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Arbol y Pelicao (Tree and Pelican)
© » KADIST

Federico Herrero

Painting (Painting)

Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape. Rooted in Central American folklore, politics, and culture, his works often move beyond the canvas onto the wall or into the streets. In Á rbol y Pelicao (Tree and Pelican, 2009), a tree with cartoonlike creatures drawn in pen beside it emerges from a field of bright swaths of color.

Kerosene Triptych
© » KADIST

Natasha Wheat

Drawing & Print (Drawing & Print)

Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive. The original photographs were taken by anonymous photographers, not as art but as documents of the building of the Panama Canal. The laborers in the images are holding cans of kerosene and spraying it into the foliage.

Laissez-Faire (Rainbow Flag)
© » KADIST

Alexandre da Cunha

Painting (Painting)

In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag. Where the printed surface of the towel originally served to enliven this commodity, here the pattern—now stretched and re-presented—suddenly refers to abstract painting’s promises of transcendence. And its crisply painted shape pulls the printed colors into the rectangularity of the canvas and, as da Cunha notes, the graphic iconicity of flags.

Deck Painting I
© » KADIST

Alexandre da Cunha

Painting (Painting)

His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs. Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.

Espectacular cortina
© » KADIST

Pia Camil

Sculpture (Sculpture)

Camil has made numerous paintings and photographs of halted projects along Mexico’s highways (she calls them “highway follies”), and of abandoned billboards that look like theater curtains dramatizing failed capitalist strategies. (Espectacular, the colloquial Spanish term for “billboard,” also translates more literally as “spectacle,” and of course recalls Guy Debord’s famous 1967 book The Society of the Spectacle .) In Mexico, the urban landscape has been taken over by billboards; they are totally integrated into the landscape.

Action No.1
© » KADIST

Yang Guangnan

Installation (Installation)

In Action no. 1 Yang Guangnan reflects on the interiority and exteriority of human-technological experience with mechanical gestures that are semi-human and semi-machine. A hanged shirt mounted upon the artist’s machine rhythmically bounces and rotates in a way that suggests a skeletal interior.

Somewhere Along the Black Sea in the Distant North-East, or in Libya in the Furthest South, The Amazons – The Woman and the Girls Children – Exist Just Outside of the Range of Normal Human Experience
© » KADIST

Ellen Lesperance

Painting (Painting)

Somewhere Along the Black Sea in the Distant North-East, or in Libya in the Furthest South, The Amazons – The Woman and the Girls Children – Exist Just Outside of the Range of Normal Human Experience

Converting
© » KADIST

Zai Kuning

Drawing & Print (Drawing & Print)

Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago. They were Christians and pagans that were often oppressed by the majority Muslims in the Riau community and were eventually forced to convert to Islam. Zai conveyed this history in Converting through the stark contrasts of red, white, black.

Back to mother
© » KADIST

Zai Kuning

Drawing & Print (Drawing & Print)

Concerned with the early history of Singapore, Zai Kuning spent many years living with and researching the history of the Riau peoples who were the first inhabitants of Singapore. Inspired by the women of Riau, Back to Mother seemingly traces the central role of maternal figures in nourishing of Riau’s history as an early archipelago kingdom that was Hindu, Buddhist, and animist prior to 14th-century Muslim invasion. Organic materials such as beeswax form a layer of balm protecting threads of red paint symbolic bloodlines in a turtle-formed mandala—a primordial womb that recalls the Hindu and animistic origin of Singaporean society.

Itch
© » KADIST

Yang Guangnan

Film & Video (Film & Video)

Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands.

Justice
© » KADIST

Zai Kuning

Sculpture (Sculpture)

Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open. A bundle of small red rattan balls hang from the front end of the plank, precariously knotted to a single thread hanging from the gallows’ edge. A book hangs from similar red threads at the plank’s rear, its surfaced wrapped multiple times over with the thread to hold it in place, the red thread resembling blood vessels or connective tissue.

