Michel Auder

Film & Video (Film & Video)

The Town consists of footage taken from Auder’s studio of the skyline of New York, tracking planes as they fly across the sky and pass tall buildings. At the time of recording, like all of this films, there was no particular intent. However, in the aftermath of 9/11, this film becomes prescient and ominously prophetic.

Black Ocean
© » KADIST

Liu Yujia

Film & Video (Film & Video)

Black Ocean by Liu Yujia portrays a desert landscape in a state of both destruction and construction, revealing the desert’s simultaneous fragility and indestructibility. The structure of the storytelling of this film was inspired by Italian writer Italo Calvino’s novel, Invisible Cities (1972). Several chapters from the book are interwoven in the film incorporating the discussions of cities and landscapes narrated by Marco Polo and Kublai Khan in the novel.

Untitled (After Paul Schultze Naumburg's Kunst und Rasse, 1928)
© » KADIST

Felix Gmelin

Painting (Painting)

In Untitled (after Paul Schultze Nuremberg’s Kunst) (2006), from a larger series of diptychs, Gmelin addresses the notion of entartete kunst ( “Degenerate Art”) . Each diptych juxtaposes a portrait of a person considered to be mentally handicapped with a painting that was branded by the Nazi regime as degenerate. Gmelin’s source for these images is Kunst und Rasse (“Art and Race”), a book by Paul Schultze Naumburg published in 1928.

Untitled
© » KADIST

N. Dash

Sculpture (Sculpture)

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.

Untitled (Wave)
© » KADIST

Anne Imhof

Film & Video (Film & Video)

Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime. Starring Imhof’s partner and collaborator Eliza Douglas, the film depicts a woman, naked from the waist up, dressed simply in tracksuit trousers, long black hair, feet dipped in the ocean water. The woman bears a long whip, while she looks out at the horizon and the waves lick at her bare feet.

Out of the Shadows II
© » KADIST

Willie Doherty

Photography (Photography)

“I focused on how the political and physical merged” analyzes Willie Doherty. Out of the Shadows II plunges us into a dark night lit by a few street lights in a deserted street where a car is parked in the Irish city of Derry. What is at stake is yet to be unearthed.

The Fourth Notebook
© » KADIST

Sriwhana Spong

Film & Video (Film & Video)

The Fourth Notebook features a solo choreography by dancer Benjamin Ord. In an empty dance studio, Ord begins seated on his knees on the floor. He moves subtly with gentle strokes to the rhythm of a woman’s voice speaking short phrases in French.

Manufactured Landscape
© » KADIST

Shi Guowei

Photography (Photography)

Through a hand-painting process, Shi Guowei created Manufactured Landscape . At first glance, the painting appears from afar as a landscape photograph. Yet, upon closer attention, the work reveals itself as a landscape painting thoroughly hand-colored by the artist onto a photograph.

Search for the origin of the work of art or on the way to Heidegger’s cabin
© » KADIST

Maria Bussman

Drawing & Print (Drawing & Print)

The drawing “Heidegger’s Cabin” (2005) is inspired by Martin Heidegger’s essay, “The Origin of the Work of Art.” During the artist’s stay in a high alpine area, near a lake reservoir, Bussmann related the landscape in her surroundings to her reading of Heidegger’s terms on the work of art and the meaning of a “thing.” In attempt to link spiritual heights to natural heights, Bussmann metaphorically relates the subjects of being and truth to a hiking path, and its different degrees of challenge and risk. In the drawings rather than finding the optimal path to reach ultimate meaning and materialization, Bussmann never arrives at “Heidegger’s Cabin,” and instead is led off the beaten track to areas she never discovered before. Upon her return from the mountains in 2004 and 2005, she continued to develop the series, leading up to 20 drawings on handmade paper that attempt to problematize Heidegger’s theory on artworks as “things” as bearers of traits, “things” confronting the world of perception, and “things” as formed matter.

Universal Futurological Question Mark (U.F.O)
© » KADIST

Julius Koller

Photography (Photography)

This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created. His “Anti-Happenings” turned mundane events into ‘cultural’ and ‘subjective’ situations. He sought to create new cultural situations that weren’t new art, but rather new ways of living: a new creativity for a new humanistic culture.

LAB
© » KADIST

Kori Newkirk

Photography (Photography)

LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel. His photograph of this throwaway object calls back the body, and the handprint is in fact his own right hand; thus the piece can function as a self-portrait of the artist, in an ironic twist on the art historical genre.

