Better Lives: Francois Bangurambona
2003 - Photography (Photography)
148 x 115 cm
Sue Williamson
In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa. In an attempt to address and confront xenophobia in South African history, Better Lives series subverts racism and prejudice by emphasizing the immigrant as human, and thus gives the subjects a voice. “Better Lives: Richard Belalufu” tells a tale of surviving in a hostile South Africa through the undercurrent reflections on violence, abuse and the difficulty of finding home as an immigrant. Referring to South African studio-photography, the Better Lives series is a demanding confrontation of the subjects whose gaze answers directly to the viewer. Burundian Francois Bangurambona was a deputy minister in the Hutu government, when Tutsi soldiers came into his office one day asking for the minister who was not there, and as they left, they threw grenades into his office. Luckily for Francois, his driver heard the explosion, came upstairs, and got him in a car and to hospital and on a plane to Kenya. Now Francois runs a car repair business in Nyanga.
Sue Williamson (b. 1941, Lichfield, United Kingdom) currently based in Cape Town, occupies an influential and highly respected position in the South African art world, not only for her artistic practice but also for her long history as a writer and cultural worker. Trained as a printmaker, Williamson now includes installation, photography and video in her oeuvre. As part of the generation of South African artists who practiced in the 1970s and who addressed social change in the then apartheid South Africa, Williamson’s practice has continued to remain interested in political struggle and emancipation. In her work, she brings the marginalized into the mainstream consciousness of society, making visible the unseen, sheaving away layers of illusion to re-present reality in a fresh light. Her recent video work is concerned with South African immigrants and with the concept of return.
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Baloji and the Art of Averting the Evil Eye | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership In Conversation Baloji and the Art of Averting the Evil Eye Musician, filmmaker, and multitalented artist Baloji talks to C& about his first feature film and how the diasporic relationship gives access to an imaginary world that breaks free from shackles...
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