11 items, 14ms

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theme: ephemeron.n.01



Artist Name

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Object Type

Object Sub Type

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Artist Traits

Mentions Per Year

Decade Work Created

Breakthrough Sunrise
© » KADIST

Diane Severin Nguyen

Photography (Photography)

To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.

If Revolution is a Sickness
© » KADIST

Diane Severin Nguyen

Photography (Photography)

To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.

One Small Box filled with dried Red Rhododendron Blossoms, The other small Box filled with dried White Rododendron Blossoms
© » KADIST

Jiri Kovanda

Photography (Photography)

Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph. Contrarily to the actions, he took the photographs himself. One of the rules he stuck to in his artistic practice was to always use material at his disposal, a real economy of means.

It rains, Paris, 1st July 2000
© » KADIST

Jean-Luc Moulène

Photography (Photography)

It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops. Is this moment captured by chance or a mise en scène? There is a sort of hiatus in the image; the planes – motif and background – connect nature in full bloom, pure, fragile, ephemeral with the grey weighty tarmac.

Two Little White Piles, Autumn 1980, Karluv Most, Manesuv Most, Prague, 1980
© » KADIST

Jiri Kovanda

Photography (Photography)

Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph. Contrarily to the actions, he took the photographs himself. One of the rules he stuck to in his artistic practice was to always use material at his disposal, a real economy of means.

Hermit Crab Project
© » KADIST

Charwei Tsai

Photography (Photography)

Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo. Tsai placed live hermit crabs and shells in a sandy enclosure at the site, writing fragments of The One China policy and the Taiwanese Independence statements on each shell. As the hermit crabs moved and swapped shells, they formed new connections between the statements.

Studio Construct 51
© » KADIST

Barbara Kasten

Photography (Photography)

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces.

Jiri Kovanda

Diane Severin Nguyen

Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...

Barbara Kasten

Charwei Tsai

© » KADIST

about 62 months ago (03/11/2019)

© » KADIST

about 125 months ago (01/06/2014)

© » KADIST

about 128 months ago (10/19/2013)

© » KADIST

about 207 months ago (05/03/2007)