© » KADIST
Tony Cokes
Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history. Incorporating footage and speeches from the infamous 1937 exhibitions, Degenerate Art and First Great German Art Exhibition , views of the city’s destruction from June 1945, and texts on Otl Aicher’s graphic identity for the 20th Olympic Games in Munich in 1972, the film weaves together an open-ended narrative. This visual and textual material is set to music including techno playlists, contemporary EDM tracks, and Donna Summer’s disco classic, I Feel Love (1977), which the American singer recorded in Munich’s legendary Musicland studio.
© » KADIST
Egle Jauncems
The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015. Jauncems notes that the book is fragmented, following unrelated characters struggling with ennui and depression, navigating the pressures of modern reality. In her art practice, Jauncems has been interested in the lives of powerful and influential men for many years.
© » KADIST
Yao Qingmei
Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture. The three channels of the video respectively feature a dancer (left), a chorus (middle), and a security inspector (right). The dancer and security inspector enact a mechanical burlesque performance that parodies the body inspection procedures implemented by airport security.
© » KADIST
Chantal Edie and Zacharie Ngnogue
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways. “Tiko drink-Kumba drunk” is an adage that is commonly used in the Southwest province of Cameroon to speak of how one’s actions affect others. Civil liberties are next to non-existent in Cameroon, the law is lawless, and structured in a way that is intended to attack its citizens’ human rights.
© » KADIST
Prabhakar Kamble
To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners. Kamble cast the feet of agricultural workers in metal to prop up the eponymous terracotta pots traditionally used to store food and grains in every home. A commentary on the caste system’s four-tiered hierarchy, the pots become smaller as they go up the stand, mimicking the structure of society where most of the population is comprised of impoverished communities, which form the base of the caste system while a small minority makes up the wealthy upper castes.
© » KADIST
Edgardo Aragón
In the agricultural areas of Mexico, Indigenous people use the mylar magnetic tape unspooled from VHS cassettes as an alternative to the scarecrow—the reflective tape flutters in the wind and does an excellent job scaring birds away from crops. This kind of creative reuse of materials (overproduced and devalued) that flow through the global trade of consumer goods, is especially rich in Mexico and other parts of Latin America. In 2020, during a period of isolation due to Covid-19, Edgardo Aragón unspooled a VHS tape and installed it in his father’s crop of corn for six months.
© » KADIST
Prabhakar Kamble
To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners. Kamble cast the feet of agricultural workers in metal to prop up the eponymous terracotta pots traditionally used to store food and grains in every home. A commentary on the caste system’s four-tiered hierarchy, the pots become smaller as they go up the stand, mimicking the structure of society where most of the population is comprised of impoverished communities, which form the base of the caste system while a small minority makes up the wealthy upper castes.
© » KADIST
Prabhakar Kamble
To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners. Kamble cast the feet of agricultural workers in metal to prop up the eponymous terracotta pots traditionally used to store food and grains in every home. A commentary on the caste system’s four-tiered hierarchy, the pots become smaller as they go up the stand, mimicking the structure of society where most of the population is comprised of impoverished communities, which form the base of the caste system while a small minority makes up the wealthy upper castes.
© » KADIST
Chantal Edie and Zacharie Ngnogue
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways. “Tiko drink-Kumba drunk” is an adage that is commonly used in the Southwest province of Cameroon to speak of how one’s actions affect others. Civil liberties are next to non-existent in Cameroon, the law is lawless, and structured in a way that is intended to attack its citizens’ human rights.
© » KADIST
Chantal Edie and Zacharie Ngnogue
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways. “Tiko drink-Kumba drunk” is an adage that is commonly used in the Southwest province of Cameroon to speak of how one’s actions affect others. Civil liberties are next to non-existent in Cameroon, the law is lawless, and structured in a way that is intended to attack its citizens’ human rights.
© » KADIST
Risham Syed
Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession. Her mother had long talked about making quilts with these panels; there were many questions about what she would do with so many panels, which were ultimately used to compose Risham Syed’s work Ali Trade Center Series IV (with Buddleia) . After her mother’s death, Syed began to explore the history of this fabric as a material linked to commerce, power, social class, and culture, and thus linked to a history of violence, hardship, upheaval, and conflict.
