603 Football Field presents a soccer game played inside a small student apartment in Shanghai. Installed like monitors fed by surveillance cameras, the videos present a voyeuristic entry into a private space, where two teams of men are scurrying around a bed, a desk, and some shelves in to score a goal, represented by a kitchen at one end and bathroom at the other. The game is furnished with complete uniforms, a referee, and a midfield line. Initially, the game appears as a whimsical solution to urban ennui. Yet, as the players shuffle the ball around, recklessly knocking down items in the apartment, the viewer begins to wonder if the indoor game marks the increase of air pollution, and the erasure of green space by real estate development has forced all leisure activity to be conducted in the prison of one’s apartment under surveillance.
Zhang Qing is a conceptual artist whose works deploy a variety of motifs and styles, at times dabbling in gender-bending photography and engaging in endurance-performances. Particularly, Zhang uses humor as an access point to expose the darker sides of capitalism in works such as Don’t Go So Fast (2009), social commentary on the state of economic disparity among social classes. His recent video installation and mixed media works has developed a sophisticated videographic language, exemplified by CCTV (2011) to address issues of state media, surveillance and privacy. Zhang considers China’s socio-political challenges to be unique to its own cultural-historical background and do not always translate or transfer well into foreign contexts. Thus, contemporary Chinese art can provide special visual entries into these complex socio-economic situations.
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Game (Six Pieces) by Erbossyn Meldibekov is inspired by the popular Rubik’s cube puzzle and is composed of three colors (red, green and white) instead of six, referencing the colors of the Afghan flag...
BSA Images Of The Week: 11.05.23 | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Welcome to BSA Images of the Week! Nobody was out Friday night when we went to see “Stop Making Sense” on the screen; the streets of Manhattan and Brooklyn at 10 pm were rather lightly attended, possibly because everyone was recovering from a mid-week Halloween/Day of the Dead blast of drunkenness, revelry, laughter, and tears...
Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Radical Digital Paintings is a collection of 239 works that were painted from 2016–2021; one exemplary image from the series is #98 ...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...