Floor, Legs
2013 - Photography (Photography)
Elad Lassry
In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions. An example of this is Floor, Legs (2013), a gelatin silver print in which a large black rectangle obscures the upper half of a candid photograph with two figures that are ultimately only identifiable by their legs and feet, which are even then indiscernibly crossed and posed beyond easy recognition. Even though its unclear if Lassry’s source image is a found photograph or an original composition, the underlying themes – of the photograph’s function as an object, and the impossibility of discerning “the real” through its representation – continue to resonate.
Elad Lassry explores how visual languages are constructed across multiple disciplines and media. His larger body of work responds to the relationship between artistic mediums and their forms, and his prints question familiar modes of viewership and our continuous desire to find and identify clear narratives in photographs. Lassry utilizes both found photographs and original compositions in his work, a juxtaposition that challenges notions of authorship and attribution. By emphasizing how photographic images are deliberately staged and constructed, Lassry destabilizes notions that photographs depict and document “the real.” In foregrounding the image as object, he also suggest that the photograph only provides a referent for a presence that “has-been” but that no longer exists in the current moment. Born in Israel, Lassry earned his BFA in film from the California Institute of Arts in 2003 and his MFA from the University of Southern California in 2007.
Colors:
Related works of genres: » israeli photographers, » israeli contemporary artists
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Yael Bartana
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Yael Bartana
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John Baldessari
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Enrique Ramirez
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Elad Lassry
2013In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
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John Baldessari
1991The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
© » KADIST
Enrique Ramirez
2017Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
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Sabelo Mlangeni
2019The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
Other works by: » Elad Lassry
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Elad Lassry
2013In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
© » KADIST
Elad Lassry
2012The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...
Related artist(s) to: Elad Lassry » Rachel Harrison, » Andy Warhol, » Jimmie Durham, » Lisa Oppenheim, » Aaron Curry, » Amanda Ross-Ho, » Ana Teixeira Pinto, » Chris Sharp, » Chris Wiley, » Claes Oldenburg
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Lisa Oppenheim
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Lisa Oppenheim
2003The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
© » KADIST
Lisa Oppenheim
2003The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
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