© » KADIST
Ghita Skali
The Hole’s Journey by Ghita Skali follows a complex political satire involving a worn-out floor, a political activist, and the Ouled Sbita tribe of Morocco. For 23 years, the director’s chair at an international art institute in the Netherland’s scratched the wooden floor below it. For Skali’s project, a 102 cm x 120 cm section of this scratched floor was cut out and mailed to an expropriated region in Morocco.
© » KADIST
Cameron Rowland
Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution. Who controls the services that contemporary citizens take for granted—like power, water, heat? Who makes these objects that deliver these services?
© » KADIST
Adelita Husni-Bey
Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules. As in Lord of the Flies , the little children’s anarchistic society quickly breaks down. Finally, when the narrator asks the children if they want to leave the island they answer unhesitatingly: “instead of making up a lot of rules, why don’t we go home where we already have them?”.
© » KADIST
Pu Yingwei
ChinaCapital: Dream, Hot Land, Interstellar Colonization by Pu Yingwei addresses a complicated phenomena of intertwined influences from different political powers, capital forces, and ideologies in the reality of China. The background of this painting is taken from an image of a Russian stamp featuring a space odyssey during the Cold War with the US. The composition juxtaposes colors from the Chinese national flag (red and yellow) and the US national flag (blue and red), echoing the current “cold war” between China and the U. S. Usually found surrounding a big star on the Chinese national flag, the 4 stars are here rearranged into a single line, symbolizing the artist’s wish for a decentralised and equal society.
© » KADIST
Sawangwongse Yawnghwe
22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.
© » KADIST
Sarah Lai Cheuk Wah
Back images is a series of six photographs by Sarah Lei Cheuk Wah that explore the semiotics of power and their intersection with representations of masculinity. The photographs feature what seem to be stock images of several policemen—their rugged uniforms, vehicles and weapons drenching the photographs with signs of masculinity and power as the policemen carry on with their usual tasks. The series was part of a larger exhibition entitled In Stasis where Lei transformed the booth of an art fair into what appeared to be a security area inside an airport.
© » KADIST
Bady Dalloul
Drawing & Print (Drawing & Print)
The Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East. Each reconstituted ‘hand of play’ corresponds to a diplomatic treaty establishing or modifying geographical borders. The plastic form of a poker hand chosen by the artist highlights the randomness of the process of fixing boundaries and the way in which they do not account for the lives of those located there.
© » KADIST
Sawangwongse Yawnghwe
22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.
© » KADIST
Sawangwongse Yawnghwe
22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.
© » KADIST
Sawangwongse Yawnghwe
22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.
© » KADIST
YOUNG-HAE CHANG HEAVY INDUSTRIES
The absurd condition of human survival under environmental degradation and geonational balkanization is taken as a starting point for WA’AD by YOUNG-HAE CHANG HEAVY INDUSTRIES. The work’s premise is a confessional narrative emerging from a Palestinian astronaut on a desperate international flight mission to colonize Mars. That there is also an Israeli astronaut on the same mission plays into the complexities of the landed history of ethnic antagonism between Israel and Palestine, which has stretched on for centuries.
© » KADIST
Mikhael Subotzky
“Pasvang, Pollsmoor Maximum Security Prison” is the result of three months Subotzky spent inside the walls of Pollsmoor Prison, an overcrowded correctional facility largely controlled by gangs. Through talking to the prisoners and the warders, teaching classes in photography to the inmates and documenting his experiences, Subotzky captured a unique perspective of the prisoners and the prison itself. Subotzky was working digitally, and a key feature of the Pollsmoor work was panoramic images in which he would stitch together a number of shots to give a 360-degree view of the jammed prison wards and spaces.
© » KADIST
Nikita Kadan
Drawing & Print (Drawing & Print)
Ukraine is under tension due to the politics of President lanoukovitch since 2010. Numerous passive demonstrations against the government have led to numerous police repression of the protestors. The demonstration ‘Euromaïdan’ in 2013 is a perfect example.
© » KADIST
Maayan Amir and Ruti Sela
In Beyond Guilt the two artists create a portrait of our generation in three parts. In Tel Aviv, in confined spaces such as toilets or bar of hotel rooms, they create situations in which participants answer questions and describe themselves. Camera in hand, there is little editing in their works, leaving a rather crude result.
