1:15:00 minutes
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government. Through interviews, scripted acting, and illustrations, Hershman Leeson outlines the series of absurd events that led to New York state’s case against the former SFAI Associate Professor and artist Steve Kurtz. By closely following Kurtz’s story, Hershman Leeson reveals a strange ripple effect of the Bush administration’s destructive policies. Strange Culture discusses the dangerous reverberations of xenophobia splintering from the case against Professor Kurtz. Kurtz and his wife Hope Kurtz were preparing an exhibition on genetically modified food for the Massachusetts Museum of Contemporary Art when Hope died in her sleep of heart failure. Upon the arrival of the paramedics to Kurtz’ house, they noticed scientific paraphernalia as well as a flyer with Arabic writing. In Bush’s Post-9/11 America, this was enough to alert the F. B. I. to his case. Within hours, Mr. Kurtz quickly went from the shock of his wife’s sudden passing to finding himself suspected of bioterrorism and his home quarantined.
Lynn Hershman Leeson is a celebrated Bay Area artist and filmmaker internationally renowned for her pioneering use of new technologies to explore key social issues. Her prolific body of work spans over four decades: from her early conceptual and performance works where she constructed an ‘official’ civilian record for her alter ego Roberta Breitmore, to her more recent works that intersect with the field of science to explore themes of identity, privacy, surveillance and the complex relationship between humans and technology, and the real and the virtual world. Hershman Leeson also addresses these key themes through her filmmaking, which is highly idiosyncratic and socially engaged. A notable example is her acclaimed documentary !Women Art Revolution , which focuses on the Feminist movement in the USA.
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
To explore the boundaries between artwork and audience, Gimhongsok created a series of sculptural performances in which a person wearing an animal costume poses in the gallery...
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...