© » KADIST
John McCracken
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.
© » KADIST
Larry Bell
Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s. Resembling a black-mirrored box, this recent iridescent piece produces an uncanny effect in which the interior planes seem to enclose a mysterious light. Although austere in form, Bell’s works are far from simple: he uses technology like a vacuum-coating process, to accurately control the different levels of opacity and transparency on the surface of his immaculate glass works.
© » KADIST
Larry Bell
Drawing & Print (Drawing & Print)
Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight. The blocks resemble a stone carving, or slabs of wood shaped into a simple organic composition whose overall sheen is varied through a thin layer of aluminum vapor. Yet, the real material of Bell’s piece is actually light, formed within the viewer’s eye into masses as present as stone.
© » KADIST
Mateo Lopez
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.
© » KADIST
Mateo Lopez
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.
© » KADIST
Voluspa Jarpa
To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile. The cutouts in the acrylic represent the content that was blacked out when the pages were released to the public. For Jarpa, that so much content from these documents was deleted before declassification is symptomatic of hysterical behavior, which, in Freudian psychoanalysis, results from the inability to deal with trauma.
© » KADIST
Arabella Campbell
In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe. Through a curatorial act of collection and arrangement, Campbell alchemizes discrete instances of color, fabricating a gradient. Viewed alone, each berry would be unremarkable.
© » KADIST
Oscar Tuazon
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology. Engaging different methods of construction, he frequently uses wood, concrete, glass, steel, and piping as materials to create his structures and installations. Tuazon’s works have roots in minimalism, conceptualism, and architecture, and have a direct relationship with both the site in which they are presented, as well as with their viewer, often through physical engagement.
© » KADIST
Santiago Borja
Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references. They were hand-woven in Teotitlán del Valle, Oaxaca, Mexico, and are composed of nine squares, the middle one left unwoven. Their composition is based on Red Square, White Letters (1962) by Sol Lewit, but they also take cues from works like Black Series II by Frank Stella.
© » KADIST
Jean-Luc Moulène
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice. Created for an exhibition in Kitakyushu in Japan, it is painted green, a color that symbolizes life and creation in Japanese culture. Even though we are confronted with a hollow presence, this is above all a space to lodge a body in the vertical posture of the living.
© » KADIST
Jordan Ann Craig
Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag. Intrigued by the two shades of blue used for the source object (a deep dusty blue and a bold vivid cobalt blue) the artist replicated these shades in her painting. Craig then added in her own colors, including the pink-orange hues, to achieve a bold but soft quality about the work, as she states that she intended the work to convey vulnerability.
© » KADIST
Erin Shirreff
Erin Shirreff’s A. P. series of prints investigates how objects are “constructed” at the level of the image. For each composite photograph, Shirreff fabricates two sculptural forms from what appear to be metal or plaster, although the precise materials are unidentified. Her sculptures resemble miniature architectural models or renderings of buildings as-yet-to-be fully conceptualized, both elemental and elegant in their use of sharp angles and clean lines.
© » KADIST
Alexis Smith
Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage. Iron is one of nature’s most abundant metals. Smith, a philosopher of human detritus and poetic associations, presents it in this work as simultaneously everywhere yet paradoxically forgotten, lost in the heaps of refuse that fill junkyards and vacant lots.
© » KADIST
Alexis Smith
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage. The surfboard, an emblem of Southern California, emblazoned with the image of an eight-ball, references numerous tropes and clichés of American popular culture, specifically subcultures related to pool halls, surfing, and beaches. Indeed, this model-scale surfboard may be a future pop-culture relic, referencing a particular surfer or era of board design.
© » KADIST
Mona Marzouk
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure. The courtroom as a space for the implementation of justice and of legal argumentation, but also through which different affective forces, some hegemonic and others marginalized, battle each other out in their respective quests for acknowledgment, accountability, and retribution. The work was produced at a time during which several popular revolts, such as in Egypt, seemed to have effectively been hijacked by reactionary forces, resulting in the violent dismissal of collective demands for emancipation, including through sham trials and wrongful convictions criminalizing activists, journalists, and protesters.
