Chocolate Bars, Eggs, Milk
2013 - Photography (Photography)
Elad Lassry
In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition. Elad Lassry explores how visual languages are constructed across multiple disciplines and media. His larger body of work responds to the relationship between artistic mediums and their forms, and his prints question familiar modes of viewership and our continuous desire to find and identify clear narratives in photographs. Lassry utilizes both found photographs and original compositions in his work, a juxtaposition that challenges notions of authorship and attribution. By emphasizing how photographic images are deliberately staged and constructed, Lassry destabilizes notions that photographs depict and document “the real.” In foregrounding the image as object, he also suggest that the photograph only provides a referent for a presence that “has-been” but that no longer exists in the current moment. Born in Israel, Lassry earned his BFA in film from the California Institute of Arts in 2003 and his MFA from the University of Southern California in 2007.
Elad Lassry explores how visual languages are constructed across multiple disciplines and media. His larger body of work responds to the relationship between artistic mediums and their forms, and his prints question familiar modes of viewership and our continuous desire to find and identify clear narratives in photographs. Lassry utilizes both found photographs and original compositions in his work, a juxtaposition that challenges notions of authorship and attribution. By emphasizing how photographic images are deliberately staged and constructed, Lassry destabilizes notions that photographs depict and document “the real.” In foregrounding the image as object, he also suggest that the photograph only provides a referent for a presence that “has-been” but that no longer exists in the current moment. Born in Israel, Lassry earned his BFA in film from the California Institute of Arts in 2003 and his MFA from the University of Southern California in 2007.
Colors:
Related works of genres: » israeli photographers, » israeli contemporary artists
» see more
© » KADIST
Yael Bartana
2006Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...
© » KADIST
Yael Bartana
2007Yael Bartana received great international attention for the trilogy series And Europe Will be Stunned (2007 – 2011)...
Related works featuring themes of: » Appropriation Art, » Black-and-White Photography, » Calarts, » Color Photography, » Israeli
» see more
© » KADIST
John Baldessari
1991The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
© » KADIST
Alessandro Balteo Yazbeck
2008Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
© » KADIST
Mario Garcia Torres
2005Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
Other related works, blended automatically
» see more
© » KADIST
Elad Lassry
2013In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
© » KADIST
John Baldessari
1991The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
© » KADIST
Enrique Ramirez
In Un Hombre que Camina (A Man Walking) (2011-2014), the sense of rhythm and timing is overpowered by the colossal sense of timelessness of this peculiar place...
Related works sharing similar palette
» see more
© » WALLPAPER*
Tour this House in High Park by Ian MacDonald | Wallpaper (Image credit: Tom Arban) By Ellen Himelfarb published 10 February 2024 With House in High Park, it's clear why Ian MacDonald has become Toronto’s architect of record for a certain homeowner blessed – whether they recognise it or not – with a tricky location...
© » ARTS EQUATOR
Nghệ thuật Xin giấy phép Triển lãm ở Việt Nam | ArtsEquator Skip to content Tại một đất nước như Việt Nam, nơi có những yêu cầu không rõ ràng về việc trưng bày, Linh Lê nhấn mạnh rằng chỉ cần một thứ tưởng chừng đơn giản như xin giấy phép triển lãm có thể trở thành một cách kiểm duyệt biểu đạt nghệ thuật...
© » DAZED DIGITAL
Willy Chavarria’s ‘Safe From Harm’ show served fashion that made you feel Womenswear | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion News The designer just cemented his status as one of the most exciting talents taking New York right now, with a last supper style show and subversive new film 10 February 2024 Text Emma Elizabeth Davidson Photography Christina Fragkou Willy Chavarria AW24 25 For too long ‘quiet luxury’ has been at the forefront of fashion, with brands looking to boost sales with safe and deeply boring fashion like plain cashmere jumpers and timeless tailoring, and honestly: snore...
Other works by: » Elad Lassry
» see more
© » KADIST
Elad Lassry
2012The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...
© » KADIST
Elad Lassry
2013In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
Related artist(s) to: Elad Lassry » Rachel Harrison, » Andy Warhol, » Jimmie Durham, » Lisa Oppenheim, » Aaron Curry, » Amanda Ross-Ho, » Ana Teixeira Pinto, » Chris Sharp, » Chris Wiley, » Claes Oldenburg
» see more
© » KADIST
Lisa Oppenheim
2003The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
© » KADIST
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
© » KADIST
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
© » KADIST
Lisa Oppenheim
2003The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Related works found in the same semantic group
» see more
© » APERTURE
Gregory Halpern
The photographer speaks with his brother, the journalist Jake Halpern, about growing up in a city of surreal sights and memorable characters....
© » KADIST
Jeff Burton
2013Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
© » KADIST
Akram Zaatari
1972“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani...