For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread. The work is self-supporting and stands in a crack or a hole in the floor. The work suggests precariousness, frailty as well as humanity through its verticality, and its gentle sinuous form, referencing perhaps the work of Giacometti.
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery.
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico. These botanical portraits, like this one of the Pseudobombax ellipticum, or shaving brush tree, bristle against the edges of the image’s frame, fecund and wild, familiar yet foreign. Ana Roldán works in diverse media such as performance, sculpture, installations, video and collage.
Ana Roldán’s Displacements works use images taken from a 1970s exhibition catalogue for an exhibition called The Death in Mexico. Using pre-Columbian objects and other artifacts from Mexican history, the exhibition aimed to explore various representations of death in the Mexican cultural tradition. Roldán’s works begin with these rich black-and-white photographs and break them apart into fragments, slicing and dismembering the artifacts they depict.
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico. Working with this unsettled mystery, De La Torre’s video inquires into the historical and continuing tensions between Chinese and Mexicans. As such, Nuevo Dragon City depicts a symbolic act of self-entrapment in which six untrained actors of Chinese descent silently blockade themselves inside in an empty Tijuana storefront.
Lenora de Barros’s poetics are known for setting in motion an intimate relationship between image and the written word. This was precisely one of the questions raised while producing the photographs that compose Poema , one of de Barros’s first and most iconic visual poems. The work consists of a sequence of six black and white photographs where language acts in a performative movement with the typewriter, forging a connection between word and image.
Caetano de Almeida’s abstract compositions in acrylic use delicately-rendered swirls of overlapping, colorful lines. Intersecting at regular angles within six bubbles, these thread-like lines spiral chaotically outward once they leave these spheres of order. De Almeida’s abstractions don’t imply randomness and chaos, the way much abstract painting might, but rather seem tied to algorithms, precision, and the networked realities of the contemporary moment.
Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017. Treating the city as an object of attention, de Azambuja collected building materials from the surrounding area over a period of ten days to conceive of an architecture in situ. The work is not meant to mimic any of San Francisco’s own architecture, or to be a maquette or portrait of the cityscape, but instead a singular, constructive gesture.
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there. The neon translates as “this is not in Spanish,” making reference to both the famous Rene Magritte painting “Ceci n’est pas une pipe” as well as signs posted in the windows of Chinese establishments in Mexico.
Jorge de León most well-known work was a radical gesture, and one of his earliest artworks: in his 2000 performance, The Circle, de León sewed his own mouth closed as a protest against the silencing of citizens in the face of social corruption. His Cristal series is more demure, but follows a similar theme. In these works, delicate, web-like lines emerge against dark backgrounds, creating orbs of negative space, pitch black.
Ecotone by Enar de Dios Rodríguez is a video work presented in six chapters, each beginning and ending with a one-sided telephone dialog with an informal, friendly and conversational tone, that leads quickly into complex philosophical subjects. The first chapter is an introduction, and the last is an epilogue, and both employ interfaces (a smartphone screen, and an optical illusion, respectively) to invite the viewer to make conceptual connections across the chapters. An “ecotone” is a region of transition between two biological communities.
Adam is an emblematic work within Jean-Charles de Quillacq’s oeuvre. The artist has created a number of pieces entitled Adam , referring to original man, incarnated in multiple objects at once. Materially, Adam is a fluorescent yellow walking rope with an epoxy coating on one side, rendering the structure rigid, demonstrative of his sculptural practice which is both conceptual and sensual.
Originally commissioned for the 32nd Sao Paulo Biennial, the film Estás vendo coisas (You are seeing things) depicts the subculture of Brega music, a fusion of American Hip Hop, Brazilian techno and Caribbean reggaeton that emerged in North Eastern Brazil over the last decade. Part anthropological documentary and part musical the film speaks about the realities of Brazil with its enormous social and economic tensions.
