Drawing & Print (Drawing & Print)
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay. Within the dark obscurity of three, three, three (2013), he frustrates and complicates this conditioned response to the photographic medium, questioning the photograph’s purpose.
Drawing & Print (Drawing & Print)
Report of the Legal Subcommittee is a print featuring a map of the stars, together with a found transcription of a recent United Nations meeting in which various international delegations declare frustration with their 40-year-old, ongoing efforts to devise a legal definition of outer space. This admission seems to hold a rich poetic potential, the human attempts to bureaucratize and control outer space seemingly frustrated by the sublime scale and mystery of its infinite depths.
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram. Bold shapes, and the breaks between them, create a rhythm and compose an engaging abstract image. At the same time, the work deals with the conditions of the photograph’s manufacture.
This film refers directly and fictionally to one of the first media dramas: the burning of the Zeppelin aircraft LZ 129 Hindenburg as it landed in New York in 1937. The power of these images, which were widely diffused in the press, had a profound haunting impact on people’s consciousness. This mode of transport – both futuristic and obsolete – crystallizes a collective imaginary which was fed by cinematic, literary and mythological fiction as Barthes would put it.
Kapwani Kiwanga’s Linear Painting series (2017) reflect the artist’s research into disciplinary architecture, including schools, prisons, hospitals, and mental health facilities. When they were presented together, the paintings were arranged according to a black horizontal line placed at 160 centimeters from the floor, which traced the entire perimeter of the gallery. According to hygiene standards in Europe, this would mark the height below which walls should be washed in order to prevent the spread of illnesses.
Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways. He is usually depicted with two faces as he looks both forward and backward, to the future and the past. The video, which is deftly animated in collaboration with Aimée de Jongh, presents a close-up of a dying “duck-rabbit,” a vivified version of an ambiguous illustration made popular by the Austrian-British philosopher Ludwig Wittgenstein in his Philosophical Investigations .
Rachel E. Foster uses printmaking, sculpture, and photography to illuminate the nearly invisible. For her source material she combs the digital world for bits of strange information that seep into our daily reality. These clues, be they coded sequences or simple phrases, become part of her puzzle; by reframing information she makes us reconsider it through a different lens.
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón. Conversations with a Tropical Vulture is an experimental narrative video, co-directed by both artists, and blends Hollywood glamour and drama with an all-too-real life approach, which creates and inspires a counterpoint of unattainable desire against unbearable actuality. The video, shot on location in Acapulco, utilizes a “lo-fi” aesthetic and playful use of non-professional actors.
In the video Negro sobre Negro (Black on Black) all we see is a completely black screen on a monitor that is recessed into a wall, also painted black. Gradually, the face of a man becomes visible as he steps out of the darkness and closer to the camera. As suggested by Castro, the color of this man’s skin allows him to pass unnoticed perhaps literally, but also metaphorically as he alludes with certain humor to the iconic work Black Square by Suprematist artist Kazimir Malevich, often referred to as the “zero point of painting” in Western art-historical discourses.
The title of Rainbow Body by Chitra Ganesh refers to an elevated state of, or metaphor for, the consciousness transformation known as a rainbow body. The Buddhist master Padmasambhava achieved this state from his union with Mandarava, a female spirit (dakini) and princess in Tantric Buddhism. Through study and physical connection, each played a key role in the other’s enlightenment.
Words by Meiro Koizumi: “The video installation work In the State of Amnesia is made with Mr. Nobuhiro Tanaka, who damaged his brain when he had an accident when he was 21. Since then he has been living with a memory disorder. I asked Mr. Tanaka to memorize a testimony of a Japanese soldier who served in the war in China during WWII.
The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015. Jauncems notes that the book is fragmented, following unrelated characters struggling with ennui and depression, navigating the pressures of modern reality. In her art practice, Jauncems has been interested in the lives of powerful and influential men for many years.
Drawing & Print (Drawing & Print)
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949. Wentzel’s original color photographs document the transportation of a Mercedes Benz, carried on a wood armature by sixty porters, over a rocky trail from Bhimphedi to Kathmandu in Nepal. At the time of Wentzel’s photographs, paved roads in Nepal only existed within the Kathmandu Valley and cars had to be carried into the city from the surrounding hills on foot.
