Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents. Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay.
Lucas Blalock received his MFA from the University of California, Los Angeles. In his photographic work he fuses analog and digital technologies, relying on both the tactility of a four-by-five camera and the wide-open possibilities of digital manipulation. While many makers of photographic images may use digital tools while simultaneously burying the fact of that use, Blalock makes his manipulations evident.
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
10 Emerging Galleries to Watch in Foundations | Artsy Skip to Main Content Art Market 10 Emerging Galleries to Watch in Foundations Maxwell Rabb Jan 25, 2024 5:31PM The second iteration of Foundations , Artsy’s online art fair, brings together more than 130 galleries from 36 countries, showcasing a diverse array of emerging talent in the digital art market...
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...
It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences...
In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...