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Resurgimiento [Resurgence]
© » KADIST

Wynnie Mynerva Mendoza Ortiz

Painting (Painting)

Wynnie Mynerva places their body at the center of their practice from an intimate perspective and healing dimension. Their paintings are thresholds where body parts proliferate beyond names and labels, dissolving and intermingling gender marks, organs, and prostheses. Resurgimiento [Resurgence] was produced in the aftermath of their fifth solo show Closing to Open (Galería Ginsberg, Lima, 2021), in which Mynerva addressed their experience of going through a vaginal surgical procedure to help them feel more aligned with their gender identity.

Breathspace
© » KADIST

Eduardo Navarro

Installation (Installation)

The installation Breathspace by Eduardo Navarro encompasses all the content presented at the artist’s first solo exhibition, of the same name, at Gasworks, UK. In lockdown, Navarro started drawing every day and this practice “relocated the studio to inside his head”. This meditative activity was inspired by quantum physics, according to which information in the universe cannot be created nor ever destroyed.

Living Distance
© » KADIST

Xin Liu

Film & Video (Film & Video)

Living Distance by Xin Liu is a VR work and two-channel video based on a real mission in which the artist’s wisdom tooth was sent to outer space and back down to Earth again. In the VR work, users play the role of the tooth, journeying from the mouth to outer space, with a poetic narration by Liu. The piece is exquisitely rendered, with deep blacks that make the experience especially powerful on a Vive Pro.

The Great Adventure of the Material World Knight
© » KADIST

Lu Yang

Advanced Technology (Advanced Technology)

The Great Adventure of the Material World Knight by Lu Yang is a video game world in which an androgynous protagonist goes on a hero’s journey to overcome their understanding of the material world as a coherent, objective truth. Looping arcade music builds suspense as the artist mobilizes varying aesthetics—Sinofuturist cityscapes, Kawaii, religious imagery, anime characters, and body scans of the artist—to propel the viewer through a series of levels, including heaven, hell, and various sites populated by deities and monsters. While traversing these worlds, the protagonist encounters a dizzying array of characters while posing a series of questions about the subjective nature of reality, desire, and suffering.

Canción para un fósil canoro (Song for a chanting fossil)
© » KADIST

Rometti Costales

Installation (Installation)

Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile. The duo associated the layers of the building’s history with the vestiges of life and the processes of fossilization that have taken place in areas of the Atacama Desert, a territory that has been the stage for several episodes in Chile’s tumultuous economic and political history. The work operates as a metaphor for the strata of historical memory, condensing different materials and operations.

Ventana indiscreta (Rear Window)
© » KADIST

Karen Lamassonne

Painting (Painting)

Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic. The painting is part of Lamassinne’s Homenaje a Cali [Homage to Cali] series, developed by the artist in 1989 in a nostalgic attempt to immortalize Cali at a time in which violence from drug trafficking had rendered it unlivable, and the generation that Lamassone had lived it up with had all but dispersed. Lamassone had formally established in Cali around the middle of the decade at a time in which the hangover from the 1971 Pan-American Games and an artistic effervescence had transformed it from a provincial sleepy town into a newly discovered urban (and sexual) labyrinth, one that was fit for the artist’s own explorations around its representation.

Music Stands: Free Exercise 7, 8, and 9
© » KADIST

Marina Rosenfeld

Installation (Installation)

The installation Music Stands: Free Exercise 7, 8, and 9 by Marina Rosenfeld consists of music stand-like structures and a corresponding set of panels and acoustic devices that direct, focus, obstruct, reflect and project sound in the gallery. Together the components play on the connection between aural and social relations signified by the music stands. An episodic score emanates from the work’s sound system, momentarily interrupting the atmosphere with brief eruptions of electronic sounds and vocality.

Tell me everything you saw, and what you think it means
© » KADIST

Sin Wai Kin

Film & Video (Film & Video)

The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere. Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.

