39.92H x 33.35W inches
In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes. The artist has said that the appropriation of popular imagery is a way for him to take pictures without a camera and to register the things that happen in the everyday as visual essays that evidence the fragility of the world.
For the past eight years, Jonathan Hernández has been developing the ongoing series Vulnerabilia from an immense bank of images appropriated from different public media, including photographs from newspapers, postcards, snapshots, or advertisements. Hernández erases any textual information that points to the image’s original content and context. He then carefully reworks them into collaged compositions—many of which revolve around scenes of disaster—whose meaning is intentionally ambiguous, and which become a critical visual encyclopedia of our contemporary world.
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Prix Marcel Duchamp — 2023 Exhibition Mixed media Upcoming Prix Marcel Duchamp 2023 — Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani © ADIAF Prix Marcel Duchamp 2023 In 9 months: October 2, 2023 → January 2, 2024 Bertille Bak, Bouchra Khalili, Tarik Kiswanson and Massinissa Selmani are the four finalists of the 2023 edition of the Marcel Duchamp Prize...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops...