Mike and Sky

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Arms & Legs (Specif...

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...

603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

Happy Birthday, Anthony Haden-Guest advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 Happy Birthday, Anthony Haden-Guest Courtesy of the author...

Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Nicolas Daubanes — Du béton, de l’acier et de la viande Exhibition Architecture, installation Closing Nicolas Daubanes, La grâce présidentielle, à la galerie Territoires Partagés, Marseille PAC 2022 © JC Lett Nicolas Daubanes Du béton, de l’acier et de la viande Ends in 6 days: September 22 → December 17, 2023 La pratique artistique de Nicolas Daubanes se déploie à travers le dessin, la sculpture, la vidéo et l’installation...

Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Nicolas Daubanes — Du béton, de l’acier et de la viande Exposition Architecture, installations Derniers Jours Nicolas Daubanes, La grâce présidentielle, à la galerie Territoires Partagés, Marseille PAC 2022 © JC Lett Nicolas Daubanes Du béton, de l’acier et de la viande Encore 6 jours : 22 septembre → 17 décembre 2023 La pratique artistique de Nicolas Daubanes se déploie à travers le dessin, la sculpture, la vidéo et l’installation...

Ground Control — (and the stars look very different today) — Topographie de l’art — Exhibition — Slash Paris Login Newsletter Twitter Facebook Ground Control — (and the stars look very different today) — Topographie de l’art — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Ground Control — (and the stars look very different today) Exhibition Mixed media © Topographie de l’art Ground Control (and the stars look very different today) Ends in about 1 month: November 24, 2023 → January 11, 2024 Demain n’est pas qu’une simple projection d’aujourd’hui ; l’avenir se définit tout aussi bien comme le reflet de notre imaginaire à la surface de miroirs que l’on a plus ou moins éloignés dans le temps...

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...

Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...

San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...

Little by little businesses, and especially banks, are silently getting rid of art collections built up over many years....

New study, released today, covers 40-year history of the country's market and reveals many private art museums run at a loss...

“Somewhere, Elsewhere, Anywhere, Nowhere” is a record and reflection of Spring 2014 artist-in-residence Marcelo Cidade’s displacement of a parking lot at Kadist’s gallery in San Francisco...

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...