Unhealed
© » KADIST

Tenzing Rigdol

Photography (Photography)

Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events. Each date and region is marked with a needle, a reference to the traditional Chinese medicine method for treating ailments, used to mark the regions and dates of major uprisings and mass protests as a means of encouraging dialogue and to start the recovery process. Millions of Tibetans have died in those protests.

Untitled
© » KADIST

Sung Hwan Kim

Drawing & Print (Drawing & Print)

This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010. tranzit.cz is part of a network working independently in Austria, the Czech Republic, Hungary, Slovak Republic, and Romania since 2002. Such doodle-like drawings are often crucial components of Kim’s performances. The imagery of faces, heads, snakes, and serpentine paths are recurring motifs in the artist’s drawing practice.

Oil
© » KADIST

Sam Contis

Photography (Photography)

Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression. Oil is part of a photographic series Contis made at Deep Springs College, one of the United States’s last all-male institutions of higher learning, located in a remote desert valley on the California–Nevada border. Oil features a hand in front of an open hood of a car, checking the oil.

Teomama
© » KADIST

Alicia Smith

Film & Video (Film & Video)

The title of Alicia Smith’s video work, Teomama , means “God Carrier” in the Aztec language of Nahuatl. It was the name given to medicine men and women who carried the bones of Huitzilopochtli—the god of war, sun, and human sacrifice in ancient Mexico, and the national deity of the Aztecs. Of the many legends featuring Huitzilopochtli, the origin story of Tenochtitlan (present day Mexico City) is perhaps one of the most well-known.

Musa
© » KADIST

Minia Biabiany

Film & Video (Film & Video)

Musa is a visual and textual work by Minia Biabiany and the starting point of a broader research around the sexuality of Caribbean women, the historical legacy of slavery, and the artist’s own female lineage. Sometimes shown within an installation, sometimes on its own, the video combines images of flowers, landscapes, and bodies, with text in Creole and English. The video is conceived as a weaving, its technique creating stitchings and surfaces, upon which the artist inscribes stories.

Los Abuelos
© » KADIST

Manuel Solano

Painting (Painting)

Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.

It's Not Easy Being Seen 2
© » KADIST

Farah Al Qasimi

Photography (Photography)

Farah Al Qasimi’s approach to photography deviates from the norms and conventions of traditional figurative and portrait photography. It’s Not Easy Being Seen 2 is from a series of photographs depicting women who are otherwise unnoticed by the public. In this work, her subject is obscured by a bright, green fabric (also referred to as a morph suit) that uses the concept of green screen technology to conceal identity.

Mr. Shadow 5
© » KADIST

Nontawat Numbenchapol

Photography (Photography)

The series of prints titled Mr. Shadow by Nontawat Numbenchapol engages with the history of and current state of militarization in Thailand. Each print features an invisible person, their silhouette only outlined by the military fatigues that they wear.

Untitled
© » KADIST

Alicia Henry

Textile (Textile)

Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships. The artist probes societal differences and how these variations affect individual and group responses to themes of beauty, the body, and broader issues of identity. Untitled explores these themes and addresses the processes through which women navigate such issues.

Mojtaba
© » KADIST

Sam Samiee

Painting (Painting)

Mojtaba was painted in 2015 as a part of the Bedroom Posters series. Bedroom Posters feature the same beautiful boys who could well be out of a set of fashion editorials. Mojtaba, Manuel, Titus, and a boy found on Tumblr are on the verge of becoming men, yet are narcissistic adolescents prone to fall into the trap of ideological extremes.

Unit / y
© » KADIST

Amapola Prada

Film & Video (Film & Video)

In the video Unit/y we see Amapola Prada in the center of the screen wearing an oversized, worn out sweatshirt, socks and flip-flops—standing motionless on a dimly lit street in her native Lima, Peru. As the video progresses, people, stray dogs, and cars pass by unbeknown to her presence, inescapably fulfilling their roles in the everyday. The title of the work gives us a clue.

