variable dimensions
The average human has approximately 2 squared meters of skin. Deployed in space, suspended by small gold-plated chains, this skin is a recording tissue, a sensitive surface. The work is a result of a series of experiments with silicone and surfaces on which the artist transfers images. The iridescent and slightly colored appearance, is the result of these image transfers, part of which comes from a cave in the Dordogne and the other from Haitian vegetation, particularly the soursop leaf used to heal cancer.
Gaelle Choisne’s artistic practice is an address to the world’s disorder. Without any pessimism or catastrophism, it mirrors the complexity of contemporary times trough multiple medias and burgeoning installations. Sculptures, images and referential systems are imbricatedhere and merge in opulent environments, inhabited by the gestures of the artist. Between occult fables and objective sciences, from the Caribbean to European literary traditions, she navigates through imaginaries as composite as the techniques which give them shape: casting, firing, printout, suspension, collage, torsion, extraction. The artist’sinterest in the work process is often left apparent in installations-sculptures-images whose fringes are always experimental. As if, lost in apermanent gestation, her work could not obtain a permanent status in regard to its arrangement, form and reproducibility. Thus, itspertinence is to be found in this discontinuous transformation, this systematic reversing of media, techniques and surfaces. This practice of becoming, in which meaning can arise only through perpetual movement, operates through palpation and seems always agitated,marked by an organic energy. One could say that the hand, which always fiddles, displaces and modifies plays a kind of drag, a falselynaïve craftsmanship. (Text by Thomas Conchou)
Entre Chien et Loup is an installation incorporating a variety of media: rubber, discs, feathers and confetti that the artist weaves, sews and glues together...
Bernard Gaube — Hunimalité — L’ahah Griset — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Bernard Gaube — Hunimalité — L’ahah Griset — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Bernard Gaube — Hunimalité Exposition Peinture À venir Bernard Gaube, Hunimalité, 2017, 46x37 cm...
Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Paul Lepetit — Not so Blue Exposition Techniques mixtes Paul Lepetit Courtesy de l’artiste Paul Lepetit Not so Blue Encore 12 jours : 24 novembre → 23 décembre 2023 L’exposition Not so Blue de Paul Lepetit aux Bains-Douches d’Alençon est présentée dans le cadre de « maintenant et demain 2023 » programme de résidence et exposition mis en place par le Conseil Départemental de l’Orne et Les Bains-Douches...
Entre Chien et Loup is an installation incorporating a variety of media: rubber, discs, feathers and confetti that the artist weaves, sews and glues together...
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...