Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself. The title of the piece comes from the literal translation of René Magritte’s painting from 1938, La Durée Poignardée , whose more familiar translation is “Time Transfixed.”
Geoffrey Farmer borrows equally from the traditions of installation and conceptual art to create carefully staged works that emphasize temporality and fiction, and examine history, art history, and popular culture. His interest in theatricality is particularly evident in pieces like Theater of Cruelty (2009) and And Finally the Street Becomes the Main Character [Clock] (2008) in which various fragments are assembled into epic narratives. Through these stagings, Farmer critiques modernity’s construction of history, temporality, and fiction.
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page...
Press Release: Art21 to Release Season Finale of “Art in the Twenty-First Century” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 9:47 Add to watchlist "Now and Forever" Kerry James Marshall Extended Play December 6, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
Fall in love with art: delight in collecting paintings | Painting | The Guardian Skip to main content Skip to navigation Advertisement Fall in love with art: delight in collecting paintings Where it all began… This painting of two salmon by Julie Brook was Rachel Cooke’s first foray into art collecting...
Foreigners Everywhere is a series of neon signs in several different languages...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
Ken Okiishi’s work Being and/or Time consists of every image taken with Okiishi’s iPhone over the period of three years in his hometown of New York...