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theme: trace.n.02



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Land Mark (Foot Prints) #12
© » KADIST
Land Mark (Foot Prints) #12

Allora & Calzadilla

Photography (Photography)

This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U. S Military and NATO forces to practice military bombing exercises. In 2000, they began a collaboration with the local activists to make the campaign more visible.

Land Mark (Foot Prints) #10
© » KADIST
Land Mark (Foot Prints) #10

Allora & Calzadilla

Photography (Photography)

This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U. S Military and NATO forces to practice military bombing exercises. In 2000, they began a collaboration with the local activists to make the campaign more visible.

XXX…I had arranged to meet some friends at 7:40pm
© » KADIST
XXX…I had arranged to meet some friends at 7:40pm

Jiri Kovanda

Drawing & Print (Drawing & Print)

All Kovanda’s artistic practice poses the question of visibility. Having worked on actions and performance, the artist decided to ‘disappear’ from his artworks during twenty years; in 2007, his performance Kissing through glass in the institutional setting of Tate Modern was acclaimed by critics. Some works are only visible thirty years later via traces and archives; the artist’s rehabilitation by institutions and galleries offers a new critical reading of his practice which had until then remained rather confidential.

Splinters and Seconal
© » KADIST
Splinters and Seconal

Ed Ruscha

Painting (Painting)

In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.

Untitled
© » KADIST
Untitled

N. Dash

Sculpture (Sculpture)

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.

LAB
© » KADIST
LAB

Kori Newkirk

Photography (Photography)

LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel. His photograph of this throwaway object calls back the body, and the handprint is in fact his own right hand; thus the piece can function as a self-portrait of the artist, in an ironic twist on the art historical genre.

Allora & Calzadilla

Allora & Calzadilla

Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla...

N. Dash

N. Dash

Jiri Kovanda

Jiri Kovanda

Kori Newkirk

Kori Newkirk

Ed Ruscha

Ed Ruscha