© » KADIST
Mona Marzouk
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure. The courtroom as a space for the implementation of justice and of legal argumentation, but also through which different affective forces, some hegemonic and others marginalized, battle each other out in their respective quests for acknowledgment, accountability, and retribution. The work was produced at a time during which several popular revolts, such as in Egypt, seemed to have effectively been hijacked by reactionary forces, resulting in the violent dismissal of collective demands for emancipation, including through sham trials and wrongful convictions criminalizing activists, journalists, and protesters.
© » KADIST
Judy Chicago
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles. By 1968, the year she began creating Domes , the twenty-nine-year-old artist had moved from Chicago to Los Angeles, graduated from UCLA, and was part of a generation of artists whose work was characterized by of the masculine overtones of Southern California’s flourishing car culture. Inspired by new technologies in the auto manufacturing, these “Finish Fetish” artists appropriated industrial materials such as car paint or lacquer to create artwork with pristine finishes.
© » KADIST
Fernanda Gomes
For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread. The work is self-supporting and stands in a crack or a hole in the floor. The work suggests precariousness, frailty as well as humanity through its verticality, and its gentle sinuous form, referencing perhaps the work of Giacometti.
© » KADIST
Teresa Burga
Drawing & Print (Drawing & Print)
In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments. Sourcing imagery from the internet, the drawings recall an untitled series of drawings from 1974, in which Burga selected images of women at random from various print media, and then rendered the images on paper. Those drawings, like the newer ones, suggest the perils of images without context––how assumptions are made, stereotypes are formed, and knowledge is gathered.
© » KADIST
Dale Harding
Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland. Mouth-blown with ochre on sandstone, these extraordinary stencilled images depict weaponry, domestic tools, and ceremonial objects that are specific to the region and that relate to Harding’s own ancestry. In response to these enduring indexes of Indigenous material culture, Harding produced a suite of cast objects using the stencilled imagery as a guide, along with objects that relate to his family history: boomerangs, spears, clubs, and whips are all part of the display.
© » KADIST
N. Dash
Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.
© » KADIST
Chitti Kasemkitvatana
Mo(nu)ment / (…) / mem(y)orial (2011) is one of the artist’s first artworks after his retreat as a monk. This artwork is at once an exhibition configuration and an attempt to formalize a reflection. Composed of elementary geometric objects, Mo(nu)ment / (…) / mem(y)orial , refers to different sharing and transmitting media systems, which are illustrated here in a closed book, a fan, loose sheets of paper, or a box filled with gold powder.
© » KADIST
Alexandre da Cunha
His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs. Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.
© » KADIST
Lu Chunsheng
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory. Using long shots and atypical settings, Lu Chunsheng enigmatically refers to a distant history while conveying the sense of dislocation wrought by successive stages of modernization. The combination of elaborate landscape shots from the suburbs of Shanghai and Lu’s signature style of spare and minimally crafted acting offers a surreal view of human behavior in spaces marked by the hulking remnants of China’s extraordinary development.
© » KADIST
Tomoko Yoneda
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945. Yoneda focuses both on the original Japanese features of the houses and on details that have been altered since the end of the occupation. The yet-to-be acknowledged history of the occupation of Taiwan and other East Asian countries by Japan during World War II is subtly disclosed in these pictures.
© » KADIST
Roni Mocan
Roni Mocan’s work Welcome is a floorwork comprised of a grid-like arrangement of doormats that the artist borrowed from the local community, people in his building, and even from participating artists from the exhibition where it was first presented. In a time where xenophobia, divisive border rhetorics and news of an ongoing global refugee crisis have become commonplace, instead of sitting barely noticed at a home’s entrance, Mocan transforms these ubiquitous objects into carriers of a poignant and necessary greeting message. The installation underscores issues of migration, borders and racism, and gives light to the urgent need and responsibility we have towards addressing the issues that prevent humans from being welcome everywhere.