Drawing & Print (Drawing & Print)
davi de jesus do nascimento’s earthy paintings, from the series sorvedouro , recall his memories as an essentially organic matter. Watercolor painting carries water as its foundational element and was the first technique that the artist applied to base his painting research on the river. He used to dip the brush on the prow of the boats: “I realized that the water is in deep dialogue with the flows of the river that I descend”.
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
The Théâtre de poche video is inspired by Arthur Lloyd / “Human Card Index”, a magician who was famous for being able to take out of his pockets any image requested by his spectators. His coat hid over 15 000 different prints. In Aurélien Froment’s work, a magician presents images by making them appear, disappear or move in space.
Efectos de familia (Family Effects, 2007–9) is a series of 13 videos that dramatize an array of abusive events derived from Edgardo Aragón’s family’s history—specifically its involvement with organized crime. Each episode is an action performed by some combination of his two young cousins, nephew, and younger brother. In one, a boy is shot to death inside a pickup truck.
The point of departure for Xar – Sueño de obsidiana by Edgar Calel is a poem that the artist wrote in Maya Kaqchikel. Made in collaboration with Brazilian filmmaker Fernando Pereira dos Santos, the film was shot while in lockdown in Brazil, where Calel found himself during the first outbreak of the COVID-19 pandemic. The film shows Calel ambling around the empty Ciccillo Matarazzo Pavilion designed by Oscar Niemeyer to host the São Paulo Biennial in 1954.
In the film La Edad de Oro (The Golden Age) Javier Castro asks several children to describe what they want to be when they grow up and what their best career option is in Cuba. Their responses are telling: some hopeful or playful in nature as one would expect, and others crudely revealing the harsh reality that the children perceive. The work takes its title from a children’s magazine produced by José Martí in 1889, during the years leading to the Cuban War of Independence from Spain in which Marti lost his life.
Rond de Jambe by Aimée Zito Lema is a series formed by two works: a three-channel video installation and a live performance. Each component in this project approaches the same subject matter through a different medium in order to investigate politics as they are made manifest in and through the body. Using archival footage of protests of the Stopera building project in Amsterdam as a starting point, artist Aimée Zito Lema worked with dancers to translate the protest movements into a choreography.
This work is based on a temporal loop in which the stories of several duets coexist and interfere with each other. The narrative articulates itself around four key moments or four neighboring apartments that the viewer discovers progressively: an air stewardess having an argument with her unemployed husband, and old lady telling old stories that no longer interest her caregiver, a black woman who is accused of stealing jewelry just when a newcomer, of Arab origin, moves into the apartment block. The narration itself is based on a void or non-event, however its dialogues refer to subjects such as terrorism or iimmigration.
The average human has approximately 2 squared meters of skin. Deployed in space, suspended by small gold-plated chains, this skin is a recording tissue, a sensitive surface. The work is a result of a series of experiments with silicone and surfaces on which the artist transfers images.
Juego de Banderas (a play on words that loosely translates to both set of flags and game of flags) is a triptych of modified Colombian flags by Antonio Caro. Although the yellow, blue and red stripes on the first flag are faithful to the original, the second flag at the center has been modified to feature the word Colombia, emulating the typography and white-on-red design of the iconic Coca-Cola brand. Caro’s first version of this logo was a 1976 graphite drawing, and he has since produced several variations in different materials.
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.
One of Ilana Bar’s best-known works is the series Transparências de lar (Home Transparencies) in which, for four years, the artist photographed her family’s rural home in Atibaia where her father lives with his two brothers and Ilana’s own brother, all three with Down Syndrome. Transparências de lar is the record of a serene, though certainly not a perfect, place. In this place Down Syndrome is not considered an alienable difference in the way that it is in Western culture, it is not problematic or a cause for social exclusion.
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama. One of them revolved around a plant that had various uses, from healing poisonous snake bites to predicting the future. She said, for example, that if one came across this plant during a period of drought, it could mean trouble was coming.
