Untitled

2013 - Sculpture (Sculpture)

N. Dash

location: New Mexico & New York
year born: 1980
gender: female
nationality: American
home town: Miami Beach, Florida

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.


N. Dash’s minimal abstract works are driven by an interest and engagement with materials. Beginning with an intimate knowledge of her material choices—usual suspects include graphite, jute, twine, wood, and an unusual Adobe clay—Dash creates simple compositions that foreground the qualities of her materials.


Colors:



Other related works, blended automatically

Untitled (Family Project)
© » KADIST

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Exquisite Eco Living (executive Properties series)
© » KADIST

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The White Album
© » KADIST

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The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...

Perro en Tlalpan (Dog in Tlalpan)
© » KADIST

Gabriel Orozco

1992

Gabriel Orozco often documents found situations in the natural or urban landscape...

Untitled #1 #2 #3
© » KADIST

Piero Golia

2007

Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...

Ammo Bunker
© » KADIST

Mario Ybarra Jr.

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Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...

Black Hands, White Cotton
© » KADIST

Hank Willis Thomas

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Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Pleasant Sensation Passing Through Flesh - 3
© » KADIST

Yang Zhenzhong

2012

Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...

The Nightwatch
© » KADIST

Francis Alÿs

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The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...

Wherein one nods with political sympathy and says I understand you better than you understand yourself, I’m just here to help you help yourself
© » KADIST

Yee I-Lann

2013

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...

Two videos, three photographs, several related masterpieces, and American Art
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Yan Xing

2013

The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made...

Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion)
© » KADIST

Adrian Wong

2012

Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...

Blind Spencer (Mirror)
© » KADIST

Douglas Gordon

2002

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

Untitled (Perfect Lovers + 1)
© » KADIST

Cerith Wyn Evans

2008

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...

Ponderosa Pine IV
© » KADIST

Rodney Graham

1991

Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...

5
© » KADIST

Jiang Zhi

2012

5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration...

Cemetery #1
© » KADIST

Gabriel Orozco

2002

Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...

The Making of Monster
© » KADIST

Douglas Gordon

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In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...