Untitled (Ring)

The final work in the Marshal Tie Jia series (of which Turtle Island is in the KADIST collection), Spirit Writing features the Marshal in conversation with Chia-Wei Hsu, by way of a ritual involving the Marshal’s divination chair...

Stunning Macro Photos Pay Homage to Frozen Beauty of Winter Home / Photography / Macro Photography Stunning Macro Photos Pay Homage to the Frozen Beauty of Winter By Jessica Stewart on February 9, 2024 Photographer Jan Erik Waider is primarily known for his sweeping landscape photography that focuses on the wintry environments in Iceland and Greenland...

November 1, 2023 – January 20, 2024...

Shozy's illusionary murals use subtle techniques that enhance the life of a work...

Afro-Ecuadoreans Maintain Identity Through Spiritual Practices - The New York Times Lens | Afro-Ecuadoreans Maintain Identity Through Spiritual Practices https://www.nytimes.com/2019/05/31/lens/afro-ecuadoreans-identity-spiritual-practices.html Give this article Share Advertisement Continue reading the main story As a teenager growing up in Ecuador, Johis Alarcón was mesmerized by hip-hop culture...

Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exposition Dessin, installations, techniques mixtes Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Encore environ 2 mois : 3 février → 30 mars 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...

A common dynamic amongst individuals in large cities is the possibility of anonymity, the luxury and burden engaging with the city’s other inhabitants...

M1 Open Stage + DiverCity - Contact Contemporary Dance Festival Thinking and Talking about Arts and Culture in Southeast Asia Articles June 27, 2018 This year, with an increased number of international programme collaborators, M1 Open Stage features innovative and exhilarating works by a diverse range of dance artists over two nights...

Originally a multi-channel video installation with sculptures and sound, this iteration of The Workshop by Gilad Ratman is a three-channel distillation of the expansive project that follows a group’s underground pilgrimage from Mt...

New residency format: Kadist’s collection becomes a tool for another institution...

QALQALAH 1, an editorial project by Kadist Art Foundation and Bétonsalon – Centre for Art and Research, Paris >>> To download in the “Attachment section” on the right side of the page In echo of their respective programs, Kadist Art Foundation and Bétonsalon – Centre for Art and Research are launching the joint publication Qalqalah , a “reader” gathering contributions from artists and researchers on a variety of interlinked issues...

The Swiss collector and former ambassador to China has amassed a trove of Chinese art that will find a permanent home in Hong Kong....

Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris Login Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exhibition Drawing, installation, mixed media Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Ends in about 2 months: February 3 → March 30, 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...

KADIST is seeking a Collection Fellow based in the Asia Pacific for November 2023 (6-month position with 8-10 hours per week commitment) KADIST offers a paid six-month collection fellowship to an emerging curator or recent graduate of art history, museum studies, critical writing, or a related field from college or university programs...

Two Pratt Graduate Programs Moving to Brooklyn Navy Yard Skip to content A view of Dock 72 with construction cranes in the background (photo by Rhea Nayyar/ Hyperallergic ) Two of Pratt Institute’s graduate programs are decamping from the Pfizer building in Bedford-Stuyvesant for a bayside view and expanded facilities at the Brooklyn Navy Yard later this year...

Wayne McGregor’s Compelling Adaptation of Dante’s Divine Comedy | AnOther A ballet of The Divine Comedy at Royal Opera House is a beatific coalition of choreography, sound and set – preview it here, with exclusive photographs from Mary McCartney November 29, 2023 Text Sophie Bew In Wayne McGregor ’s ballet interpretation of Dante’s Divine Comedy , Satan wears a black Lycra bodysuit, smeared almost entirely with the chalky ashes of her sins...

Cet article est à lire dans Society #217, disponible en kiosque du 26 octobre au 8 novembre 2023....

Kadist Art Foundation celebrates Arrow Factory ’s latest publication The Next Four Years (2011-2015) , and the arrival of LEAP editors Fei Lai and Sasha Zhao in residence at Kadist until mid-February...

November 7, 2013, at 7 p.m Luis Pérez-Oramas was born in 1960 in Caracas, Venezuela, and currently lives in New York...

Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...