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Unregistered City series #1 #2 #7
© » KADIST

Jiang Pengyi

Photography (Photography)

Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water. Yet, ambiguous lights blink from buildings and yachts still sail on the water, and further observation reveals these structures to be miniatures manipulated by the artist through Photoshop and other postproduction image tools. The model city’s surroundings are themselves real abandoned spaces, perhaps an empty room, a wait-to-be demolished building, or a discarded bathtub.

American Flag (Scratch)
© » KADIST

Collier Schorr

Photography (Photography)

Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject. American Flag (Scratch) (1999), for example, depicts an unidentified male subject clad in an American flag-print singlet. With his head and extremities out of frame, the camera focuses on his flush-red torso, his left nipple protruding from the singlet’s strap.

Working women, builders of communism, are sorting corn…
© » KADIST

Victor & Sergiy Kochetov

Photography (Photography)

Having a press card allowed Viktor Kochetov to photograph freely in public places, access to which was strictly regulated for amateurs. Seeking a way to transgress the reportage canon, the Kochetovs employed a method of taking images of large gatherings that emphasize the structure and “patterns” of the imaginary collective body. His 1978 photo of women sorting corn, titled Working women, builders of communism, are sorting corn… , is organized on this principle: the scarfs on the workers’ heads are perceived as an element of uniform, which creates a visual rhythm.

La Cultura de la Felicidad (The Culture of Happiness)
© » KADIST

Luis Pazos

Photography (Photography)

La Cultura de la Felicidad (The Culture of Happiness) is a series of five photographs addressing everyday life—a couple in a bed, lovers on a bench and a family reunion. The subjects wear masks made of white cardboard. The series suggests the idea of a reality hidden under the appearances of the power in place that denies violence to citizens.

Iyami
© » KADIST

Ishola Akpo

Photography (Photography)

Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history. Akpo uses different mediums in these projects, as a metaphor to the complex stories of the figures and their true political weight. One part of the project, the Agbara Women photographic series, employs fictional portraits that sheds light on the queens’ histories.

A Soldiers’ Garden #b
© » KADIST

Nguyen 'Quoc' Thành

Photography (Photography)

A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.

If I dig a very deep hole
© » KADIST

Pratchaya Phinthong

Photography (Photography)

In order to make If I dig a very deep hole (2007) the artist looked for the extreme geographical opposite of Paris when drawing a straight line throughout the globe. Then, he went to this place, the Chatham Islands in New Zealand, to photograph the full moon before coming back to Paris to take a picture of that same moon. This work brings together two diametrically opposite places, two singular experiences, two different moments and the same full moon.

Divided, Occupy HK 2014 series
© » KADIST

Xyza Cruz Bacani

Photography (Photography)

Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.

Swipe
© » KADIST

Eileen Quinlan

Photography (Photography)

Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium.

Hermit Crab Project
© » KADIST

Charwei Tsai

Photography (Photography)

Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo. Tsai placed live hermit crabs and shells in a sandy enclosure at the site, writing fragments of The One China policy and the Taiwanese Independence statements on each shell. As the hermit crabs moved and swapped shells, they formed new connections between the statements.

YUMA o la tierra de los amigos (YUMA, or the Land of Friends)
© » KADIST

Carolina Caycedo

Photography (Photography)

YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic. The mural contrasts and mixes multiple layers of these satellite images capturing the progressive devastation of the El Quimbo dam on the Yuma river (Magdalena), in the Department of Huila. The project was originally produced for the 8th Berlin Biennale, and developed out of the artist’s research into waterways, their political and cultural impact, and their historical development.

Cebo & Dollar
© » KADIST

José Castrellón

Photography (Photography)

Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia. In the game, young men climb a wood post smeared with animal wax to collect a Panamanian flag in return for a bounty. During what is now remembered as Martyrs’ Day, Panamanian students trespassed the fence that separated the American-governed strip of land along the Panama Canal and Panama City to fly a flag and symbolically claim sovereignty over the area that had been turned over to the United States by the Hay–Bunau-Varilla Treaty in 1903.

Half Dome Hough Transform
© » KADIST

Trevor Paglen

Photography (Photography)

Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision. This photograph was taken at Half Dome, a frequently visited granite rock formation in Yosemite National Park, California. For this work, Paglen created a digital file of the 8 x 10 inch photographic negative so that the artificial intelligence program can apply computer vision to evaluate the content of the image.

The Magic Mirror of John Dee
© » KADIST

Joachim Koester

Photography (Photography)

Physical and mental exploration have been founding elements in Joachim Koester’s research for several years. While exploration was mainly a matter of geography during the 19th century, the 20th century brought the mental exploration of our unconscious, triggered by the discovery of psychoanalysis. Koester is interested in documenting minor events, forgotten by History, in order to reintroduce them into collective memory.

Capture, 2019-02-02, Paris
© » KADIST

Paolo Cirio

Photography (Photography)

Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology. The original photographs were taken during protests in France, Cirio collected these images and created an online platform containing a database of the 4000 police faces that the AI program isolated. The artist crowdsourced their identification by name and then publicly exposed the officers by printing their headshots and posting them throughout Paris.

Capture, 2017-05-08, Paris, Macron Election
© » KADIST

Paolo Cirio

Photography (Photography)

Capture is a photographic series by Paolo Cirio in which the artist sourced 1000 public images of police officers’ faces and processed them with facial recognition technology. The original photographs were taken during protests in France, Cirio collected these images and created an online platform containing a database of the 4000 police faces that the AI program isolated. The artist crowdsourced their identification by name and then publicly exposed the officers by printing their headshots and posting them throughout Paris.