The Orbit
© » KADIST

Bo Wang

Film & Video (Film & Video)

The Orbit by Bo Wang is based on the story of Hu Na, a former professional tennis player who was known for defecting from the People’s Republic of China. While on tour in California for the 1982 Federation Cup with the China Federation Cup team, Hu Na fled her hotel room and sought refuge at a friend’s home on her second day in the United States. In April 1983, she requested political asylum on the basis that she had a well-founded fear of persecution because of repeatedly refusing to join the Communist Party of China’s tennis team.

aguamentos (sorvedouro series)
© » KADIST

davi de jesus do nascimento

Drawing & Print (Drawing & Print)

davi de jesus do nascimento’s earthy paintings, from the series sorvedouro , recall his memories as an essentially organic matter. Watercolor painting carries water as its foundational element and was the first technique that the artist applied to base his painting research on the river. He used to dip the brush on the prow of the boats: “I realized that the water is in deep dialogue with the flows of the river that I descend”.

Mr. Shadow 1
© » KADIST

Nontawat Numbenchapol

Photography (Photography)

The series of prints titled Mr. Shadow by Nontawat Numbenchapol engages with the history of and current state of militarization in Thailand. Each print features an invisible person, their silhouette only outlined by the military fatigues that they wear.

The subtle rules the dense
© » KADIST

Phoebe Collings-James

Sculpture (Sculpture)

The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand. The resulting objects lie ambiguously between a representation of a human torso and a shamanistic mask. The work is reminiscent of Yoruba and Makonde body masks that portray pregnant forms, as well as Roman armor with nipple rings.

A woman you thought you knew
© » KADIST

Sin Wai Kin

Drawing & Print (Drawing & Print)

A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere . Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.

Tomorrow
© » KADIST

Jung Yoonsuk

Film & Video (Film & Video)

Tomorrow by Jung Yoonsuk is a two-channel video installation, observing the two different sites of factories, one in the mannequin reform factory in Seoul, Korea, and the other in a sex doll factory in Shenzhen, China. The artist’s research began in 2016 when he encountered articles, and some dystopian images, about a “retired sex doll”, a spooky, deformed dummy with big breasts, that stood in an agricultural field backdrop of a high-rise apartment complex in Chengdu, China. Jung’s work explores the factory scene, the (mostly female) workers and their labor, the doll’s artificiality, and human-like eccentricities.

RUINER III
© » KADIST

Nikita Gale

Sculpture (Sculpture)

RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture. While these muscular works evoke the forms and dynamism of mid-century modernism, they can also be seen as a translation of Goethe’s idea that “architecture is frozen music”. RUINER III is exemplary of how the artist’s disembodied sets typically evoke a sense of longing through absence, and in so doing, draw out an extended mediation on how audiences project mental or emotional energy onto a person, object, or idea.

Mr. Shadow 2
© » KADIST

Nontawat Numbenchapol

Photography (Photography)

The series of prints titled Mr. Shadow by Nontawat Numbenchapol engages with the history of and current state of militarization in Thailand. Each print features an invisible person, their silhouette only outlined by the military fatigues that they wear.

Figura Nocturna II
© » KADIST

Antonio Obá

Painting (Painting)

Figura Noturna II by Antônio Obá depicts a dark figure, surrounded by a halo of light set against an even darker background. He has one eye open, which stares intensely at the viewer. The image relates to a theme recurrent in the artist’s practice: the figure lying awake at night.

Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome
© » KADIST

Andrew Norman Wilson

Film & Video (Film & Video)

Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome by Andrew Norman Wilson is a multi-channel video that uses three different imaging technologies—a photographic lens, photorealistic ray tracing animations, and fractal ray-marching animations—to travel through three constructed environments. The work’s subtitle, Lavender Town Syndrome, is named for a conspiracy theory in which more than 200 Japanese children were driven to suicide by a particular board in the game Pokémon Red and Green for Game Boy. Many others suffered serious migraines or nosebleeds, or turned violent when their parents tried to take the game away.

