Hermit Crab Project

2008 - Photography (Photography)

Charwei Tsai

location: Taipei, Taiwan
location: Paris, France
year born: 1980
gender: female
nationality: Taiwanese
home town: Taipei, Taiwan

Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo. Tsai placed live hermit crabs and shells in a sandy enclosure at the site, writing fragments of The One China policy and the Taiwanese Independence statements on each shell. As the hermit crabs moved and swapped shells, they formed new connections between the statements. Tsai calls attention to the ephemerality of political declarations and makes the movements of animals into metaphors for the changing course of history.


Taiwanese multimedia artist Charwai Tsai often explores geographical, social, and spiritual concerns through performative and ephemeral artworks. She chooses materials that decompose or change to contemplate notions of impermanence and transience. Tsai is also editor-in-chief of “Lovely Daze”, a bi-annual journal of artists’ writings and artworks curated around specific themes for each issue.


Colors:



Related artist(s) to: Charwei Tsai » Heman Chong, » San Francisco, » Shilpa Gupta, » Song Dong, » Aki Sasamoto, » Alexis Destoop, » Asia Society, » Ava Ansari, » Burçak Bingöl, » Ceren Erdem

Poetry Light Stool
© » KADIST

Aki Sasamoto

2012

Poetry Light Stool evokes the spirit of Fluxus, the intermedia movement that encouraged artmaking to be simple, fun, and address everyday life...

The Book Cover series
© » KADIST

Heman Chong

2009

With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...

Calendars (2020-2096)
© » KADIST

Heman Chong

2012

The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...

100 Hand drawn maps of my country, India
© » KADIST

Shilpa Gupta

2014

These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...

Untitled (Don’t See, Don’t Hear, Don’t Speak)
© » KADIST

Shilpa Gupta

2008

The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears...

Untitled (Sword)
© » KADIST

Shilpa Gupta

2009

In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...

100 Hand drawn maps of my country, Tel Aviv / Jerusalem
© » KADIST

Shilpa Gupta

2014

These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...