10H x 17.5W inches
From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany. Here, Garaicoa’s interest in vernacular Cuban architecture shifts towards the European context: a series of twelve nineteenth-century French engravings have been reworked into delicate paper models. Here, the two-dimensional old-school architectural renderings have become the foundation for new hollow three-dimensional structures. Reminiscent of pop-up storybooks, the small-scale paper forms have also been augmented with black paper shapes, which both resemble the images in a shadow theater and recall abstract modernist forms.
Like many other Latin American artists in the Kadist Collection, Cuban-born Carlos Garaicoa’s conceptual works look at architecture as a palpable indicator of the region’s socio-political and cultural histories. Working since the early 1990s in a wide range of media that includes sculpture, drawing, video, and photography, Garaicoa explores architectural forms and urban landscape aiming to reveal the multiple facets of the modern project’s failure in the Latin American context. His work is influenced in particular from growing up in Havana, a socialist city where unfulfilled utopias meet the traces of an oligarchic past in every building’s facade.
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...