Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous. Thomson is referencing the lore that Nauman’s work (the first of many neons he’d make in the following years) had been inspired by a neon beer sign found in a corner-store in San Francisco that he used as his studio in the late 60s. This particular work has a self-critical subtext, as it also suggests the act of using another artist’s work, in an endless spiral of influence, is akin to a form of insanity.
Mungo Thomson is a Los Angeles-based conceptual artist whose challenging works reveal a fascination with time, space, music, and perceptual phenomena in general. It has been pointed out that Thomson’s work privileges backgrounds: material (the white walls), institutional (the gallery), and historical.
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
Neon Saltwater Drenched a Gas Station in Neon Las Vegas; “Cherry Lake” | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Seattle-based digital artist and color virtuoso Abigail Dougherty, known in the art world as Neon Saltwater, recently unveiled her latest installation in Downtown Las Vegas, an eye-popping spectacle you can appreciate in the images here...
Thuy Makes a Stunning Return to the Bay, Inspires the ‘Most Wholesome Mosh Pit Ever’ | KQED Skip to Nav Skip to Main Skip to Footer Arts & Culture Thuy Makes a Stunning Return to the Bay, Inspires the ‘Most Wholesome Mosh Pit Ever’ Olivia Cruz Mayeda Dec 18 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Thuy performs to a sold out audience at the Warfield on Dec...
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Foreigners Everywhere is a series of neon signs in several different languages...
In Stilleben mid Zierlauch ( Still Life with Aluminum) Annette Kelm utilizes visual juxtaposition to bring together a gridded aluminum backdrop, a pot with a vaguely indigenous pattern on it, and two purple dandelions...
Foreigners Everywhere is a series of neon signs in several different languages...
She saves Hong Kong’s neon signs, but it was a Taiwanese mansion that triggered her journey | South China Morning Post Advertisement Advertisement Architecture and design + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Cardin Chan is general manager of Tetra Neon Exchange, which rescues and preserves Hong Kong’s disappearing neon signs...
The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...