El Hadji Sy is an important figure in the critical movement that followed Lépold Sedar Senghor´s Négritude ideology. Senghor supported El Hadji’s work from the start and continued to follow it, but they came together again in another cultural policy initiative, inaugurated by Senghor: the famous Villages des Arts. The village is a co-operative for artists in Dakar where each one has a professional studio.
A woman pronounces parts of sentences. Via rigorous editing, the artist creates anticipation with the silences, rhythm by the repetitions, temporal ellipses with music. The recording is diffused by a loud speaker placed on a plinth which gives the whole an anthropomorphic status which reminds one of Box with the sound of its own making by Robert Morris.
Les princes de la rue by Clarisse Hahn is part of Boyzone , a long term project in which the artist observes how men’s bodies reflect their relationships to public and private spaces. Hahn’s photographs move beyond gazing at the Other; they demonstrate how outcast, among themselves, can reproduce the gaze that is cast on them as a means of expression. As such, this series makes space for Hahn’s subjects to intimately express their strength, fragility, and pain, as well as their history.
Kelly Sinnapah Mary is a multidisciplinary artist who’s work is informed by the diasporic journey of her ancestors...
Chantal Edie and Zacharie Ngnogue are a photography duo who channel their personal experiences into social commentaries...
Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...
Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad...
Sergio De La Torre has worked with and documented the manifold ways in which citizens reinvent themselves in the city they inhabit, as well as the site-specific strategies they deploy to move “in and out modernity.” De La Torre often collaborates with his subjects, resulting in both intimate and critical reflections on topics like housing, immigration, and labor...
born in 1961 in Cotonou, Benin...
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...
Bruno Serralongue integrates his practice into the processes of production and distribution of information via images...
Based on ideas of architecture, and by means of appropriation of public space and studio-based material operations, Marlon de Azambuja’s work creates new idioms for thinking and inhabiting the built environment...
Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...
Through her films, photographs and video installations, Clarisse Hahn continues a documentary research on communities, behavioral codes and the social role of the body...
The city, the landscape and the exhibition space are Katinka Bock’s favored playgrounds...
Argentinian artist, born in 1940, Luis Pazos transitioned from an experimental poetry and editing practice to the creation of actions and happenings in the 1970s...
Ilana Bar is a Brazilian artist, photographer and researcher...
Dominique Petitgand makes sound pieces...
davi de jesus do nascimento grew up in Pirapora, a town in the north of Minas Gerais, which guides the narratives of his work, as does the heritage of his family of fishermen, laundresses, and Carranca masters...
Costa Rican artist Christian Salablanca Díaz has developed a body of work around the phenomenon and experience of violence and the ways in which it generates, determines, and conditions history, society, and politics...
Artist Jean-Charles de Quillacq erects works which have a complicated relationship to remaining upright...
Edgar Calel is a Maya Kaqchikel artist and poet from the midwestern highlands of Guatemala...
Adrian Melis’s work is committed to presenting the range of intensity and nuance of human energy embodied through acts of resistance, resilience, and productivity...
Born in Senegal in 1954, El Hadji Sy (El Sy) studied fine arts at the Ecole Nationale des Beaux-Arts in Dakar...
Eusebio Siosi is an artist from the Wayuu people in the Guajira Peninsula in Northern Colombia...
Présences de Steve Reich - artpress 6 février 2024 In AP Web , Scène Présences de Steve Reich Par Emmanuel Daydé...
Des lignes de désir — Exposition félicités 2023 — Beaux-Arts de Paris Palais des Beaux-Arts — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Des lignes de désir — Exposition félicités 2023 — Beaux-Arts de Paris Palais des Beaux-Arts — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Des lignes de désir — Exposition félicités 2023 Exposition Techniques mixtes Affiche de l’exposition des félicités 2023 des Beaux-Arts de Paris © Beaux-Arts de Paris Des lignes de désir Exposition félicités 2023 Encore environ un mois : 24 janvier → 17 mars 2024 Des lignes de désir présente les vingt-huit artistes qui ont obtenu leur diplôme national supérieur d’arts plastiques des Beaux-Arts de Paris avec les Félicitations du jury en 2023...