Be Kind to Your Demons is a series of paintings by Hulda Guzmán that presents a variety of scenes in which female characters carry out ubiquitous activities in the company of secondary characters (mostly men) and devil-like creatures. Like much of her work, Be Kind to Your Demons is an invitation to embrace the devil in each of us, to surrender to bodily and external pleasures, and to engage in a conscious dialogue with our own existence. Guzmán’s paintings are a reminder of the brevity, potential intensity, and frailty of human existence.
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together. These houses are more than just places of survival; they are a physical embodiment of radical queer expression that encourage solidarity. The Royal House of Allure was initially conceived following an investigation of how social media influences celebrity culture.
Drawing & Print (Drawing & Print)
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive. and abstract silhouetted motifs, in a black and white palette, are combined to create a world lodged between fantasy and reality typical of the tarot game. Airplanes, letters, naked women, Osama Bin Laden, Che Guevara, mythological figures, skulls, wrestlers’ masks are some of the visuals that populate this printed object.
Like most of Laura Rokas’s hand-stitched works, Once in Two Moons was made while she sat in bed, imbuing the work with a tender sense of domestic intimacy. The scene’s dominant figure is a faceless woman whose blood red, dagger-like fingernails, polka dot jacket, and jet black hair resemble a sort of avatar of the artist. The figure surveys a chaotic scene that might be described as a “cute apocalypse” (a phrase Rokas says is characteristic of her work in general).
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators. Interweaving public and private, personal anecdote and pop cultural appropriation, their work attests to the poetry of the everyday. In addition to found and original materials, the artists have occasionally incorporated drawings and sketches by artist friends, and even by their own daughter into the ongoing work.
Alka domo by Seba Calfuqueo is a performative video work that recontextualizes a story about Caupolicán, the Mapuche toki (meaning symbol of strength and perseverance in the face of adversity). Caupolicán was elected military leader by the Mapuche people of Chile after successfully completing the challenge of holding a log on his shoulders for two days. Caupolicán led the Mapuche army in the first uprising against the Spanish conquistadors from 1553 to 1558.
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.
Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture. The three channels of the video respectively feature a dancer (left), a chorus (middle), and a security inspector (right). The dancer and security inspector enact a mechanical burlesque performance that parodies the body inspection procedures implemented by airport security.
The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible. The film is part of the broader project The Challenge through which the artist depicts the boredom and rituals endured by young Qatari men throughout various forms of costly and codified entertainment, including the highly theatrical practices of falcon hunting or car racing. The strange, almost surreal, choreography set against an artificial, overexposed backdrop, highlights the privileged presence of men in this part of the world, grouped together by sex and social class.
Reflection Paper No. 2 is one of four videos in which Wang attempts to accurately illustrate the writings of influential Chinese Eileen Chang, who published her works during the Japanese occupation of China. Image and text reflect on the everyday experiences of women in society, family, marriage, love, and death.
The film The Anatomy Classroom is part of a research project developed by Hikaru Fujii around objects and artifacts evacuated from the Futaba Town Museum of History and Folklore, which is located in the “difficult-to-return zone” since the Fukushima Daiichi nuclear accident. In order to avoid radioactive contamination and biological damage, the objects have been removed from the museum, where they were once part of a collection that the curator had developed over twenty years to represent the local community and its long history on the land. Fujii has been closely following the movements of these historical objects, while organizing visits to the site and hosting discursive events on the crisis of memory and culture.
PANGKIS by Yee I-Lann is a looped video performance. The work is named after the triumphant warrior cry, an animistic guttural call, which punctuates the traditional Dusun Sumazau dance. For this work, the artist collaborated with Tagaps Dance Theatre, a group of young dancers whose practice merges traditional and contemporary styles.
Drawing & Print (Drawing & Print)
Laís Amaral abstract paintings dialogue with the feminine power. Just like the flow of a river, Laís produces her paintings as a flux that emerges from within, an inner force that relates to all the women in her life, family, and ones who know the medicinal powers of nature; who are part of this feminine force latent in the earth. In order to discover elements about herself, Laís Amaral understands painting as a gesture of leakage.
Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else. This action, walking abnormally slowly, questions the place of the individual within the space of a city with regards to social habits. Kovanda places himself slightly outside the regulated rhythm of the city walking.
For his action, Safely Maneuvering across Lin He Road , Lin built a brick wall on one side of a busy main street in the city of Guangzhou. He then took bricks from the sidewalk end of the wall and moved them to the street side, slowly extending the wall into the street. Repeating the same gesture for hours, he leapfrogged the whole wall across the street.