© » KADIST
Apostolos Georgiou
Untitled (2016) is characteristic of the artist’s practice. Apostolos Georgiou invites us into a scene of cinematic tension. In the foreground, a man is kneeling with his hands on his head.
© » KADIST
Carolina Caycedo
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia. Extending beyond the documentary form, the work illuminates social power structures and control mechanisms, particularly in connection with the activities of multinational corporations: images of controlled bodies of water are spliced with footage of urban crowds, visualising overlaps in the ways these various bodies are managed. The film is overlaid with the narrator’s voice whispering in Spanish and English, speaking of the artist’s personal perspective, and her own experience with a river she has known since childhood when family lived by its edge.
© » KADIST
Sandra Monterroso
Sandra Monterroso’s video performance titled Corazón del lugar del viento (Heart of the Place of the Wind) is inspired by Seis Cielo (Six Sky), the only female Mayan ruler to be represented in classical Mayan stelae (historical monuments dedicated to the record of important events). As the artist impersonates the ruler and goddess, she performs a ritual of tying stones and an offering of clothing. Seis Cielo’s ties with the lineages of the prehispanic Tikal and Dos Pilas kingdoms were essential in understanding the role of Mayan women as mothers and wives, and especially as rulers and healers.
© » KADIST
Tan Zi Hao
Tan Zi Hao produced Pest Control 1110, 709, 428 (or, a Myth for Another) , in response to the Bersih social movement, that catalyzed three rallies on 10th November 2007, 9th July 2011 and 28th April 2012, respectively, to demand a clean electoral roll. Tan Zi Hao’s work is a commentary on the Bersih protest movement; “Bersih” is the Malay word for “clean” and the movement was an important precursor to the changes in Malaysia following the 2018 elections when the Barisan Nasional coalition lost power for the first time since the country’s independence in 1957. Najib Razak, the prime minister ousted in those elections and the focus of some of the biggest demonstrations during the Bersih movement was sent to prison in 2020 after being found guilty of massive theft of public funds.
© » KADIST
James "Yaya" Hough
Drawing & Print (Drawing & Print)
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate. This drawing uses a pink form on which an inmate can list telephone contacts for approval. The drawing depicts two uniformed figures, with backwards feet, berating a figure on a toilet.
Sawangwongse Yawnghwe
Sawangwongse Yawnghwe comes from the Yawnghwe royal family of Shan...
James "Yaya" Hough
Working in ballpoint pen, pencil, and watercolor, often on the backs of bureaucratic prison forms, James “Yaya” Hough’s work conveys the burdens of incarcerated life, revealing not only the brutal reach of the carceral system, but laying bare its affects...
Paolo Cirio
Artist Paolo Cirio engages with legal, economic, and cultural systems of information...
Nikita Kadan
Trained in large-scale painting, Nikita Kadan’s artistic practice encompasses installation, graphics, painting, wall drawing, and urban postering, sometimes in collaboration with architects, human rights activists, and sociologists...
Chantal Edie and Zacharie Ngnogue
Chantal Edie and Zacharie Ngnogue are a photography duo who channel their personal experiences into social commentaries...
Prabhakar Kamble
Prabhakar Kamble is an artist, curator, and cultural activist...
Trevor Paglen
Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...
Du Zhenjun
- location: Paris, France
- location: Shanghai, China
- year born: 1961
- gender: male
- nationality: Chinese
- home town: Shanghai, China
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Bady Dalloul
Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...
Claudia Joskowicz
Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...
Adelita Husni-Bey
Born in Milan, Italian-Libyan Adelita Husni-Bey is an artist and researcher...
Erbossyn Meldibekov
Through drawing, installation, painting, photography, and video, Erbossyn Meldibekov’s practice examines architecture, monumentality, and value systems in the public domain...
Mikhael Subotzky
Mikhael Subotzky’s (b...
Yao Qingmei
Informed by her long-term interest in the complex tensions between music, dance, text, and video, Yao Qingmei’s practice collapses the boundary between performance and its site...
Matt Kane
Trained as a visual artist, Matt Kane left the art world for a decade to work as a web developer in the United States’s Pacific Northwest...
Jesse Krimes
Jesse Krimes is an artist, curator, educator, former inmate, and activist whose work tackles and fights the US prison-industrial complex...