Des lignes de désir — Exposition félicités 2023 — Beaux-Arts de Paris Palais des Beaux-Arts — Exhibition — Slash Paris Login Newsletter Twitter Facebook Des lignes de désir — Exposition félicités 2023 — Beaux-Arts de Paris Palais des Beaux-Arts — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Des lignes de désir — Exposition félicités 2023 Exhibition Mixed media Affiche de l’exposition des félicités 2023 des Beaux-Arts de Paris © Beaux-Arts de Paris Des lignes de désir Exposition félicités 2023 Ends in about 1 month: January 24 → March 17, 2024 Des lignes de désir presents the twenty-eight artists who graduated from the Beaux-Arts de Paris with a Diplôme National Supérieur d’Arts Plastiques and a Congratulations from the Jury in 2023...
Porter notre part de la nuit — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Porter notre part de la nuit — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Porter notre part de la nuit Exposition Techniques mixtes Thu-Van Tran, Novel Without a Title #2, série Novel Without a Title , 2019 Bronze, patine chimique et rehauts colorés — 20 × 167 × 20 cm Collection MAC VAL — Musée d’art contemporain du Val-de-Marne — Acquis avec la participation du FRAM Île-de-France...
Bertrand Dezoteux — Projection de Harmonie — L’ahah Griset — Cinema — Slash Paris Connexion Newsletter Twitter Facebook Bertrand Dezoteux — Projection de Harmonie — L’ahah Griset — Cinema — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Bertrand Dezoteux — Projection de Harmonie Cinema Dessin, film À venir Bertrand Dezoteux, Harmonie (épisode 1), 2018 Film d’animation Courtesy Galerie Anne Barrault, Paris Bertrand Dezoteux Projection de Harmonie Dans 4 jours : Vendredi 16 février 2024 à 19:00 Bertrand Dezoteux Projection de film : “Harmonie” Le 16.02.24 à 19h L’ahah #Griset 4 cité Griset, 75011 Paris Projection du film de Bertrand Dezoteux, Harmonie, suivie d’un échange avec Bernard Gaube modéré par Camille Debrabant, commissaire de l’exposition « Hunimalité »...
Christian Jaccard — Pics de combustion — Galerie DUTKO / Ile St...
Christian Jaccard — Pics de combustion — DUTKO / Ile St...
MARQUIS DE SADE by Charles Daniel McDonald – A Shaded View on Fashion ´ Sade: Freedom or Evil ´ is an exhibition that delves into the influence and reputation of the infamous French writer and philosopher, the Marquis de Sade , from whom the term ´sadism´ derives and it’s a journey not for the faint-hearted...
Christine Safa — De chair et de pierre — FRAC Auvergne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Christine Safa — De chair et de pierre — FRAC Auvergne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Christine Safa — De chair et de pierre Exposition Peinture Christine Safa, vue de l’exposition De chair et de pierre, Frac Auvergne, 2023 (Détail) Courtesy de l’artiste et galerie Lelong & Co...
Christine Safa — De chair et de pierre — FRAC Auvergne — Exhibition — Slash Paris Login Newsletter Twitter Facebook Christine Safa — De chair et de pierre — FRAC Auvergne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Christine Safa — De chair et de pierre Exhibition Painting Christine Safa, vue de l’exposition De chair et de pierre, Frac Auvergne, 2023 (Détail) Courtesy de l’artiste et galerie Lelong & Co...
En 2023, coup de froid sur le marché de l’art Courtesy of Sotheby’s Argent & Placements Marché de l'art En 2023, coup de froid sur le marché de l’art Par Roxana Azimi Publié le 09 décembre 2023 à 07h00 Temps de Lecture 4 min...
Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Échantillons de soi Exposition Techniques mixtes Échantillons de soi Encore environ un mois : 29 novembre 2023 → 13 janvier 2024 L’échantillon donne l’idée d’un tout et, quand il y en a plusieurs, ils permettent de prendre des décisions...
Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris Login Newsletter Twitter Facebook Échantillons de soi — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Échantillons de soi Exhibition Mixed media Échantillons de soi Ends in about 1 month: November 29, 2023 → January 13, 2024 L’échantillon donne l’idée d’un tout et, quand il y en a plusieurs, ils permettent de prendre des décisions...
Table des matières "L'humour de l'art" X 30 octobre 2023 Dans 50 ans d’art contemporain , AP Print Table des matières “L’humour de l’art” > COMMANDER LE VOLUME 4 Préface Étienne Hatt 11 Présence Panchounette...
"Blind Runner" au Théâtre de la Bastille - artpress X 10 octobre 2023 Dans AP Web , Scène “Blind Runner” au Théâtre de la Bastille Par Emmanuel Daydé...
Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Kyiv Biennial 2023 — La Biennale de Kyiv Exposition Techniques mixtes Biennale de Kyiv, 2023 © Kyiv Biennial Kyiv Biennial 2023 La Biennale de Kyiv Encore 18 jours : 5 octobre → 29 décembre 2023 La cinquième édition de la Biennale de Kyiv sera internationale et se tiendra à Kyiv, Ivano-Frankivsk, Uzhhorod, Vienne, Varsovie et Berlin...
Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Nicolas Daubanes — Du béton, de l’acier et de la viande Exposition Architecture, installations Derniers Jours Nicolas Daubanes, La grâce présidentielle, à la galerie Territoires Partagés, Marseille PAC 2022 © JC Lett Nicolas Daubanes Du béton, de l’acier et de la viande Encore 6 jours : 22 septembre → 17 décembre 2023 La pratique artistique de Nicolas Daubanes se déploie à travers le dessin, la sculpture, la vidéo et l’installation...
Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Nicolas Daubanes — Du béton, de l’acier et de la viande Exhibition Architecture, installation Closing Nicolas Daubanes, La grâce présidentielle, à la galerie Territoires Partagés, Marseille PAC 2022 © JC Lett Nicolas Daubanes Du béton, de l’acier et de la viande Ends in 6 days: September 22 → December 17, 2023 La pratique artistique de Nicolas Daubanes se déploie à travers le dessin, la sculpture, la vidéo et l’installation...
Nicolas de Staël — Musée d’Art Moderne de la ville de Paris — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Nicolas de Staël — Musée d’Art Moderne de la ville de Paris — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Nicolas de Staël Exposition Peinture À venir Nicolas de Staël, Agrigente, 1954 Huile sur toile, 60 × 81 cm Collection particulière © ADAGP, Paris, 2023 / Photo Annik Wetter Nicolas de Staël Dans 2 mois : 15 septembre 2023 → 21 janvier 2024 Le Musée d’Art Moderne de Paris consacre une grande rétrospective à Nicolas de Staël (1914-1955), figure incontournable de la scène artistique française d’après-guerre...
Nicolas de Staël — Musée d’Art Moderne de la ville de Paris — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nicolas de Staël — Musée d’Art Moderne de la ville de Paris — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Nicolas de Staël Exhibition Painting Upcoming Nicolas de Staël, Agrigente, 1954 Huile sur toile, 60 × 81 cm Collection particulière © ADAGP, Paris, 2023 / Photo Annik Wetter Nicolas de Staël In 2 months: September 15, 2023 → January 21, 2024 Le Musée d’Art Moderne de Paris consacre une grande rétrospective à Nicolas de Staël (1914-1955), figure incontournable de la scène artistique française d’après-guerre...
Edouard Sautai — Dans les yeux de badine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris Login Newsletter Twitter Facebook Edouard Sautai — Dans les yeux de badine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Edouard Sautai — Dans les yeux de badine Exhibition Urban art La montagne de Mons, 2023 Croquis Edouard Sautai Edouard Sautai Dans les yeux de badine Ends in 6 months: June 3 → December 31, 2023 Dans les yeux de Badine est une œuvre pour l’espace public, issue d’une commande passée à l’artiste Edouard Sautai par l’Ecole et Espace d’art contemporain Camille Lambert et la Maison de Banlieue et de l’Architecture, invitant à porter un autre regard sur le paysage urbain et quotidien...