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.
Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am. The photographic moment of a photo album which could have been taken by anybody in any familiar situation with the intention to immortalize that moment.”
Photographer Sabelo Mlangeni’s black and white images capture the intimate, everyday moments of communities in contemporary South Africa...
American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...
Artist Zhou Tao has a diverse and varied practice, and notably, he denies the existence of any singular or real narrative or space...
The artistic entity “leonardogillesfleur” is the alliance between two artists, Leonardo Giacomuzzo (b...
Though born in Nigeria, artist Toyin Ojih Odutola was raised largely in the United States, living in Alabama, California, and now New York...
Wah Nu and Tun Win Aung, respectively born in 1977 and 1975, Yangon, Myanmar...
Mikhael Subotzky’s (b...
Rachel Foster is concerned with showing the unseen...
Laura Rokas is a painter, ceramicist, and textile artist...
Gao Mingyan produces video based-works that examine the political and epistemological violence of our contemporary moment...
Egle Jauncems’s practice considers the relationship between painting and textile art...
Miguel Calderón is a Mexican artist and writer...
Informed by her long-term interest in the complex tensions between music, dance, text, and video, Yao Qingmei’s practice collapses the boundary between performance and its site...
Yuri Ancarani’s films are quasi-hypnotic devices; following highly unique bodily and site-specific choreographies, drawing sensitive portraits of human relations...
Using a variety of media – photography, film, sound, installation, sculpture – Laurent Montaron’s work ‘renders an image’ in Mélancolia (2005) the magnetic band of an echo chamber endlessly loops and unwinds to become a hypnotic serpentine line...
Harit Srikhao perceives photography as a culturally determined medium...
Born in Milan, Italian-Libyan Adelita Husni-Bey is an artist and researcher...
Wang Taocheng is a Shanghai artist who lives and works in Amsterdam...
Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...
Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement...
UK Public Art Database Will Record More Than 5,000 Murals Skip to main content By Karen K...
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...
"The Big Chill" Bernheim Gallery / London | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
From Juergen Teller and Mary Manning to the debates around AI’s influence on image-making, here are this year’s highlights in photography and ideas....
Robert Eggers' Nosferatu remake: casting, release date and Harry Styles' involvement advertisement...
Austin-based gallery Sebastian Foster continues its 2023 Fall Print Set, marking the 11th anniversary of the collection since it launched in 2012...
An Interview With the Artist Who Installs Underwater It’s Christmas time – do you have your underwater tree up yet? Gola Hundun...
Sabiha Al Khemir's "The Samara Series" at The Washington Art Association and Gallery | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Documentation of Michael Ho at High Art, Paris is featured on Contemporary Art Daily....
Ahead of exhibitions in New York and London, we speak to the South African artist about her conservative upbringing and finding self-empathy....
Review: A Stunning Mark Rothko Show at Paris’s Fondation Louis Vuitton – ARTnews.com Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All October 19, 2023 9:40am Mark Rothko, Black On Maroon , 1958...
Berlin Bad Boy Artist Jonathan Meese: 'I'm the sweet boy of art!' - arts24 Skip to main content Berlin Bad Boy Artist Jonathan Meese: 'I'm the sweet boy of art!' Issued on: 31/08/2023 - 16:57 11:45 ENCORE!...
The Collectors' Circle: Art Collector Evan Chow On The Importance Of Visiting Artistsâ Studios - via Asia Talter...
Two Tech Executives Are Opening an NFT Museum in Seattle to Give Decentralized Art a Centralized Home - via artnet news...
Pier 24 Pier 24 Photography featured on 9 lives magazine - Pier 24 Pier 24 Photography featured on 9 lives magazine September 16, 2022 Our thanks to curator Émilie Flory for sharing about her experience visiting Pier 24 Photography on 9 lives magazine ...
Flora Vesterberg (née Ogilvy) is a curator and speaker with expertise in contemporary and modern art...
Flora Vesterberg (née Ogilvy) is a curator and speaker with expertise in contemporary and modern art...
Flora Vesterberg (née Ogilvy) is a curator and speaker with expertise in contemporary and modern art...
Flora Vesterberg (née Ogilvy) is a curator and speaker with expertise in contemporary and modern art...
Flora Vesterberg (née Ogilvy) is a curator and speaker with expertise in contemporary and modern art...
Flora Vesterberg (née Ogilvy) is a curator and speaker with expertise in contemporary and modern art...
