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Abel Rodríguez
Abel Rodríguez’s precise, botanical illustrations are drawn from memory and knowledge acquired by oral traditions. They are the visions of someone who sees the potential of plants as food, material for dwellings and clothing, and for use in sacred rites. Terraza Alta V is part of a series of drawings that track the changing appearance and life of an area identified as Terraza Alta.
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Allora & Calzadilla
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U. S Military and NATO forces to practice military bombing exercises. In 2000, they began a collaboration with the local activists to make the campaign more visible.
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Elina Brotherus
A subject’s back stands before a landscape of mountains, arid and majestic, Der Wanderer 3 revisits the theme of man versus nature dear to Romantic painting and the paintings of Caspar David Friedrich in particular. “From him I returned to the theme of the character turning their backs to the viewer. I love the back.
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Shaun O'Dell
The San Francisco–based artist Shaun O’Dell often uses natural settings as subject matter, lending an artistic complexity to the landscapes he depicts. Stereoscopic images are dual, slightly offset identical pictures that, when seen through a special viewing device, appear three-dimensional. In Temple Creek, a branch of Escalante River, Aquarius Plateau Utah n.d. (Stereoscopic view) (2011) O’Dell has chopped each of the two side-by-side images into 10 vertical strips and mixed them up, to construct a new image.
© » KADIST
Allora & Calzadilla
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U. S Military and NATO forces to practice military bombing exercises. In 2000, they began a collaboration with the local activists to make the campaign more visible.
© » KADIST
Robert Zhao Renhui
Expedition #46 is a work from the series “The Glacier Study Group,” which consists of artists, scientists, activists, and enthusiasts of glacial and polar activity in the Artic Circle to conduct scientific investigation, data collection, and glacier sampling. Recent media attention on global warming and climate change has driven interest in increased glacial activity. The group spends long period of each year in the harsh Arctic environment to acquire in-depth knowledge of these changes while experiencing the landscape firsthand.
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Martin Boyce
In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space. The trees, unique sources of light in the exhibition space, produce their own environment. These sculptures, as if extracted from a set, are enough to suggest an atmosphere, a landscape, or a movie.
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Werner Herzog
Commissioned for the 2012 Whitney Biennial, Hearsay of the Soul (2012) is Werner Herzog’s ode to the landscape paintings of the 17th-century Dutch artist Hercules Segers. The work is a four-channel digital projection of Segers’s artworks accompanied by the emotive music of the Dutch cellist and composer Ernst Reijseger. Herzog sees Segers’s vast landscapes as powerful representations of our own interior worlds, resounding with feelings of anger, joy, fear, and loneliness.
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William E. Jones
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines. Seventy years later, when the United States military started opting for Humvees and stock parts, the company began to fail, and it entirely ceased production in 1999. Hercules Engines, Abandoned, Canton, Ohio (2011) depicts the manufacturer’s former productive core, gone fallow.
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Lucas Blalock
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents. Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay.
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Gregory Crewdson
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios. These scenes are tangibly atmospheric, visually alluring and often deeply disquieting. Never anchored precisely in time or place, these and the other narratives of Beneath the Roses are rather located in the dystopic landscape of the anxious American imagination.
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Lu Chunsheng
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory. Using long shots and atypical settings, Lu Chunsheng enigmatically refers to a distant history while conveying the sense of dislocation wrought by successive stages of modernization. The combination of elaborate landscape shots from the suburbs of Shanghai and Lu’s signature style of spare and minimally crafted acting offers a surreal view of human behavior in spaces marked by the hulking remnants of China’s extraordinary development.
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Tacita Dean
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation.
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Rodney Graham
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-sized pinhole camera that dates back to ancient times and which he has used to photograph trees from various regions. Through these works Graham looks back at the history of photography while making the viewers aware of their own retinal experience.
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Todd Hido
The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime. Both dimly lit scenes are dominated by an eerie feeling. Taken by a road, these painterly photographs suggest the uncanny character of the transient.
Allora & Calzadilla
Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla...
Elina Brotherus
Elina Brotherus depicts, through her photographic work a portrait of the contemporary artist made during different artistic residencies...
Martin Boyce
- location: Hamilton, United Kingdom
- year born: 1967
- gender: male
- nationality: British
Rodney Graham
- location: Vancouver, Canada
- year born: 1949
- gender: male
- nationality: Canadian
- home town: Vancouver, Canada
Werner Herzog
Werner Herzog is a renowned filmmaker, screenwriter, actor, and producer; he makes both documentaries and fictional films that aim to reveal what he calls ecstatic truths about humanity...
Todd Hido
- location: San Francisco, California
- year born: 1968
- gender: male
- nationality: American
- home town: Kent, Ohio
Tacita Dean
- location: Berlin, Germany
- year born: 1965
- gender: female
- nationality: British
- home town: Canterbury, United Kingdom
Lu Chunsheng
- location: Shanghai, China
- year born: 1968
- gender: male
- nationality: Chinese
- home town: Changchun, Jilin province, China
Robert Zhao Renhui
Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy...
Gregory Crewdson
- location: New York, New York
- year born: 1962
- gender: male
- nationality: American
- home town: Brooklyn, New York
Lucas Blalock
- year born: 1978
- nationality: American
- home town: Asheville, North Carolina
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1990-1999
Rodney Graham
1991Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
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2000-2009
Tacita Dean
2001The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Martin Boyce
2003In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...
Allora & Calzadilla
2004This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U...
Allora & Calzadilla
2004This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U...
Lu Chunsheng
2004A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Gregory Crewdson
2005Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
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2010-2019
Shaun O'Dell
2011The San Francisco–based artist Shaun O’Dell often uses natural settings as subject matter, lending an artistic complexity to the landscapes he depicts...
William E. Jones
2011In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
Lucas Blalock
2011Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Robert Zhao Renhui
2012Expedition #46 is a work from the series “The Glacier Study Group,” which consists of artists, scientists, activists, and enthusiasts of glacial and polar activity in the Artic Circle to conduct scientific investigation, data collection, and glacier sampling...
Werner Herzog
2012Commissioned for the 2012 Whitney Biennial, Hearsay of the Soul (2012) is Werner Herzog’s ode to the landscape paintings of the 17th-century Dutch artist Hercules Segers...
Abel Rodríguez
2018Abel Rodríguez’s precise, botanical illustrations are drawn from memory and knowledge acquired by oral traditions...