Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision. Often the artist works with the motifs of the counterculture and contemporary non-religious spiritualism. The figure hangs suspended—seemingly ascending—animation. The figure looks like some kind of countercultural superman empowered by myriad alternative experiences, as worthy of myth as the heralded Laocoön.
Ben Shaffer’s works are dynamic installations that integrate sculpture, painting, and performance. His complex pieces often require direct interaction from viewers, eschewing simple subject-object relationships in favor of relational negotiations. Through his makeshift neo- psychedelia, Shaffer explores the legacy of counter-cultural imagery, specifically its fragile utopic horizons and ever-receding promises of enlightenment and transcendence. Shaffer lives and works in Los Angeles, and received his MFA from Claremont University in Southern California.
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
Reeder’s works often start with language—and his Pasta Paintings are no different...
Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...
Concerned with the early history of Singapore, Zai Kuning spent many years living with and researching the history of the Riau peoples who were the first inhabitants of Singapore...
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...