Marshal Tie Jia (Turtle Island)
© » KADIST

Chia-Wei Hsu

Film & Video (Film & Video)

Marshal Tie Jia (Turtle Island) explores the history of a tiny island off of the coast of Matsu in the Taiwan Strait that has been instrumental in the geopolitical relationships between China, Taiwan, and Japan. The Chinese frog deity, Marshal Tie Jia, is now exiled to the island where he is still revered by the Taiwanese people. The installation includes documentation of the artist’s correspondence with the frog deity placed upon an altar, while the video explores both Marshal’s birthplace in China and his current home on Turtle Island.

Defunct Mnemonics
© » KADIST

Peter Robinson

Sculpture (Sculpture)

Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic. Resembling large pick-up-sticks, the complete work is comprised of 126 vertical sculptures wrapped in fabric with alternately monochromatic and graphically patterned dyes and prints. Leaning against a wall and arranged side-by-side, they could be mistaken as highly decorated mallets for use in an undetermined ritual or game.

A Soldiers’ Garden #b
© » KADIST

Nguyen 'Quoc' Thành

Photography (Photography)

A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.

Swipe
© » KADIST

Eileen Quinlan

Photography (Photography)

Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium.

Elisheva Biernoff

Matthieu Saladin

Through a conceptual approach, Matthieu Saladin (born in 1978 in France) develops his practice around an exploration of how contemporary economic mechanisms shape social relations and subjectivities...

Camel Collective

Camel Collective comprises the artists Carla Herrera-Prats (Mexican, photographer and conceptual artist) and Anthony Graves (American, painter), who began working together in 2005 during a fellowship at the Whitney Independent Program...

Chemi Rosado-Seijo

Chemi Rosado-Seijo’s work consists of community-based interventions linked to the site where they have been developed...

Yael Bartana

Philip-Lorca diCorcia

The works of Philip-Lorca diCorcia oscillate between two possible definitions of photography – from a recording system in the tradition of documentary and a system of representation in the tradition of fiction...

Yee I-Lann

Edgar Arceneaux

Pierre Leguillon

Pierre Leguillon is an artist who has developed projects as a curator and critic since the beginning of the 1990s, by creating a single page review, ‘Sommaire’ (35 issues between 1991 and 1996), then by collaborating to ‘Journal des Arts’, and ‘Art press’ (Special issue « Oublier l’exposition » in 2000), then to ‘Purple’ (column « Calme plat » about printed objects from 2002 to 2004)...

Fabrice Hyber

In each of his self-portraits, Fabrice Hyber (he removed the last “t” in Hybert in 2004) is elusive...

Nontawat Numbenchapol

Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...

Karan Shrestha

Karan Shrestha’s practice portrays the social tensions and historical complexities embodied in the social fabric of Nepal...

Colter Jacobsen

Since 2003, Colter Jacobsen has gained in visibility and importance in the Bay Area art scene...

James Weeks

James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...

Sheroanawe Hakihiiwe

Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...

Michael Rakowitz

Michael Rakowitz uses the novel charm of everyday things to excite new and oblique approaches to loaded geopolitical subject matter...

Michel Auder

Michel Auder was born in 1945 in Soissons, France...

Eileen Quinlan

Eileen Quinlan makes photographic images through unusual processes, stripping the medium down to its essentials, and working experimentally with light, lenses, chemicals, reflections, and shadows...

Daniel Crooks

Ranu Mukherjee

N. Dash

Julius Koller

Victor & Sergiy Kochetov

Viktor Kochetov became engaged in photography in 1968 and was also a professional photographer in film and photo laboratories...

Liu Yujia

Artist Liu Yujia’s practice revolves mainly around video and photography...

Peter Robinson

Peter Robinson is an artist whose work explores the various cross-sections between materiality, identity, and the indigenous...

Johanna Calle

Adrien Missika

Adrien Missika (1981, Paris, France) studied and developed his career in Lausanne where he founded 1m3 artspace...

Allora & Calzadilla

Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla...

Christopher Badger

Christopher Badger begins with a root fascination—a shape, a landscape, or a sound—and then pursues it methodically to its logical, and usually open-ended, conclusion...

Willie Doherty

© » HYPERALLERGIC

this quarter (02/05/2024)

Return the Stolen Artifact, But Keep the Museum Label Skip to content An empty pedestal of a seized looted artifact at the Rubin Museum of Art in New York City (photo Erin L...

© » THEARTNEWSPER

this quarter (02/05/2024)

The Big Review: Caspar David Friedrich at the Hamburger Kunsthalle ★★★★★ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions review The Big Review: Caspar David Friedrich at the Hamburger Kunsthalle ★★★★★ This curatorial triumph highlights the measured artificiality of the German Romantic artist who made work that still mesmerises J...