Untitled
© » KADIST

Mark Bradford

Drawing & Print (Drawing & Print)

This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series. It’s contrasting dark and vibrant tones presage his later series of works, exhibited at L. A.’s Hammer Museum as Scorched Earth. These larger works share a map-like quality, looking like aerial views of some scarred urban landscape.

Publica
© » KADIST

Liu Yin

Painting (Painting)

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism. Their scenes belong to the realm of childhood dreams, expressing both desire and anxiety through delicate colors and playful figures.

Telescopic Pole (Tennis Balls Red) and (Tennis Balls)
© » KADIST

Chadwick Rantanen

Sculpture (Sculpture)

Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure. The ends, protected by two, cut-open tennis balls, recall the legs of a walker. For Rantanen’s second solo exhibition at Jancar Jones Gallery, San Francisco in 2010, one pole was placed inside the gallery while the other was located outside.

Be Oblivion, in Disconnect
© » KADIST

Natasha Wheat

Installation (Installation)

Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change. Be Oblivion, in Disconnect (2011) is a sculpture and an intervention. Two cardboard boxes house white neon letters that collectively have the potential to spell “Be Oblivion.” The dismembered phrase is rendered powerless in its present state; the potential power lies with the viewer, who could conceivably reconstruct it.

Casa de la cabeza (House of the head)
© » KADIST

Bernardo Ortiz

Drawing & Print (Drawing & Print)

Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head.

Tokyo Bay
© » KADIST

Liu Yin

Painting (Painting)

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism. Their scenes belong to the realm of childhood dreams, expressing both desire and anxiety through delicate colors and playful figures.

Untitled (Pasta Painting)
© » KADIST

Scott Reeder

Painting (Painting)

Reeder’s works often start with language—and his Pasta Paintings are no different. After the phrase for the title came through his head, the artist set about trying to figure out how to make a mark with pasta. These paintings are the result, made using the pasta as something of a stencil, with the paint being applied after the noodles have been scattered on the painting’s blank surface.

Snow White as a balance beam gymnast
© » KADIST

Liu Yin

Painting (Painting)

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism. Their scenes belong to the realm of childhood dreams, expressing both desire and anxiety through delicate colors and playful figures.

Mao, who curves himself along the edge of the paper
© » KADIST

Liu Yin

Painting (Painting)

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism. Their scenes belong to the realm of childhood dreams, expressing both desire and anxiety through delicate colors and playful figures.

Ben Deroy
© » KADIST

Ben Shaffer

Sculpture (Sculpture)

Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision. Often the artist works with the motifs of the counterculture and contemporary non-religious spiritualism. The figure hangs suspended—seemingly ascending—animation.

Movement
© » KADIST

Li Ming

Film & Video (Film & Video)

In the eight-channel video installation Movement , Li Ming uses his body as a prop to interact with different means of transportation. Each channel features footage of the artist moving forward, jumping between various modes of transportation that weave in and out of the frame in a carefully orchestrated choreography. As the artist descends from the loader bucket of a moving construction tractor, he jumps onto a skateboard which he then discards as he lays on top of a suitcase that continues rolling forward.

Ballerina
© » KADIST

Liu Yin

Painting (Painting)

Liu Yin brings the tension of a small but imminent catastrophe into the gallery with a raw egg balanced on the edge of a folding table.

Hand Palm Echo 1
© » KADIST

Christine Sun Kim

NFT (NFT)

Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022). Sun produced this NFT from a still image of the animation that features a drawn notation of the sign “echo” in American Sign Language. Visually the black and white image depicts two side by side mounds, one labelled ‘Hand’ and the other labelled ‘Palm’.

LAB
© » KADIST

Kori Newkirk

Photography (Photography)

LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel. His photograph of this throwaway object calls back the body, and the handprint is in fact his own right hand; thus the piece can function as a self-portrait of the artist, in an ironic twist on the art historical genre.