Photo DR (en attendant d'autres à venir) Des facettes de Sarah de Haro (1973-2023),......
Biennale de Lyon — 2024 — Usines Fagor — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Biennale de Lyon — 2024 — Usines Fagor — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Biennale de Lyon — 2024 Exposition Techniques mixtes À venir © Biennale de Lyon 2024 Biennale de Lyon 2024 Dans plus d’un an : 1 septembre 2024 → 1 janvier 2025 (Dates provisoires) Créée en 1991, la Biennale de Lyon est l’une des plus importantes biennales d’art contemporain au plan international et la première manifestation artistique d’envergure au plan national...
Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris Login Newsletter Twitter Facebook Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Biennale de Lyon — 2024 Exhibition Mixed media Upcoming © Biennale de Lyon 2024 Biennale de Lyon 2024 In over 1 year: September 1, 2024 → January 1, 2025 (Dates provisoires) Créée en 1991, la Biennale de Lyon est l’une des plus importantes biennales d’art contemporain au plan international et la première manifestation artistique d’envergure au plan national...
Biennale de Venise — 2024 — 60e édition — Jardins de la Biennale de Venise — Exhibition — Slash Paris Login Newsletter Twitter Facebook Biennale de Venise — 2024 — 60e édition — Jardins de la Biennale de Venise — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Biennale de Venise — 2024 — 60e édition Exhibition Mixed media Upcoming Biennale de Venise © Slash-Paris, 2022 Biennale de Venise 2024 — 60e édition In 12 months: April 20 → November 24, 2024 STATEMENT FROM PRESIDENT ROBERTO CICUTTO : “The choice of Adriano Pedrosa as curator of the 60th International Art Exhibition of La Biennale di Venezia is the result of a process that grew out of our experience of working with Cecilia Alemani...
Launching on 19 November are 4 new exclusive collectors print sets of Jo de Pear's popular 'Decanters' series...
In this second half of the episode, we begin with a presentation by artist Brad Troemel on distributed networks, including a variety of strategies that incorporate blockchain technologies and theories with art making and selling...
“Between Tiny Cities (រវាងទីក្រុងតូច)”: De-cyphering Conversation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Vincent August 14, 2018 By Nah Dominic (1080 words, five-minute read) A white circle 10 metres in diameter greets us on entering the flexible performance space in Loft 29...
La Cultura de la Felicidad (The Culture of Happiness) is a series of five photographs addressing everyday life—a couple in a bed, lovers on a bench and a family reunion...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
El Hadji Sy is an important figure in the critical movement that followed Lépold Sedar Senghor´s Négritude ideology...
La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago...
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey...
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
Efectos de familia (Family Effects, 2007–9) is a series of 13 videos that dramatize an array of abusive events derived from Edgardo Aragón’s family’s history—specifically its involvement with organized crime...
«I will put two heavy stones in my jacket pockets that way my body will sink deep like a deflated truck tire, no one will notice», this excerpt from “Quay West” by Koltès could echo the story depicted by Katinka Bock: the shipwreck of a small boat full of stones...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
The Théâtre de poche video is inspired by Arthur Lloyd / “Human Card Index”, a magician who was famous for being able to take out of his pockets any image requested by his spectators...
In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...
Raphaël Zarka discovered the scientific manuscripts of Abraham Sharp while in Oxford...
The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture...
In Cuba, due to the lack of materials, workers of state-owned construction companies must remain at work without doing anything, waiting for the end of the working day...
Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...
The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Drawing & Print
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
Ana Roldán’s Displacements works use images taken from a 1970s exhibition catalogue for an exhibition called The Death in Mexico...
