76,5 x 51 cm
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa. Members of the LBGTQI community who suffer from continuous attacks — “corrective” and “curative rapes”, physical and psychological assaults, and hate crimes — Muholi works from her own community to create strong and positive images of empowered individuals. As visual statements, her photographs seek to dignify the members of an often hidden, voiceless and marginalized community. The verticality and scale of the prints accentuate the resilience of the figures, confronting the viewers with their scrutinizing and empowered gaze. The photographs support and promote self-expression, pride and autonomy in the face of an oppressive social system to reshape and reclaim an authoritative black lesbian and transgender presence in the global landscape. Presenting the black and white photographs as first-person testimonies of homophobia, discrimination and violence of LBGTQI black women, the “Brave Beauties” series thus acts as a conscription to autonomy and a visual activation of equal recognition.
Zanele Muholi (b. Umlazi, Durban, 1972) currently lives and works in Johannesburg, South Africa. She co-founded the Forum for Empowerment of Women (FEW) in 2002, and in 2009 founded “Inkanyiso”, a forum for queer and visual activist media. With the intention of highlighting the hate crimes in South Africa, Muholi subverts the oppressive narrative of Black queer and trans through rewriting a visual history.
Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Agnieszka Kurant’s Placebo VIII brings together a series of imaginary pharmaceuticals invented within the fictional narratives of literature and film...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...
Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...