Minerva Cuevas
- location: Mexico City, Mexico
- year born: 1975
- gender: female
- nationality: Mexican
- home town: Mexico City, Mexico
Kara Walker
- location: New York, New York
- year born: 1969
- gender: female
- nationality: American
- home town: Stockton, California
Maayan Amir and Ruti Sela
Maayan Amir and Ruti Sela, two young Israeli women artists work collaboratively or individually by project...
Enrique Ramirez
- year born: 1979
- gender: male
- nationality: Chilean
- home town: Santiago, Chile
Risham Syed
Risham Syed has a diverse art practice in which painting and other mediums are used to explore issues of history, sociology, and politics...
Clare Rojas
- location: San Francisco, California
- year born: 1976
- gender: female
- nationality: American
- home town: Columbus, Ohio
Runo Lagomarsino
- location: Malmo, Sweden
- location: Sao Paolo, Brazil
- year born: 1977
- gender: male
- nationality: Italian-Argentine-Swedish
- home town: Sweden
Karan Shrestha
Karan Shrestha’s practice portrays the social tensions and historical complexities embodied in the social fabric of Nepal...
Sandra Monterroso
Sandra Monterroso is a Guatemalan artist of Maya Q’eqchi’ decent...
Maya Watanabe
Drawing on her background in theater design and direction, Maya Watanabe is known for her multi-channel video installations that explore the relationship between language, collectivity, identity, and space...
Sarah Lai Cheuk Wah
Sarah Lai Cheuk Wah is best known for her paintings of common objects and urban landscapes, which she renders realistically in great detail...
Mahmoud Khaled
Mahmoud Khaled works primarily with painting, installation, video, and text...
Kwan Sheung Chi
Kwan Sheung Chi obtained a third honor B.A...
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2000-2009
Maayan Amir and Ruti Sela
2003In Beyond Guilt the two artists create a portrait of our generation in three parts...
Mikhael Subotzky
2004“Pasvang, Pollsmoor Maximum Security Prison” is the result of three months Subotzky spent inside the walls of Pollsmoor Prison, an overcrowded correctional facility largely controlled by gangs...
Kara Walker
2005In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
Minerva Cuevas
Drawing & Print
2006(Drawing & Print) During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
Clare Rojas
2006Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Kwan Sheung Chi
2007A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
Carey Young
2007“Product Recall” is a video perfomative pun on the action recalling memories in the form of a psychoanalytic session and the recall of faulty products from multinational corporations...
Lynn Hershman Leeson
2007Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Mahmoud Khaled
2009CAMARADERIE is a precursor to and a blueprint for Mahmoud Khaled’s later forays into queer aesthetics and modes of visual representation...
Thomas Kilpper
Drawing & Print
2009(Drawing & Print) These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
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2010-2019
Marcelo Cidade
2010Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Adelita Husni-Bey
2011Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules...
Uche Okpa-Iroha
2012In the fictional narrative Plantation Boy (2012), Irhoa places himself inside imagery from Francis Ford Coppola’s seminal The Godfather (1972)...
Bani Abidi
2012The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...
Jeff Burton
2012In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror...
Nikita Kadan
Drawing & Print
2013(Drawing & Print) Ukraine is under tension due to the politics of President lanoukovitch since 2010...
Carolina Caycedo
2013In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
Tan Zi Hao
2013Tan Zi Hao produced Pest Control 1110, 709, 428 (or, a Myth for Another) , in response to the Bersih social movement, that catalyzed three rallies on 10th November 2007, 9th July 2011 and 28th April 2012, respectively, to demand a clean electoral roll...
Nikita Kadan
Drawing & Print
2013(Drawing & Print) Ukraine is under tension due to the politics of President lanoukovitch since 2010...
Yee I-Lann
2013Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Cameron Rowland
2014Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution...
Maya Watanabe
2014In Escenarios (Sceneries) Maya Watanabe films forgotten wastelands through a series of 360° camera movements that highlight the dramatism and visual richness of terrain that would be otherwise forgotten...
Claudia Joskowicz
2014Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
Sarah Lai Cheuk Wah
2015Back images is a series of six photographs by Sarah Lei Cheuk Wah that explore the semiotics of power and their intersection with representations of masculinity...
Adriana Martínez
2015Her 2015 work Orión is a black flag-like cloth with glow-in-the-dark symbols embroidered in the shape of the constellation...
