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Weather Forecast
© » KADIST

Guan Xiao

Film & Video (Film & Video)

Mixed clips from her collection of thousands of images found online, the three-channel video Weather Forecast is an inquiry into the necessity of a physical movement (a travel) for our identity to transform or change. The question “Why can’t we view Europe from a chair?” periodically punctuates the video, suggesting that a similar personal transformation could occur by experiencing a place through the Internet and staying in the same place. Few episodes appear, each being a transformation process in itself, either by correlation, juxtaposition, combinations of specific matters such as iconography, texts, landscapes, events.

Mother's Tongue
© » KADIST

Wingyee Wu, Lap-See Lam

Film & Video (Film & Video)

Chinese restaurants have been a familiar feature of Swedish cities since the late 1970s, embodying the foreign and the exotic. Lap-See-Lam started the project by documenting the interiors of several Chinese restaurants in Stockholm at a time when many of them were about to be taken off the map. Her own family was selling their business in 2015.

Sitting Feeding Sleeping
© » KADIST

Rachel Rose

Film & Video (Film & Video)

In the 2013 video work, Sitting Feeding Sleeping , Rose combines footage taken of zoo animals living in captivity with screen images that flicker and flash before us. In the narration, Rose talks about forms of life that are suspended and simulated—artificial intelligence and cryogenically frozen bodies, zoo animals and counterfeit ecologies. Through this montage of different types of footage and text, Rose poses us between the natural and the artificial, and speaks to the very strange moment of life in a world that is seemingly caught between the two, existing in a hybrid (though not necessarily symbiotic) moment of radical change.

Hermit Crab Project
© » KADIST

Charwei Tsai

Photography (Photography)

Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo. Tsai placed live hermit crabs and shells in a sandy enclosure at the site, writing fragments of The One China policy and the Taiwanese Independence statements on each shell. As the hermit crabs moved and swapped shells, they formed new connections between the statements.

Wingyee Wu, Lap-See Lam

Wingyee Wu is an NYU and Central Saint Martins educated filmmaker, as well as a businesswoman with roots in the Hong Kong diaspora, currently living and working in Stockholm...

Rachel Rose

Rachel Rose is a visual artist known for her video installations that merge moving images and sound within nuanced environments connecting them to broader subjects...

Charwei Tsai

Guan Xiao

Guan Xiao is known for her videos composed primarily of found images and videos and her sculptures that explore the logic by which things relate to one another...

© » KADIST

about 63 months ago (02/13/2019)

© » KADIST

about 73 months ago (04/26/2018)

© » KADIST

about 76 months ago (02/11/2018)

© » KADIST

about 106 months ago (08/26/2015)

© » KADIST

about 140 months ago (10/24/2012)

© » KADIST

about 161 months ago (02/14/2011)