Flora Vesterberg (née Ogilvy) is a curator and speaker with expertise in contemporary and modern art...
Flora Vesterberg (née Ogilvy) is a curator and speaker with expertise in contemporary and modern art...
Flora Vesterberg (née Ogilvy) is a curator and speaker with expertise in contemporary and modern art...
Mystery Zone, or A Lotta Endings : Open Space November 23, 2021 Mystery Zone, or A Lotta Endings by Poetry Collaborations with Creative Growth They lived happily ever after And then the sun came up And then the sun go down The couple is riding off into the sunset The End They threw a pie at the shark, the end “We’ll have to do this again sometime” “See ya later, turkey!” “I have a train to catch” My hero! Good night and God bless We’re closed! Take and catch an airplane Keep in touch, never come back!...
Gas Gallery will be showing for the first time at the forthcoming Photo London Fair at Somerset House from 8 - 12 September showing the work of 2 abstract photographers Christine Wilkinson and Jo Bradford Jo Bradford's three new collections launching at Photo London are under the headings of Hours, Minutes and Seconds...
A writhing amalgamation of architectural forms is currently inhabiting Yorkshire Sculpture Park's 18th-century Chapel...
Weekly Southeast Asia Radar: First nude painting exhibition in Hanoi; Teater Garasi wins Ibsen scholarship | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar AFP/Tang Chhin Sothy October 3, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Female artists, art biennial to grace National Gallery this year (via The Jakarta Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Splash: Prelude II (2015) by Kinez Riza January 15, 2019 Indonesia’s arts scene is by no means lacking, yet most of its big names are men, with notable female artists largely unexplored...
Weekly Picks: Singapore (14 – 20 January 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 14, 2019 The Little Prince In The Dark at Singapore Philatelic Museum, 19 Jan Explore unique tactile sculptures of The Little Prince In The Dark Collection by Arnaud Nazare-Aga, with visually-impaired guides from Ngee Ann Polytechnic’s Dialogue in the Dark...
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
Drawing & Print
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am...
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
This film refers directly and fictionally to one of the first media dramas: the burning of the Zeppelin aircraft LZ 129 Hindenburg as it landed in New York in 1937...
At the halfway point along South Africa’s Highway N1, running from Cape Town to Johannesburg, sits the small town of Beaufort West...
In the video Negro sobre Negro (Black on Black) all we see is a completely black screen on a monitor that is recessed into a wall, also painted black...
In City Golf (2008) the artist Gao Mingyan films himself playing 18 “holes” of golf throughout the mega-city of Shanghai...
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón...
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
Drawing & Print
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...
Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...
All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Words by Meiro Koizumi: “The video installation work In the State of Amnesia is made with Mr...
After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
Drawing & Print
As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible...
Kapwani Kiwanga’s Linear Painting series (2017) reflect the artist’s research into disciplinary architecture, including schools, prisons, hospitals, and mental health facilities...
Like most of Laura Rokas’s hand-stitched works, Once in Two Moons was made while she sat in bed, imbuing the work with a tender sense of domestic intimacy...
Alka domo by Seba Calfuqueo is a performative video work that recontextualizes a story about Caupolicán, the Mapuche toki (meaning symbol of strength and perseverance in the face of adversity)...
Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture...
Drawing & Print
In his photographic series Périphérique (2005–2008), Mohamed Bourouissa used the composition of classical paintings to stage the portrait of friends and young people in the banlieue s (suburbs)...
The title of Rainbow Body by Chitra Ganesh refers to an elevated state of, or metaphor for, the consciousness transformation known as a rainbow body...
Drawing & Print
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Be Kind to Your Demons is a series of paintings by Hulda Guzmán that presents a variety of scenes in which female characters carry out ubiquitous activities in the company of secondary characters (mostly men) and devil-like creatures...
The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
From suicides, to gang violence, to the epidemic abuse of force by police departments (predominantly against Black men), to school and mass shootings, there is perhaps no more urgent issue in the United States than gun control...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
The film The Anatomy Classroom is part of a research project developed by Hikaru Fujii around objects and artifacts evacuated from the Futaba Town Museum of History and Folklore, which is located in the “difficult-to-return zone” since the Fukushima Daiichi nuclear accident...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Drawing & Print
Laís Amaral abstract paintings dialogue with the feminine power...
By Way of Revolution is a series that addresses the inherited histories of protest that inform contemporary social movements...