© » KADIST
Kitty Kraus
This work emphasises Kitty Kraus’s involvement with process, with alchemical transformations associated with Post-Minimalist aesthetics, Arte Povera, Joseph Beuys and Robert Smithson. The loss of form or its dissolution is at the heart of the series of lamps encapsulated in blocs of ice with liquid progressively spreading on the floor. The bulb is embedded in the ice.
© » KADIST
Cameron Rowland
Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution. Who controls the services that contemporary citizens take for granted—like power, water, heat? Who makes these objects that deliver these services?
Alexandre da Cunha
- location: London, United Kingdom
- year born: 1969
- gender: male
- nationality: Brazilian
- home town: Rio de Janeiro, Brazil
Jonathan Monk
- location: Berlin, Germany
- year born: 1969
- gender: male
- nationality: British
- home town: Leicester, United Kingdom
Martin Creed
- location: Wakefield, United Kingdom
- year born: 1968
- gender: male
- nationality: British
Alexis Smith
- location: Los Angeles, California
- year born: 1949
- gender: female
- nationality: American
- home town: Los Angeles, California
Larry Bell
- location: Venice, California
- year born: 1939
- gender: male
- nationality: American
- home town: Chicago, Illinois
Yin-Ju Chen
- year born: 2011
- gender: female
- nationality: American & Taiwanese
John Wood and Paul Harrison
John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...
Kitty Kraus
Kitty Krauss has a very particular outlook on Minimal and Constructivist Art...
Mateo Lopez
- location: Bogota, Colombia
- year born: 1978
- gender: male
- nationality: Colombian
- home town: Bogota, Colombia
Mona Marzouk
Mona Marzouk is an artist whose practice is deeply rooted in a keen sense for architecture...
John Wood & Paul Harrison
John Wood and Paul Harrison have been working collaboratively since 1993 producing single screen and installation based video works.Their work investigates the relationship between the human figure and architecture, developed through short form video with particular emphasis on actions being formulated and resolved within a given duration...
Naama Tsabar
Naama Tsabar is an Israel-born, New York-based sculpture artist...
Lu Chunsheng
- location: Shanghai, China
- year born: 1968
- gender: male
- nationality: Chinese
- home town: Changchun, Jilin province, China
N. Dash
- location: New Mexico & New York
- year born: 1980
- gender: female
- nationality: American
- home town: Miami Beach, Florida
Roni Mocan
Roni Mocan ‘s works are inspired by common events of daily life...
Dale Harding
A descendant of the Bidjara, Ghungalu, and Garingbal peoples, Dale Harding’s work references and expands upon the philosophical and spiritual touchstones of his cultural inheritance...
John McCracken
- year born: 1934
- gender: male
- nationality: American
- home town: Berkeley, California
Jason Dodge
Jason Dodge extracts objects from everyday life – of which he adds minimal alterations by the way that he isolates and presents them...
Renee Rhodes
Renée Rhodes grew up amidst the fantasy and rigor that is the world of classical ballet...
Moe Satt
Moe Satt is a Burmese visual and performance artist who uses his own body as a symbolic field for exploring self, identity, embodiment, and political resistance...
Arabella Campbell
Arabella Campbell is a Vancouver-based painter who explores the intricacies of abstraction...
Carolyn Lazard
Carolyn Lazard’s practice centers disability and accessibility through sculpture, video, installation, and performance...
Voluspa Jarpa
Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory...
Fernanda Gomes
- location: Rio de Janeiro, Brasil
- year born: 1960
- gender: female
- nationality: Brazilian
Teresa Burga
A pioneer of Latin American Conceptualism, since the 1960s, Teresa Burga has made works that encompass drawing, painting, sculpture, and conceptual structures that support the display of analytical data and experimental methodologies...
Chitti Kasemkitvatana
Chitti Kasemkitvatana is an artist, independent curator, and teacher; he presents an art program on the radio and is the co-editor of the magazine Ver with Rirktit Tiravanija...
Judy Chicago
- location: Belen, New Mexico
- year born: 1939
- gender: female
- nationality: American
- home town: Chicago, Illinois
Peter Robinson
Peter Robinson is an artist whose work explores the various cross-sections between materiality, identity, and the indigenous...
