Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian. Sierra extracts and appropriates from this idea and evidence of modernism as a foreign paradigm exported through the printed media and reconstitutes a new form.
Colombian artist Gabriel Sierra’s work lies in the intersection between art and design. His earlier works took into account functional archetypes and space, leading him to name his sculptures as para-functional objects. These works embody his observations of different aspects of Colombian domestic environments and his interest in translating vernacular beliefs into conceptually sharp structures that speak to an international audience.
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Malaysia halves Najib’s sentence, Hong Kong’s car-free village, China’s Picasso: 6 weekend reads you may have missed | South China Morning Post Advertisement Advertisement SCMP Highlights + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Malaysia’s former prime minister Najib Razak leaves a court in Kuala Lumpur in 2019...
Weekly Southeast Asia Radar: Goodbye gamelan maestro; Charlie Chan to get animated | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Stiftung Humboldt Forum im Berliner Schloss/David von Becker November 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...