Glaze (Savana)
© » KADIST

Alexandre da Cunha

Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture. It directly engages with the readymade, a subject that Alexandre de Cunha takes up throughout his practice, often inflecting it with a tropical, and South American–inspired materiality and painterly style that could potentially come across as a stereotype. Here, da Cunha transforms the component parts into a composition that highlights often-overlooked materials of artistic production and cultural mass-production.

West (Flag 1) (Flag 3) (Flag 6)
© » KADIST

Alexandre da Cunha

Photography (Photography)

The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.

I am Human, Abstract Foil, No Humans IV
© » KADIST

Chris Johanson

Painting (Painting)

Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor. The works comment on subjects such as capitalism, consumerism, the art world, and therapy. The triptych I Am a Human, Abstract Foil, No Humans IV (2004) is a meditation on the cosmos.

James Weeks

James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...

Alexandre da Cunha

Ian Wallace

Zai Kuning

Moshekwa Langa

The oeuvre of Moshekwa Langa (b...

Maria Taniguchi

Throughout her paintings, sculptures, and videos, Maria Taniguchi unpacks knowledge and experience—connecting material culture, technology, and natural evolution—and investigates space and time, along with social and historical contexts...

Melvin Moti

Scientific research, high and mass culture, and the processes of cultural production in contemporary society plays an important role in the work of Rotterdam-born artist Melvin Moti, currently based in Rotterdam and in Berlin...

Christine Sun Kim

Alicia McCarthy

Imran Qureshi

Pakistani artist Imran Qureshi’s practice revives 16th century Mughal miniature painting...

Larry Bell

Brian Tripp

Brian D...

Shimon Minamikawa

Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...

Mary Ann Aitken

Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...

Sheroanawe Hakihiiwe

Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...

Natasha Wheat

Catherine Opie

Kitty Kraus

Kitty Krauss has a very particular outlook on Minimal and Constructivist Art...

Zhang Zhenyu

Zhang Zhenyu’s practice is at once conceptual and material, best-known for his dust paintings series, repurposing found matter, transforming waste dust into a highly polished image, his work is a reflection upon the trace elements of urbanization and development...

Richard Bell

Richard Bell works across a variety of media including painting, installation, performance and video and text to pose provocative, complex, and humorous challenges to our preconceived ideas of Aboriginal art, as well as addressing contemporary debates around identity, place, and politics...

Federico Herrero

Pablo Rasgado

Sable Elyse Smith

Sable Elyse Smith is an interdisciplinary artist, writer, and educator based in New York and Richmond, Virginia...

Vivian Suter

Vivian Suter was born in Buenos Aires but brought up in Switzerland where she trained to be an artist...

Phillip Maisel

Ben Shaffer

Ellen Lesperance

Ellen Lesperance begins with archival footage of various activist events throughout history...

© » ARTSY

this quarter (02/12/2024)

Savannah Marie Harris’s Bold Abstract Canvases Are Rife with Tension and Beauty | Artsy Skip to Main Content Advertisement Art Savannah Marie Harris’s Bold Abstract Canvases Are Rife with Tension and Beauty Casey Lesser Feb 12, 2024 2:00PM Portrait of Savannah Marie Harris...

© » TATE EXHIBITIONS

this quarter (02/12/2024)

Beatriz Milhazes: Maresias | Tate St Ives Discover the vibrant works of one of the leading abstract artists working today Tate St Ives presents a retrospective of the work of artist Beatriz Milhazes , who is known for intensely colourful, large-scale abstract canvases...

© » ARTSY

this quarter (02/12/2024)

Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due | Artsy Skip to Main Content Advertisement Art Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due Annabel Keenan Feb 12, 2024 9:44AM Portrait of Sarah Grilo by Lisl Steiner...

© » THE GUARDIAN

this quarter (02/11/2024)

When Forms Come Alive; Beyond Form: Lines of Abstraction 1950-70 review – a restless triumph and a badly lit jumble sale | Sculpture | The Guardian Skip to main content Skip to navigation Skip to navigation ‘You are viscerally aware of being caught in some nameless system’: Pumping (2019) by Eva Fàbregas at the Hayward Gallery...