Jordan Ann Craig
Jordan Ann Craig is a Northern Cheyenne artist born and raised in the Bay Area; she invests her work with a strong interest in Indigenous culture and the history of its destruction by settlers...
Michael Craig-Martin
Michael Craig-Martin studied fine art at Yale University returning to Europe in the mid-1960s and becoming one of the key figures in the first generation of British conceptual artists...
© » ARTSY
about 3 months ago (02/12/2024)
Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due | Artsy Skip to Main Content Advertisement Art Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due Annabel Keenan Feb 12, 2024 9:44AM Portrait of Sarah Grilo by Lisl Steiner...
© » OBSERVER
about 3 months ago (02/09/2024)
Review: Glenn Kaino’s ‘Walking with a Tiger’ at Pace Gallery | Observer Installation view of ‘Glenn Kaino: Walking with a Tiger’ at Pace’s 540 West 25th Street gallery...
© » HYPERALLERGIC
about 3 months ago (02/06/2024)
8 Art Books to Read This February Skip to content Image from Søren Solkær's Black Sun series in Starling (2023) (image courtesy Edition Circle) This month, we’re turning to books that spark questions and crack open new possibilities, with digital culture on our minds as always, and photography looming large as a tool for both oppression and self-determination...
© » TWOCOATSOFPAINT
about 3 months ago (01/27/2024)
Andy Meerow, medium cool – Two Coats of Paint Andy Meerow, installation view of Slanted Andy” at Derosia Contributed by Jonathan Stevenson / In Haskell Wexler’s iconic 1969 counterculture film Medium Cool , John Cassellis, a cold-eyed TV photojournalist played by the great Robert Forster, has internalized the notion of television as a “cool” medium in the McLuhan-esque sense of requiring viewers to search for context in order to understand what they are seeing...
© » ARTSY
about 3 months ago (01/24/2024)
Pace Gallery announces global representation of Paul Thek’s estate...
© » FAD MAGAZINE
about 3 months ago (01/24/2024)
Pace now represent the Estate of American artist Paul Thek - FAD Magazine Skip to content By Mark Westall • 24 January 2024 Share — Peter Hujar, Paul Thek (II), 1975 © The Peter Hujar Archives Pace has announced the global representation of the estate of legendary American artist Paul Thek ...
© » TWOCOATSOFPAINT
about 3 months ago (01/23/2024)
Joan Snyder’s brilliant command of chaos – Two Coats of Paint Joan Snyder, Burlap Bars, 2022, oil, acrylic, rosebuds, twigs, burlap on linen, 54 × 66 inches Contributed by Abshalom Jac Lahav / “ComeClose,” Joan Snyder’s current exhibition at Canada , testifies to her enduring brilliance and evolving artistic language...
© » BROOKLYN STREET ART
about 3 months ago (01/23/2024)
Bartek Świątecki: “the light vibrates under our eyelids” in Stare Kawkowo | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY The nature’s gentle harmony is, probably, the best remedy for the speeding time of today...
© » SLASH PARIS
about 4 months ago (01/08/2024)
Michel Parmentier — 15 février 1984 — 12 août 1985 — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Michel Parmentier — 15 février 1984 — 12 août 1985 — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Michel Parmentier — 15 février 1984 — 12 août 1985 Exhibition Painting Michel Parmentier, 15 février 1984 (détail) © ADAGP, Paris...
© » HYPERALLERGIC
about 5 months ago (12/17/2023)
The Impurities of Pure Abstraction Skip to content David Diao, "BN: The Paintings in Scale (Blue)" (1991), acrylic and vinyl on canvas, 78 x 132 inches (all images courtesy the artist and Greene Naftali, New York, photos Zeshan Ahmed) David Diao loves pure abstract painting as embodied by the highly revered work of Barnett Newman and Kasimir Malevich, even as he doubts their claims of attaining the sublime or achieving a utopian, universalist language...
© » IGNANT
about 5 months ago (12/16/2023)
Baroque Minimalism: A Conversation With Muller Van Severen - IGNANT Name Muller Van Severen Images Pieter Peulen Words Rosie Flanagan Fien Muller and Hannes Van Severen met in 2001 at the LUCA School of Arts in Ghent...