© » SLASH PARIS

about 3 months ago (01/21/2024)

Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Gildas Le Reste — & Guests Exhibition Drawing, print, painting Gildas Le Reste, Notes de voyage #1, 2023 Ink on paper mounted on canvas Gildas Le Reste & Guests Ends in 27 days: January 27 → March 9, 2024 Galerie Catherine Putman has pleasure in making a double invitation to Gildas Le Reste as both artist and exhibition curator...

© » SLASH PARIS

about 3 months ago (01/21/2024)

Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Gildas Le Reste — & Guests Exposition Dessin, estampe, peinture Gildas Le Reste, Notes de voyage #1, 2023 Encre sur papier marouflé sur toile Gildas Le Reste & Guests Encore 27 jours : 27 janvier → 9 mars 2024 La galerie Catherine Putman est heureuse de proposer une double invitation à Gildas Le Reste, comme artiste et commissaire d’exposition...

© » PRISHTINA INSIGHT

about 4 months ago (12/15/2023)

Kosovo Café Massacre Plaque Blames Serbian State Security - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight The erection of a memorial plague in front of the Panda Cafe...

© » SLASH PARIS

about 5 months ago (11/30/2023)

Mathilde Lestiboudois — Le Matin des souffles — Les églises centre d'art de Chelles — Exhibition — Slash Paris Login Newsletter Twitter Facebook Mathilde Lestiboudois — Le Matin des souffles — Les églises centre d'art de Chelles — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Mathilde Lestiboudois — Le Matin des souffles Exhibition Painting Mathilde Lestiboudois, Bassins et drapés, 2022 160 × 200 cm Courtesy de l’artiste — BD Mathilde Lestiboudois Le Matin des souffles Ends in about 1 month: November 12, 2023 → January 21, 2024 Pour son exposition au Centre d’art, Mathilde Lestiboudois conçoit une œuvre qui établit un dialogue avec l’architecture du lieu d’exposition...

© » SLASH PARIS

about 5 months ago (11/30/2023)

Mathilde Lestiboudois — Le Matin des souffles — Les églises centre d'art de Chelles — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Mathilde Lestiboudois — Le Matin des souffles — Les églises centre d'art de Chelles — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Mathilde Lestiboudois — Le Matin des souffles Exposition Peinture Mathilde Lestiboudois, Bassins et drapés, 2022 160 × 200 cm Courtesy de l’artiste — BD Mathilde Lestiboudois Le Matin des souffles Encore environ un mois : 12 novembre 2023 → 21 janvier 2024 Pour son exposition au Centre d’art, Mathilde Lestiboudois conçoit une œuvre qui établit un dialogue avec l’architecture du lieu d’exposition...

© » FLASH ART

about 5 months ago (11/24/2023)

Martin Maeller "lethargic rays" Loggia/UA26 / Vienna | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

© » ARTNEWS MARKET

about 5 months ago (11/22/2023)

Agnes Martin’s market has reached extraordinary highs...

© » IGNANT

about 5 months ago (11/20/2023)

Furthering FORMA: Vanessa Heepen’s Exclusive Editorial Collaboration Blurs The Art-Design Divide - IGNANT Name FORMA Gallery Images Clemens Poloczek Words Anna Dorothea Ker To spatial designer and creative director Vanessa Heepen , design is inherently discursive...

© » FLASH ART

about 5 months ago (11/15/2023)

We Call It Avant-Pop: The Ever-Changing C2C Festival | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

© » ARTPRESS

about 6 months ago (10/09/2023)

"KorSonoR" exposition-festival d'arts sonores et visuels - artpress X 9 octobre 2023 Dans AP Web , arts visuels “KorSonoR” exposition-festival d’arts sonores et visuels Par Félix Gatier...

© » LENS CULTURE

about 8 months ago (08/28/2023)

Gilded Lilies - Photographs by Tine Poppe | Interview by Sophie Wright | LensCulture Feature Gilded Lilies Norwegian photographer Tine Poppe’s portraits of cut flowers, shot against landscapes ravaged by climate change, propose a new take on the still life—one fit for the uncertain times we are living in...

© » PIER 24

about 15 months ago (01/28/2023)

Pier 24 Pilara Foundation Changing Philanthropic Focus - Pier 24 Pilara Foundation Changing Philanthropic Focus January 28, 2023 Chris McCaw, Sunburned GSP#455 (San Francisco) , 2010...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Giorgio Morandi: The Poetics of Stillness Curated by Victor Wang December 6, 2020 – June 14, 2021 M......

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Robert Rifkind, philanthropist and "game-changing" collector of German Expressionist works, has died....