© » ARTEFUSE

this quarter (02/07/2024)

The best exhibitions and openings of 2024: North America - ArteFuse It’s an exciting year for art lovers — from Alicia Keys and Swizz Beatz’s world-class collection of contemporary art to the world’s first exhibition exploring Matisse and the sea — there’s something for everyone Abraham Ángel: Between Wonder and Seduction Dallas Museum of Art Through 28 January 2024 Praised as one of the leading artists of his generation, Abraham Ángel produced just 24 paintings — four of which remain lost — before his tragic death at 19 years old, but those works established him as a legendary figure in the canon of modern Mexican art...

© » FRANCE24

about 3 months ago (01/23/2024)

Must-see Paris exhibitions 2024: Abstract artist Fiona Rae's messages - arts24 Skip to main content Must-see Paris exhibitions 2024: Abstract artist Fiona Rae's messages Issued on: 23/01/2024 - 15:57 13:25 arts24 © FRANCE 24 By: Jennifer BEN BRAHIM | Marion CHAVAL | Magali FAURE | Eve JACKSON Follow | Loïc CHALAVON 1 min In this edition of arts24, Eve Jackson is joined by one of the most important abstract painters of her generation...

© » LONDONIST

about 3 months ago (01/19/2024)

Abstractions: Studies of the National Theatre | Londonist Concrete Beauty Of The National Theatre Captured In This Abstract Exhibition By Will Noble Will Noble Concrete Beauty Of The National Theatre Captured In This Abstract Exhibition "A lot of one’s reaction to concrete is prejudice," said the National Theatre's architect, Denys Lasdun...

© » DIANE PERNET

about 4 months ago (12/29/2023)

Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...

© » LARRY'S LIST

about 4 months ago (12/18/2023)

Collector Ronald Ollie (1951-2020) AN AVID COLLECTOR of African American art and generous museum patron, Ronald Ollie (1951-2020) has died...

© » HYPERALLERGIC

about 4 months ago (12/17/2023)

The Impurities of Pure Abstraction Skip to content David Diao, "BN: The Paintings in Scale (Blue)" (1991), acrylic and vinyl on canvas, 78 x 132 inches (all images courtesy the artist and Greene Naftali, New York, photos Zeshan Ahmed) David Diao loves pure abstract painting as embodied by the highly revered work of Barnett Newman and Kasimir Malevich, even as he doubts their claims of attaining the sublime or achieving a utopian, universalist language...

© » OBSERVER

about 4 months ago (12/11/2023)

Off-Basel Highlights from Miami Art Week 2023 | Observer For the hardcore art aficionados who recently descended on the 305, Miami Art Week is about much more than what’s on view at Art Basel...

© » OBSERVER

about 5 months ago (12/01/2023)

Review: ‘Glory of the World: Color Field Painting (1950s to 1983)’ | Observer Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum outside New York City—a place we know and love that already receives plenty of attention...

© » THE ARTBLOG

about 5 months ago (11/30/2023)

Artblog | Five Decades of Abstraction in a revelatory exhibit at Susquehanna Art Museum, Harrisburg Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Five Decades of Abstraction in a revelatory exhibit at Susquehanna Art Museum, Harrisburg By Dereck Stafford Mangus November 30, 2023 Artblog contributor Dereck Mangus, who is based in Baltimore, visits the Susquehanna Art Museum in Harrisburg and finds excellence in a wide-ranging exhibit of modern and contemporary abstract art....

© » TWOCOATSOFPAINT

about 5 months ago (11/29/2023)

Emilio Vedova: Venice’s Abstract Expressionist – Two Coats of Paint M9 Museum: Emilio Vedova, Rivoluzione Vedova, 2023, Installation View (photo courtesy of M9) Contributed by David Carrier / Emilio Vedova (1919–2006), who lived and worked in Venice, was once aptly dubbed the Jackson Pollock of the barricades...

© » I-D VICE ART

about 5 months ago (11/23/2023)

Ahead of exhibitions in New York and London, we speak to the South African artist about her conservative upbringing and finding self-empathy....