Jumana Manna
2015Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics...
Naufus Ramírez-Figueroa
2015Naufus Ramírez-Figueroa’s performance Illusion of Matter establishes a dream state through a composition of motifs that were drawn from the artist’s childhood memories...
Claudia Joskowicz
2015Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
James "Yaya" Hough
Drawing & Print
2016(Drawing & Print) This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
James "Yaya" Hough
Drawing & Print
2016(Drawing & Print) This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
James "Yaya" Hough
Drawing & Print
2016(Drawing & Print) This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
Yao Qingmei
2017Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture...
Bady Dalloul
Drawing & Print
2017(Drawing & Print) The Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East...
Bady Dalloul
Drawing & Print
2017(Drawing & Print) geopoliticalThe Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East...
Doreen Lynette Garner
2017Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey...
Erbossyn Meldibekov
2017Game (Six Pieces) by Erbossyn Meldibekov is inspired by the popular Rubik’s cube puzzle and is composed of three colors (red, green and white) instead of six, referencing the colors of the Afghan flag...
Karan Shrestha
2017After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures...
Trevor Paglen
2017Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...
Jessie Stead
2017Jessie Stead’s Punched Interlude works are made out of found police barricade tape that she punches holes in and then runs through a music box, the music is composed by her as audible reflection on barricades and no go zones throughout the city of New York in area of Donald Trump...
Lynn Hershman Leeson
2017Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
Enrique Ramirez
2017Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Nikita Kadan
Drawing & Print
2018(Drawing & Print) East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’...
Egle Jauncems
2019The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015...
Diego Bianchi
2019Diego Bianchi’s main concern is distorting straight lines, both literally and metaphorically...
Matt Kane
Advanced Technology
2019(Advanced Technology) Matt Kane initiated the project Right Place & Right Time – Bitcoin Volatility Art in 2019...
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2020-2029
Chantal Edie and Zacharie Ngnogue
2020Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Edgardo Aragón
2020In the agricultural areas of Mexico, Indigenous people use the mylar magnetic tape unspooled from VHS cassettes as an alternative to the scarecrow—the reflective tape flutters in the wind and does an excellent job scaring birds away from crops...
Chantal Edie and Zacharie Ngnogue
2020Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Chantal Edie and Zacharie Ngnogue
2020Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Ghita Skali
2020The Hole’s Journey by Ghita Skali follows a complex political satire involving a worn-out floor, a political activist, and the Ouled Sbita tribe of Morocco...
Pu Yingwei
2020ChinaCapital: Dream, Hot Land, Interstellar Colonization by Pu Yingwei addresses a complicated phenomena of intertwined influences from different political powers, capital forces, and ideologies in the reality of China...
YOUNG-HAE CHANG HEAVY INDUSTRIES
2020The absurd condition of human survival under environmental degradation and geonational balkanization is taken as a starting point for WA’AD by YOUNG-HAE CHANG HEAVY INDUSTRIES...
Paolo Cirio
2020Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
Paolo Cirio
2020Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
Paolo Cirio
2020Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology...
Jesse Krimes
2020Raybrook by Jesse Krimes takes its name from The Federal Correctional Institution, Ray Brook (FCI Ray Brook), a medium-security United States federal prison for male inmates located in Essex County, NY...
Trevor Paglen
2020The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Runo Lagomarsino
Drawing & Print
2020(Drawing & Print) On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
Trevor Paglen
2020Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
Sawangwongse Yawnghwe
202122022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
Sawangwongse Yawnghwe
202122022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
Sawangwongse Yawnghwe
202122022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
Sawangwongse Yawnghwe
202122022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
Sawangwongse Yawnghwe
202122022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
Ishola Akpo
2021Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...
Sawangwongse Yawnghwe
202122022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
Tony Cokes
2022Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history...
Prabhakar Kamble
2022To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners...
Prabhakar Kamble
2022To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners...
Prabhakar Kamble
2022To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners...
Risham Syed
2022Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
Sandra Monterroso
2022Sandra Monterroso’s video performance titled Corazón del lugar del viento (Heart of the Place of the Wind) is inspired by Seis Cielo (Six Sky), the only female Mayan ruler to be represented in classical Mayan stelae (historical monuments dedicated to the record of important events)...
