“Brave Beauties” series - Eva Mofokeng I, Parktown, Johannesburg

2014 - Photography (Photography)

76,5 x 51 cm

Zanele Muholi

year born: 1972
gender: female
nationality: South African
home town: Umlazi, Durban, South Africa

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa. Members of the LBGTQI community who suffer from continuous attacks — “corrective” and “curative rapes”, physical and psychological assaults, and hate crimes — Muholi works from her own community to create strong and positive images of empowered individuals. As visual statements, her photographs seek to dignify the members of an often hidden, voiceless and marginalized community. The verticality and scale of the prints accentuate the resilience of the figures, confronting the viewers with their scrutinizing and empowered gaze. The photographs support and promote self-expression, pride and autonomy in the face of an oppressive social system to reshape and reclaim an authoritative black lesbian and transgender presence in the global landscape. Presenting the black and white photographs as first-person testimonies of homophobia, discrimination and violence of LBGTQI black women, the “Brave Beauties” series thus acts as a conscription to autonomy and a visual activation of equal recognition.


Zanele Muholi (b. Umlazi, Durban, 1972) currently lives and works in Johannesburg, South Africa. She co-founded the Forum for Empowerment of Women (FEW) in 2002, and in 2009 founded “Inkanyiso”, a forum for queer and visual activist media. With the intention of highlighting the hate crimes in South Africa, Muholi subverts the oppressive narrative of Black queer and trans through rewriting a visual history.


Colors:



Gypsy
© » KADIST

Pascal Shirley

2006

Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...

Oakland Girls
© » KADIST

Pascal Shirley

2006

Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...

The Tower of Babel: Destruction
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

Placebo VIII
© » KADIST

Agnieszka Kurant

2018

Agnieszka Kurant’s Placebo VIII brings together a series of imaginary pharmaceuticals invented within the fictional narratives of literature and film...

Sentimentite (Invasion of Ukraine 38/100, from Chapter 4: Reshaping World Order)
© » KADIST

Agnieszka Kurant

2022

For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...

Black Hands, White Cotton
© » KADIST

Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

The Tower of Babel: The Carnaval
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

Appearance of Isabel Rosario Cooper
© » KADIST

Miljohn Ruperto

2009

Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...

Chocolate Bars, Eggs, Milk
© » KADIST

Elad Lassry

2013

In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...

Saturday afternoon in Sunward Park, Boksburg
© » KADIST

David Goldblatt

1979

David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

The Tower of Babel: Independence of the country
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Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

From Useless Wonder 04
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Carlos Amorales

2007

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Floor, Legs
© » KADIST

Elad Lassry

2013

In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...

Janus
© » KADIST

Miljohn Ruperto

2013

Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...

Splinters and Seconal
© » KADIST

Ed Ruscha

1973

In 1970, Ruscha began a series of paintings made from stains...

Automóvel
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Cinthia Marcelle

2012

Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...

Acting Exercise: Demon Possession
© » KADIST

Miljohn Ruperto

2009

Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...

Sentimentite (First death caused by self-driving car 84/100, from Chapter 9: Tech Futurism)
© » KADIST

Agnieszka Kurant

2022

For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...