Tree on Keystone

2011 - Photography (Photography)

Lucas Blalock

year born: 1978
nationality: American
home town: Asheville, North Carolina

Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents. Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay.


Lucas Blalock received his MFA from the University of California, Los Angeles. In his photographic work he fuses analog and digital technologies, relying on both the tactility of a four-by-five camera and the wide-open possibilities of digital manipulation. While many makers of photographic images may use digital tools while simultaneously burying the fact of that use, Blalock makes his manipulations evident.


Colors:



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three, three, three
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Lucas Blalock

2013

Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...

Exquisite Eco Living (executive Properties series)
© » KADIST

Vincent Leong

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The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...

PANGKIS
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Yee I-Lann

2021

PANGKIS by Yee I-Lann is a looped video performance...

7-headed Lalandau Hat
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Yee I-Lann

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7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...

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Frieze reveals shortlist for Frieze Los Angeles Film Award
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Other works by: » Lucas Blalock  
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Lucas Blalock

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Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...

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Willa Niespodzianka
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It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences...

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Elad Lassry

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In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...

11
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Chris Wiley

2012

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...