© » ARTNEWS

about 26 months ago (03/02/2022)

Michael Stipe on His Collection Exhibition at the Outsider Art Fair – ARTnews.com Skip to main content By Andy Battaglia Plus Icon Andy Battaglia Deputy Editor, ARTnews View All March 2, 2022 11:49am View Gallery 10 Images When Michael Stipe first started engaging with outsider art, he was a young buck learning the curious folkways of Athens, Georgia, while on the cusp of fronting the storied rock band R...

© » ARTS EQUATOR

about 30 months ago (11/11/2021)

Quiz: What's Your Guilty Pleasure? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kristina Flour via Unsplash November 11, 2021 It’s 2021 – and you’re constantly being told to be your best self! There’s that pile of books waiting to be read, countless browser tabs open with must-read articles, and a list of podcasts that are supposed to make you smarter....

© » ARTMARKETMONITOR

about 30 months ago (10/28/2021)

Phillips Drops a Last-Minute $35m Bacon Bomb on the November Sales Francis Bacon, Pope with Owls, 1958 )$35-45m) Phillips announces tonight that it will offer Francis Bacon’s ‘Pope with Owls’ ($35 – 45 million) from 1958 during its New York Evening Sale of 20th Century & Contemporary Art...

© » ARTS EQUATOR

about 41 months ago (12/07/2020)

Podcast 84: Traditional Arts: Dikir Barat, Kavadi Attam and Nanyin | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 8, 2020 ArtsEquator speaks to Lyn Lee, Nirmala Seshadri and Soultari Amin Farid about Nanyin, Kavadi Attam and Dikir Barat and the study and practice of traditional arts in Singapore...

© » ARTS EQUATOR

about 42 months ago (11/10/2020)

Harrowing and sublime: Topography of Breath 2.0 by Pat Toh | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pat Toh November 10, 2020 By Chan Sze-Wei (739 words, 4-minute read) In grainy close up, we see segmented views of one woman, fighting to breathe with every fibre of her sinewy body...

© » PAINTERS' TABLE

about 51 months ago (02/20/2020)

John Mitchell visits the exhibition JAKE! at Betty Cuningham Gallery, New York, on view through February 23, 2020...

© » HIGH FRUCTOSE

about 51 months ago (01/30/2020)

Telmo Miel, the artist duo consisting of Telmo Pieper and Miel Krutzmann, brings their surreal, distinct collaborative work to Thinkspace Projects with a new show...

© » ARTS EQUATOR

about 52 months ago (12/28/2019)

Weekly Southeast Asia Radar: RPG goes SEA with crocodile; A decade of Filipino art | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JL JAVIER December 28, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » HIGH FRUCTOSE

about 53 months ago (11/28/2019)

The paintings and drawings of David Welker have adorned rock posters, public spaces, and gallery walls...

© » ARTS EQUATOR

about 58 months ago (07/08/2019)

Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles July 8, 2019 By Lucy Davis (600 words, 5-minute read) Another Chinese tradi tion, which probably has no connection with the previous one is that the Butterworth cannon belonged to ‘Pangli ma’ (Warrior) Ah Chong a bravo of the Inter-Chinese wars which took place in the Larut tin fields in 1862, and lasted sporadically for ten years...

© » ARTS EQUATOR

about 58 months ago (07/08/2019)

Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 Wheat Grain World Dreams , the centre section from the artist’s book contains a map that includes some of our research questions around, for example, histories of 19th century cash crops and the crimes of the British India Company; and the extension of China’s Belt and Road journey West...

© » ARTS EQUATOR

about 58 months ago (07/04/2019)

Podcast 60: The Media Landscape in the Philippines | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Asian Arts Media Roundtable July 4, 2019 Duration: 19 min In our latest podcast, art critic Pristine de Leon gives a comprehensive overview of the media landscape in the Philippines, discussing challenges to the practice and the new platforms that are paving the way for creative, incisive and timely forms of arts criticism...

© » ARTS EQUATOR

about 67 months ago (10/03/2018)

Yangon's well loved Palace of Literature (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 3, 2018 The four storey yellow painted building with big masonry work of books in black and white pages for its motif loomed high at the corner of Merchant Road and 37th street...

© » ARTNEWS CN

about 151 months ago (12/01/2011)

Turning Over a New Leaf – ARTnews.com Skip to main content By Lilly Wei Plus Icon Lilly Wei author View All December 1, 2011 11:00am It doesn’t look like an exhibition about dissent, at least not to contemporary eyes accustomed to more rousing images...

© » KADIST

this quarter (02/12/2024)

© » KADIST

about 27 months ago (02/07/2022)

© » KADIST

about 60 months ago (05/22/2019)

© » KADIST

about 79 months ago (10/04/2017)

© » KADIST

about 83 months ago (06/21/2017)

© » KADIST

about 86 months ago (03/29/2017)

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