Perro en Tlalpan (Dog in Tlalpan)

1992

16H x 20W inches

Gabriel Orozco

location: New York City, Paris
location: Mexico
year born: 1962
gender: male
nationality: Mexican
home town: Jalapa, Mexico

Gabriel Orozco often documents found situations in the natural or urban landscape. He travels armed with his camera and insightfully captures scenes of the everyday that other people might ignore. Perro en Tlalpan (Dog in Tlalpan, 1992) is a photograph of a dog regally perched under an industrial shelter in the borough of Tlalpan in Mexico City. The shelter’s concrete form seems to reference monuments such as the Mesoamerican pyramids in Teotihuacan, not far from the city, thereby likening the dog in a humorous way to some kind of posed sacred creature.


Gabriel Orozco could be described as a traveler-artist, without a fixed studio. He works following contexts and produces work that flows. “Special Service” (1997) is a collage on a plane ticket, and indicates nomadism, between territories. The artist, who is the son of muralist Mario Orozco Riviera, questions the boundaries of his artistic identity in Mexico. In “Crazy tourist” (1991), Orozco creates a situation with oranges in the Brazilian market tables in a desert. The artist uses objects or “poor” situations, found in the everyday landscape, natural or urban. By their division, their juxtaposition, or collage, inventing semantic or sensitive scenarios, always surprising, sometimes humorous and sometimes lyrical … The sculptural practice of the artist, inseparable from his drawings, photographs, or films, invents relationships of space, and disrupts our perception of objects. Such is the case of “Yielding Stone” (1992), a photo of a plasticine ball, the weight of the artist, rolled through the streets of New York. Gabriel Orozco was born in 1962 in Jalapa, Mexico. He lives and works in New York, Mexico, and Paris.


Colors:



Perpetual Motion Two
© » KADIST

Diana Thater

2005

In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...

Untitled (series)
© » KADIST

Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

Untitled (Rolled up)
© » KADIST

Jonathan Monk

2003

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...

Useless Wonder
© » KADIST

Carlos Amorales

2006

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Related works featuring themes of: » Complex Geometry, » Mexico, » Cityscapes, » Color Photography, » Contemporary Conceptualism, » Figurative Painting, » Mexican  
» see more

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

From Useless Wonder 04
© » KADIST

Carlos Amorales

2007

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Untitled (Blue Chapel)
© » KADIST

Robert Therrien

1985

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...

Other related works, blended automatically  
» see more

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Nothing New
© » KADIST

Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Related works sharing similar palette  
» see more

Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023
© » DIANE PERNET

Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...

Untitled (Celestial Motors)
© » KADIST

Maria Taniguchi

2012

Untitled (Celestial Motors) is a visual meditation on an icon of modern urban Philippine life—the jeepney...

Barbara Bloom
© » KADIST

Barbara Bloom in conversation with Jo-ey Tang about “The Bedbroom” (1997)...

Art Collector and Credit Suisse Head José Olympio da Veiga Pereira Is the New President of São Paulo Biennial Foundation - via The Art Newspaper
© » LARRY'S LIST

The organisation oversees the city’s international exhibition, as well as the country’s representation at the Venice Biennale and other projects...

Other works by: » Gabriel Orozco  
» see more

Cemetery #1
© » KADIST

Gabriel Orozco

2002

Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...

Charco portatil congelado (Frozen Portable Puddle)
© » KADIST

Gabriel Orozco

1994

Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...

Related artist(s) to: Gabriel Orozco » Francis Alÿs, » Louise Bourgeois, » Cai Guo-Qiang, » Mona Hatoum, » Olafur Eliasson, » Ed Ruscha, » Rosemarie Trockel, » Shirin Neshat, » Danh Vo, » Jeff Wall  
» see more

Pipe Opening
© » KADIST

Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

The Nightwatch
© » KADIST

Francis Alÿs

2004

The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...

Related works found in the same semantic group  
» see more

Hedge fund manager Ken Griffin bought a Jean-Michel Basquiat painting for more than $100 million. - via Artsy
© » LARRY'S LIST

Ken Griffin, founder of the hedge fund Citadel, paid upwards of $100 million for Jean-Michel Basquiat’s 1982 canvas Boy and Dog in a Johnnypump...

John Wojtowicz - Two Films
© » KADIST

2pm – Dog Day Afternoon (1975) 5pm – The Dog (2013) Kicking off a monthly series of double and triple features that explore the relationship between cinema and contemporary video and performance art, Kadist presents two films centered around John Wojtowicz , and his infamous bank robbery attempt on August 22, 1972...

Lucas Blalock
© » KADIST

On Hot Dogs, Digital Media and the Embodies viewer: an interview with Lucas Blalock in his New York studio...

Bite Work
© » KADIST

Eamon Ore-Giron

2011

Eamon Ore-Giron’s new commissioned video project Bite Work, is an experimental genre breaking video that is part-performance, part-conceptual and part-comical addressing issues of mediation, surveillance and trust...