Bashasha (left) and a friend. Studio Sherhazade
© » KADIST

Akram Zaatari

Photography (Photography)

“Films inspired people a lot. they came to perform kissing in front of a camera. In a conservative society such as Saida, people were willing to play the kiss between two people of the same sex, but very rarely between a man and a woman.

Transparências de lar (Home Transparencies)
© » KADIST

Ilana Bar

Photography (Photography)

One of Ilana Bar’s best-known works is the series Transparências de lar (Home Transparencies) in which, for four years, the artist photographed her family’s rural home in Atibaia where her father lives with his two brothers and Ilana’s own brother, all three with Down Syndrome. Transparências de lar is the record of a serene, though certainly not a perfect, place. In this place Down Syndrome is not considered an alienable difference in the way that it is in Western culture, it is not problematic or a cause for social exclusion.

Syukrillah
© » KADIST

Julian Abraham

Photography (Photography)

In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest. The area is renowned for its roof tile factories, and the cup aims to celebrate the factory worker’s physiques, sculpted by intense, daily, physical labor. Togar based the idea of the cup on the simple notion of collectivity.

2012.3.24 Kesen-cho
© » KADIST

Naoya Hatakeyama

Photography (Photography)

Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan. Throughout the series of sixty C-prints (five of which are included in the Kadist Art Foundation’s collection), Hatakeyama’s photographs depict scenes of torn landscapes and leveled homes, demolished villages and massive piles of detritus pummeled beyond recognition. The images serve as records of disaster, seemingly driven by an intense need to bear witness to collective trauma.

The Plantation Boy
© » KADIST

Uche Okpa-Iroha

Photography (Photography)

In the fictional narrative Plantation Boy (2012), Irhoa places himself inside imagery from Francis Ford Coppola’s seminal The Godfather (1972). Inflected with humor, the series examines race in society. According to the artist, the 40 images collectively question structures of power and the hegemony of Western culture.

Blind Spencer (Mirror)
© » KADIST

Douglas Gordon

Photography (Photography)

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner. An emptiness (some are burned letting appear a white or mirror background or a mirror) replaces the eyes, giving the impression of a blind eye deprived of all expression. Paradoxically, the work looks at us all the more intensely.

Untitled
© » KADIST

Joanna Piotrowska

Photography (Photography)

This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment. The images depict young isolated women in domestic environments, holding various unnatural postures: we see a hand raised to a face, as if in a trance; limbs precariously balanced or ambiguously entangled, contorted against an unseen adversary. It is unclear whether gestures are benign or threatening, whether these women are menacing or being menaced.

Untitled (Schindler House, #01)
© » KADIST

Luisa Lambri

Photography (Photography)

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface.

Stanley "Tom" Durrell, Tinsmith
© » KADIST

Sharon Lockhart

Photography (Photography)

Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U. S. naval shipbuilding company—in Maine. Stanley “Tom” Durrell, Tinsmith (2008) belongs to a group of portrait-like photographs of the shipyard’s workers lunchboxes. Created over the period of a year, Lockhart’s film and accompanying still photographs are intended as an exploration of the social spaces inside this kind of workplace.

Cityscapes 1 (boats), 2 (woods)
© » KADIST

Hamra Abbas

Photography (Photography)

At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops. A closer examination, however, reveals that a key element—the minaret—has been systematically removed, thereby changing profoundly the history and religious character of the city. The work is a response to a November 2009 referendum in Switzerland that approved a ban on the construction of new minarets in that country.

Ukraine-Russia / Volleyball
© » KADIST

Victor & Sergiy Kochetov

Photography (Photography)

Ukraine-Russia / Volleyball by Viktor and Sergiy Kochetov features a concrete monument of women volleyball players before the railway station in the village of Vodyanoye, Kharkiv region. It’s a typical Soviet sculptural composition, thousands of which were casted in the USSR during this period. Many can still be found all over post-Soviet territories, leading to regular debates on the destiny of this visual heritage in Ukraine.

Akram Zaatari

Lim Sokchanlina

Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes...

Wong Wai Yin

Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...

Zanele Muholi

Elad Lassry

Paolo Cirio

Artist Paolo Cirio engages with legal, economic, and cultural systems of information...

Xiaoyun Chen

Olaf Breuning

Olaf Breuning’s photographs, videos, performances and installations play with codes of mass production with references to publicity, fashion and cinema and “high” and “low” art...

Victor & Sergiy Kochetov

Viktor Kochetov became engaged in photography in 1968 and was also a professional photographer in film and photo laboratories...

William E. Jones

Carolyn Drake

Carolyn Drake works on long term photo-based projects that involve travel and collaboration...

Elina Brotherus

Elina Brotherus depicts, through her photographic work a portrait of the contemporary artist made during different artistic residencies...

Charlotte Moth

Charlotte Moth has been constituting an image bank since 1999...

Pierre Gonnord

Pierre Gonnord is known for his large scale photographic portraits of people who inhabit the fringes of society...

Lieko Shiga

Based on an instinctive feeling of unease with the convenience and automation of daily life, Lieko Shiga has developed an artistic approach that links questions about the nature of the photographic medium with fundamental questions about life and the means of expressing oneself...

Catherine Opie

Sharon Lockhart

Harit Srikhao

Harit Srikhao perceives photography as a culturally determined medium...

Santu Mofokeng

The photographic artwork of Santu Mofokeng (b...

Du Zhenjun

Paul McCarthy

Marcelo Cidade

Yosuke Takeda

Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...

Paulo Nazareth

Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad...

Collier Schorr

Xyza Cruz Bacani

Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...

Chen Chieh-Jen

Trevor Paglen

Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...

Pratchaya Phinthong

Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...