© » ARTSY

about 5 months ago (11/22/2023)

Kenwyn Crichlow’s Glowing Abstractions Reflect on 50 Years of Portraying Trinidad | Artsy Skip to Main Content Advertisement Art Kenwyn Crichlow’s Glowing Abstractions Reflect on 50 Years of Portraying Trinidad Vittoria Benzine Nov 22, 2023 7:20PM Kenwyn Crichlow, Light Dancing on the Borderline, 2019...

© » ARTLYST

about 5 months ago (11/16/2023)

Frederick Iseman, nephew of the renowned Abstract Expressionist painter Helen Frankenthaler, has initiated legal action against the Helen Frankenthaler Foundation The post Helen Frankenthaler Foundation Faces Allegations of Legacy Destruction appeared first on Artlyst ....

© » ARTEFUSE

about 5 months ago (11/15/2023)

Open Call 2023 Group Exhibition at The Shed November 4, 2023 – January 21, 2024 545 W 30th St, New York, NY 10001 Images are courtesy of the artist and The Shed How often do we find ourselves in waves...

© » TATE EXHIBITIONS

about 6 months ago (10/10/2023)

El Anatsui | Tate Modern El Anatsui will create an exciting new artwork for Tate Modern’s Turbine Hall One of the most distinctive artists working today, El Anatsui is best-known for his cascading metallic sculptures constructed of thousands of recycled bottle-tops and copper wire...

© » ROYAL ACADEMY

about 7 months ago (10/05/2023)

My sketchbook: Emyr's life drawings and abstract lines | Blog | Royal Academy of Arts Emyr’s sketchbook My sketchbook: Emyr’s life drawings and abstract lines Read more Become a Friend My sketchbook: Emyr’s life drawings and abstract lines Published 21 August 2023 Take a look inside the sketchbook of artist Emyr Williams and learn how drawing with your opposite hand can improve your technique...

© » TATE EXHIBITIONS

about 7 months ago (10/05/2023)

Philip Guston | Tate Modern One of the 20th century’s most captivating painters responds to a world in turmoil For over 50 years, artist Philip Guston restlessly made paintings and drawings that captured the anxious and turbulent world he was witnessing...

© » KUMI CONTEMPORARY JAPANESE ART

about 15 months ago (01/18/2023)

This elegant and exuberant new piece, Heavens Gate, 2022, is Takashi Murakami’s latest square silkscreen...

© » GAS

about 29 months ago (12/05/2021)

We are pleased to present a selection of original works on paper by Kimbal Bumstead...

© » GAS

about 29 months ago (11/23/2021)

I've curated a number of collections in the run up to Christmas to make it easier to browse the available works...

© » GAS

about 30 months ago (11/04/2021)

Christine Wilkinson - Fragments of Wild series – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next Following a successful showing at Photo London 2021, we are pleased to launch two new series of works by Christine Wilkinson...

© » GAS

about 32 months ago (08/26/2021)

Gas Gallery will be showing for the first time at the forthcoming Photo London Fair at Somerset House from 8 - 12 September...

© » GAS

about 45 months ago (08/11/2020)

Summer Show Week 2 : Abstracts on Paper + Perspex – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next Our Summer Show continues throughout August - week 2 shines a light upon abstract works on paper and perspex - featuring works by our new Artist Christine Wilkinson, alongside works by Katy Binks, Kate Banazi and Natalie Ryde...

© » GAS

about 45 months ago (08/01/2020)

Summer Show - week 1 Abstract Paintings – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next Opening today is the first week of our Summer Show which shines a light on Abstract Painting, featuring brand new works by Marie Lenclos...

© » UNRATED

about 65 months ago (12/07/2018)

Andre Elliott — UNRTD™ Andre Elliott Andre Elliott is a 23 year old artist currently based in California...

© » UNRATED

about 68 months ago (09/17/2018)

Rudi Geyser — UNRTD™ Rudi Geyser After spending many of his twenties in the UK, photographer Rudi Geyser has returned to his homeland of South Africa for his most recent body of work...