Expedition #46 is a work from the series “The Glacier Study Group,” which consists of artists, scientists, activists, and enthusiasts of glacial and polar activity in the Artic Circle to conduct scientific investigation, data collection, and glacier sampling. Recent media attention on global warming and climate change has driven interest in increased glacial activity. The group spends long period of each year in the harsh Arctic environment to acquire in-depth knowledge of these changes while experiencing the landscape firsthand. Expedition #46 presents voyeuristic images of human activity in expansive surreal glacial landscapes to elicit a sense of discovery in the viewer, who travels by-proxy via Zhao’s photographic series. The viewer is able to observe the Study Group’s journey in observing their environment and engage in critical reflection of the varying documentary spectatorship deployed in the visual discourse of environmentalism and scientific research.
Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy. Zhao portrays humans as figures curious about their natural environment, which is at times mysterious and unpredictable. Through observing human behavior in front of animals, Zhao’s critical lens examines various modes and preconceived notions of what he calls a “zoological gaze”—the manner through which humans view animals and nature. This perspective challenges the dualistic separation between the human and the non-human worlds. Under the name of a fictional institution, The Institute of Critical Zoologists (ICZ), Zhao’s work creates visual ambiguities that destabilize assumptions about the ways in which images present facts, represent reality, and disseminate truths. Zhao was in residency at KADIST San Francisco in 2014.
Baloji and the Art of Averting the Evil Eye | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership In Conversation Baloji and the Art of Averting the Evil Eye Musician, filmmaker, and multitalented artist Baloji talks to C& about his first feature film and how the diasporic relationship gives access to an imaginary world that breaks free from shackles...
J’ai pleuré devant la fin d’un manga — Galerie Edouard-Manet de Gennevilliers — Exposition — Slash Paris Connexion Newsletter Twitter Facebook J’ai pleuré devant la fin d’un manga — Galerie Edouard-Manet de Gennevilliers — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant J’ai pleuré devant la fin d’un manga Exposition Céramique, dessin, film, lithographie / gravure.....
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
Second Clockenflap festival this December is ‘a leap of faith’, says co-founder, who promises ‘outrageous levels of fun for all who come’ | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more How will December’s Clockenflap festival differ from the March edition? Justin Sweeting, Clockenflap co-founder and head of music, talks to the Post...
Tuco Wallach Pacifico / Kitsuné Project – Part 1 / Christmas | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY We’re pleased to continue positively into the new year by sharing a heartwarming journey into the world of family made street art, where personal ties and creativity intertwine beautifully...
Female artists, art biennial to grace National Gallery this year (via The Jakarta Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Splash: Prelude II (2015) by Kinez Riza January 15, 2019 Indonesia’s arts scene is by no means lacking, yet most of its big names are men, with notable female artists largely unexplored...
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
In the “Black Paintings” series, although the human body is only suggested, it plays an important role...
In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale ...
How animals suffer for Buddhists to earn spiritual points – in Cambodia ‘life release’ rituals decimate birds | South China Morning Post How animals suffer for Buddhists to earn spiritual points – in Cambodia ‘life release’ rituals decimate birds Religion The Buddhist practice of releasing animals for spiritual merit is widespread in Cambodia, but it kills or injures millions of birds...
Frequencies of Tradition at Incheon Art Platform, Curated by Hyunjin Kim With works by Sooryeon Choe, Chung Seoyoung, Yoeri Guépin, Ho Tzu Nyen, Chia Wei Hsu, siren eun young jung, Jane Jin Kaisen, Alexander Keefe + Ashoke Chatterjee & Liz Phillips, Tomoko Kikuchi, Ayoung Kim, Gala Porras-Kim, Seulgi Lee, Young Min Moon, Hwayeon Nam, Part-time Suite, Ko Sakai & Ryusuke Hamaguchi, Lieko Shiga, Simon Soon + Roger Nelson & Stella, Stephanie Spray & Pacho Velez, Erika Tan, Fiona Tan, Evelyn Taocheong Wang, Wang Tuo, Ming Wong, Yo Daham, and Zheng Guogu Frequencies of Tradition departs from an understanding of tradition as a space of contestation, where one can critically reflect on Asian modernization and pluralize our comprehension of the regional modern...