In the film La Edad de Oro (The Golden Age) Javier Castro asks several children to describe what they want to be when they grow up and what their best career option is in Cuba...
For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...
Caetano de Almeida’s abstract compositions in acrylic use delicately-rendered swirls of overlapping, colorful lines...
Adam is an emblematic work within Jean-Charles de Quillacq’s oeuvre...
Minutos de odio contra sí mismo (Minutes of hate against itself) is a simple and powerful work about the political situation in Venezuela, replacing the stars on the flag with bullet holes...
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
The series of works gathered under the title Heure de Paris combines footage of Turkey from Turkish and French media reportage from the 1980s...
YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
Jorge de León most well-known work was a radical gesture, and one of his earliest artworks: in his 2000 performance, The Circle, de León sewed his own mouth closed as a protest against the silencing of citizens in the face of social corruption...
Rond de Jambe by Aimée Zito Lema is a series formed by two works: a three-channel video installation and a live performance...
-In which predicting its past it lives working and dies fighting- Fifth episode of The Unmanned , “La Mémoire de Masse” unfolds during the second Canuts revolts in Lyon in 1834...
In Centro Espacial Satelital de Colombia (Colombian Satellite Space Center) , Calderón & Piñeros (La Decanatura) play tribute to two “stunning” satellite antennas installed in the small municipality of Chocontá where, in 1970, the Space Communications Center of Colombia was inaugurated...
Originally commissioned for the 32nd Sao Paulo Biennial, the film Estás vendo coisas (You are seeing things) depicts the subculture of Brega music, a fusion of American Hip Hop, Brazilian techno and Caribbean reggaeton that emerged in North Eastern Brazil over the last decade...
Juego de Banderas (a play on words that loosely translates to both set of flags and game of flags) is a triptych of modified Colombian flags by Antonio Caro...
Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017...
Produced for the Prix Marcel Duchamp and presented at the Centre Pompidou in October 2017, the installation Uncomformities is comprised of photographs, archaeological drawings, and narratives, based on the analysis of core samples from different sites in Beirut, Paris and Athens...
Drawing & Print
La Masacre de el Aro (The Massacre of El Aro) by Jorge Julián Aristizábal refers to a massacre in Colombia which occurred on October 22, 1997 in the municipality of Ituango, Department of Antioquia...
De sino à sina (From Bell to Fate) is a six-channel sound installation by Carla Zaccagnini exploring the relationship between modern Brazil and its colonial past...
Sombras de los Valles (Shadows of the Valleys) is part of a series of works created by Bayrol Jiménez in which he is influenced by hand-painted signs and large billboards in Mexico...
Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
As he investigates the forms that slavery took through different events that occurred during the sixteenth century in the Huasteca region of Mexico, Noé Martínez tells, in a non-linear narrative, the history of human trafficking in Relación de tráfico de personas 1525-1533 I (Study of Trafficking of Persons 1525–1533 I) ...
The point of departure for Xar – Sueño de obsidiana by Edgar Calel is a poem that the artist wrote in Maya Kaqchikel...
Les princes de la rue by Clarisse Hahn is part of Boyzone , a long term project in which the artist observes how men’s bodies reflect their relationships to public and private spaces...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Lenora de Barros’s poetics are known for setting in motion an intimate relationship between image and the written word...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Ecotone by Enar de Dios Rodríguez is a video work presented in six chapters, each beginning and ending with a one-sided telephone dialog with an informal, friendly and conversational tone, that leads quickly into complex philosophical subjects...
Drawing & Print
davi de jesus do nascimento’s earthy paintings, from the series sorvedouro , recall his memories as an essentially organic matter...
The Absolute Restoration of All Things is a collaboration by artist Miguel Fernández de Castro and anthropologist Natalia Mendoza...
Jepira is a mythical and essential place of the spiritual dimension for the Wayuu people...
Miercoles cerca de las 7 de la tarde by Caroline Fusilier portrays two quantum computers that are mobile, with human-esque legs, these are systems at the edge of biology...