The Fourth Notebook
© » KADIST

Sriwhana Spong

Film & Video (Film & Video)

The Fourth Notebook features a solo choreography by dancer Benjamin Ord. In an empty dance studio, Ord begins seated on his knees on the floor. He moves subtly with gentle strokes to the rhythm of a woman’s voice speaking short phrases in French.

siren eun young jung

With a practice deeply engaged with feminism and LGBT rights issues, siren eun young jung reveals the subversive power of traditional culture, one unknown in the Korean modernization period, and provides unique perspectives and documentation of important communities...

Amapola Prada

As the daughter of an actor, Amapola Prada recalls frequently attending the theater as a child and noticing that she never saw herself (her body or reality) represented...

Laure Prouvost

Laure Prouvost is a multi-disciplinary artist best known for her films and immersive large-scale multi-media installations, in which she plays with words and their meanings in non-linear ways...

James "Yaya" Hough

Working in ballpoint pen, pencil, and watercolor, often on the backs of bureaucratic prison forms, James “Yaya” Hough’s work conveys the burdens of incarcerated life, revealing not only the brutal reach of the carceral system, but laying bare its affects...

Nontawat Numbenchapol

Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...

Kubra Khademi

Afghani artist Kubra Khademi uses her practice to explore her experiences as both a refugee and as a woman...

Zanele Muholi

Sin Wai Kin

Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...

John Wood and Paul Harrison

John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...

Karla Kaplun

Karla Kaplun’s practice centers on micro-utopias, the construction and functioning of collective memory, as well as mechanisms of political and economic power and control...

Shahryar Nashat

The work of Shahryar Nashat (b...

Danielle Dean

Danielle Dean creates videos that use appropriated language from archives of advertisements, political speeches, newscasts, and pop culture to create dialogues to investigate capitalism, post-colonialism, and patriarchy...

Sung Hwan Kim

In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...

Julian Abraham

Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...

Nidhal Chamekh

Based between his native Tunis and Paris, Nidhal Chamekh’s work is an investigation into history as a point of access to our contemporary times...

Ruth Patir

Ruth Patir works with video and performances that complicate facile separations of public and private spheres...

Xiaoyun Chen

Diane Simpson

Diane Simpson is interested in a seamless shifting from body to architectural form in the melding of the wearable with the structural un-wearable...

Kitty Kraus

Kitty Krauss has a very particular outlook on Minimal and Constructivist Art...

Daria Martin

A number of Daria Martin’s films explore the relationship between humans and machines and make reference to modernist art, whether through the work of the Bauhuas (Schlemmer), Surrealism (Giacometti’s Palace at 4 AM) or American art of the 1960s and 1970s...

Elyla

Elyla (Fredman Barahona) is a performance artist and queer activist...

Carter Mull

Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works...

Carolina Saquel Martinez

Caroline Saquel was born in Chile and now lives and works in Paris...

Aziz Hazara

Aziz Hazara works across various media such as video installation, photography, sound, and sculpture...

davi de jesus do nascimento

davi de jesus do nascimento grew up in Pirapora, a town in the north of Minas Gerais, which guides the narratives of his work, as does the heritage of his family of fishermen, laundresses, and Carranca masters...

Marcel Pardo Ariza

Marcel Pardo Ariza is a queer latinx visual artist and curator that explores the relationship between representation, kinship, and queerness through constructed photographs, color sets, and installations...

Goddy Leye

Born in 1965 in Mbouda (Cameroun), Goddy Leye was an artist, a teacher, a cultural activist and a curator based in Douala (Cameroun)...

Diego Bianchi

Since the early 2000s, Diego Bianchi has captured the atmosphere of a generation forged under a chronic state of crisis and precariousness in South America...