Sundown (Number Twenty)

2019 - Photography (Photography)

152.4 x 114.3 cm

Xaviera Simmons

location: Brooklyn, New York
year born: 1974
gender: female
nationality: American
home town: New York, New York

Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances. Not to be mistaken as mere portraiture, however, Simmons’ works are explorations of the Black body in relation to landscape and other dimensions of non-linear space and time. Concealing and flattening her subjects with costumes and collage-like, abstract pictorial devices, the artist arranges archival photographs, printed textiles, and anthropological artifacts in configurations that highlight the power of visual culture to shape contemporary understandings of the self. Dressed in wax-printed broadcloth, the subject of Sundown (Number Twenty) holds a photograph from the Jim Crow era in her left hand and an African mask in her right. The busy backdrop of tropical flora reinforces problematic associations of fantasy and exoticism suggested by the masked figure. Simultaneously concealing and replacing her own image, Simmons allows her individual identity to dissolve into the cultural constructs and histories that each artefact and image holds.


Artist Xaviera Simmons’s diverse body of work is committed to multiplicity. Eschewing linear notions of history, her approach to investigating themes such as the shifting notions surrounding landscape and the conditions of African American female experience are cyclical in nature. Her studio practice demonstrates a fidelity to no single artistic modality or creative process; rather, Simmons’ interdisciplinary pursuits are in constant, active flux. Encompassing installation, photography, performance, and sound and video works, her evolving approach to artmaking is emblematic of the plurality of cultural experience and the myriad ways in which identity is constructed in contemporary culture.


Colors:



Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

2012

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

Stanley "Tom" Durrell, Tinsmith
© » KADIST

Sharon Lockhart

2008

Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

let this be us
© » KADIST

Richard T. Walker

2012

let this be us is a single-channel video by Richard T...

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Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

2012

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

let this be us
© » KADIST

Richard T. Walker

2012

let this be us is a single-channel video by Richard T...

Do ut des (I give that you may give back)
© » KADIST

Mariana Castillo Deball

2009

Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...

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Mansudae Master Class
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Che Onejoon

2013

For the last few years, Che Onejoon has been focusing on the relationships between African countries and North Korea...

Daniel Clowes interviewed by Rene de Guzman
© » KADIST

Daniel Clowes is a graphic novelist, screenwriter, and Bay Area treasure...

Weekly Picks: Singapore (5 – 11 November 2018)
© » ARTS EQUATOR

Weekly Picks: Singapore (5 – 11 November 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 5, 2018 Bras Basah...

Summer Days in Keijo—written in 1937
© » KADIST

Sung Hwan Kim

2007

An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937...

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Nothing New
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Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

La Ligne du Temps
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Valeska Soares

2012

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

20
© » KADIST

Chris Wiley

2012

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Black Hands, White Cotton
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Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Related artist(s) to: Xaviera Simmons » Sara Vanderbeek, » Carrie Mae Weems, » Elad Lassry, » John Baldessari, » Kalup Linzy, » Liz Magic Laser, » Maren Hassinger, » Marianne Vitale, » Mika Tajima, » Terry Adkins  
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One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Pranayama D
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Mika Tajima

2017

Mika Tajima’s Pranayama sculptures are built from carved wood and chromed Jacuzzi jets and are presented as artefacts...

Chocolate Bars, Eggs, Milk
© » KADIST

Elad Lassry

2013

In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...

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Interview with Xaviera Simmons
© » KADIST

New York-based artist Xaviera Simmons and AFRO Charities executive director Savannah Wood introduce Nectar , on view at KADIST Paris from May 6th to July 24th 2022...

Xaviera Simmons, Nectar - Konsthall C
© » KADIST

After a presentation at KADIST Paris in Spring 2022, Xaviera Simmons’ solo exhibition “Nectar” travels to Konsthall C, Stockholm, Sweden...

Xaviera Simmons, Nectar
© » KADIST

KADIST presents Nectar , a solo exhibition by New York-based artist Xaviera Simmons...

Savannah Wood
© » KADIST

Kadist is happy to welcome Savannah Wood for a research residency in dialogue with the artist Xaviera Simmons in the first quarter of 2022...