Forking Sprawl

1971 - Drawing & Print (Drawing & Print)

Robert Smithson

year born: 1938
gender: male
nationality: American
home town: Passaic, New Jersey

Artist Robert Smithson is best known as a major proponent of Land Art, visiting quarries, industrial sites, and abandoned wastelands in New Jersey and its surrounding states throughout the late 1960s. He would go on to work in the deserts of the Southwest, with his seminal Spiral Jetty , a land sculpture made of mud, salt crystals, and basalt rocks, produced on the northern shore of Utah’s Great Salt Lake. While his early work largely consisted of paintings and drawings, he later began to produce Minimalist sculpture before producing more monumental work, moving earth and land in order to create interventions that would alter the landscape. Alongside his visual practice, Smithson wrote a number of theoretical texts outlining the influence of temporal considerations and the relationship between a work of art and the surrounding environment to his work.


Colors:



Untitled
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John McCracken

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...

This Exhibition
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Tino Sehgal

2004

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...

Shasta
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Diego Rivera

1940

In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...

Related works featuring themes of: » Art That Plays With Scale, » Collage, » Design, » Industry, » Land Art, » American  
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Untitled
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Gabriel Sierra

2010

Untitled consists of a small wooden sculpture that leans against a wall...

Mapa Mundi BR (postal)
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Rivane Neuenschwander

2007

Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...

I can’t believe we are still protesting
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Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Other related works, blended automatically  
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Untitled
© » KADIST

Gabriel Sierra

2010

Untitled consists of a small wooden sculpture that leans against a wall...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

El hombre que hizo todas las cosas prohibidas
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Carlos Amorales

2014

Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...

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Going Our Way at George Adams Gallery
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Documentation of Going Our Way at George Adams Gallery, New York is featured on Contemporary Art Daily....

Podcast 63: Rei Poh and Attempts
© » ARTS EQUATOR

Podcast 63: Rei Poh and Attempts | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Attempts August 25, 2019 Duration: 30 min In this latest episode of our Fresh Blood podcast, Nabilah Said speaks to Singaporean theatremaker Rei Poh on the new collective Attempts, which focuses on creating theatrical experiences based on the principles of participatory theatre and gameplay...

Warder
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Lydia Gifford

2011

Lydia Gifford composes her work between pictorial expression and its inscription within an exhibition space...

And words were whispered (Holding, Hoeing, Dragging, Planting, Hanging, Carrying, Kneeling, Cutting, Sitting, Laying)
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Sancintya Mohini Simpson

2019

And words were whispered by Sancintya Mohini Simpson is a series of ten works on paper based on the lived experiences of Indian women taken to the Natal region of South Africa from the 1860s to the early 1900s to work in tea and sugarcane plantations during apartheid, which included servitude in its broadest and most sinister definition...