© » HYPERALLERGIC
about 5 months ago (12/13/2023)
Rules & Repetition: Conceptual Art at the Wadsworth Atheneum Skip to content “The Maze and Snares of Minimalism” (1993) by Carl Andre in front of Alfred Jensen’s “The World As It Really Is” (1977), on view in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum The Wadsworth Atheneum Museum of Art presents works by groundbreaking conceptual artists of the 1960s and ‘70s alongside more recent acquisitions in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum ...
© » SLASH PARIS
about 5 months ago (12/12/2023)
Laura Lamiel — Ursule — Marcelle Alix Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Laura Lamiel — Ursule — Marcelle Alix Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Laura Lamiel — Ursule Exhibition Installation, sculpture Laura Lamiel, Ursule (2), 2023 — Vue de l’exposition Ursule, 2023...
© » WHITEHOT
about 5 months ago (12/12/2023)
Constance De Jong: On a Continuous Present at Chelsea Space advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Constance De Jong: On a Continuous Present at Chelsea Space Installation view, Constance De Jong: On a Continuous Present at Chelsea Space...
© » GALERIE MAGAZINE
about 5 months ago (12/12/2023)
The Artful Life: 5 Things Galerie Editors Love This Week - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Swarovski has opened doors to a new flagship on Fifth Avenue...
© » HYPERALLERGIC
about 5 months ago (12/10/2023)
How peter campus Changed the Video Art Game Skip to content Still from peter campus, "Three Transitions" (1973), single-channel video with sound, 4:53 mins...
© » AESTHETICA
about 5 months ago (12/09/2023)
Aesthetica Magazine - Aesthetica Art Prize: Picturing the Landscape Aesthetica Art Prize: Picturing the Landscape Humans have been inspired by nature for millenia...
© » ASX
about 5 months ago (12/05/2023)
Henry Schulz – People Things – AMERICAN SUBURB X Skip to content The photographs in this series were taken between 2020-2022 in Germany...
© » OBSERVER
about 5 months ago (12/01/2023)
Review: ‘Glory of the World: Color Field Painting (1950s to 1983)’ | Observer Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum outside New York City—a place we know and love that already receives plenty of attention...
© » IGNANT
about 5 months ago (11/29/2023)
Product Designer Tino Seubert: Between The Industrial And The Organic - IGNANT Name Tino Seubert Images Clemens Poloczek Words Marie-Louise Schmidlin “I try to discover the beauty in things that may not seem very appealing at first glance...
© » IGNANT
about 7 months ago (10/20/2023)
A Visit To Studio Hanne Willmann: Clean Design That Evokes Emotions - IGNANT Name Studio Hanne WIllmann Images Clemens Poloczek Words Marie-Louise Schmidlin For Berlin-based product designer Hanne Willmann , one of the essential functions of furniture is to create an emotional response in its users...
© » BOMB
about 7 months ago (10/09/2023)
BOMB Magazine | Jack Pierson Interviewed Necessary (Required) Cookies that the site cannot function properly without...
© » TATE EXHIBITIONS
about 12 months ago (05/23/2023)
Rhea Dillon | Tate Britain A new body of sculptures by Rhea Dillon that consider the formation of British and Caribbean identities Rhea Dillon: An Alterable Terrain brings together new and existing sculptures as a conceptual fragmentation of a Black woman’s body...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Among the artists he collected were John Baldessari, Marcel Broodthaers, stanley brouwn, Donald Judd, On Kawara, and Joseph Kosuth....
© » ARTS EQUATOR
about 63 months ago (03/06/2019)
By Elsa Lim (1090 words, four-minute read) It was a lazy Sunday afternoon in early December, and the Visitor......
© » PAINTERS' TABLE
about 64 months ago (01/22/2019)
Seen in New York, January 2019 | Painters' Table Skip to main content Seen in New York, January 2019 Submitted by Paul Corio on January 21, 2019...
© » ARTS EQUATOR
about 67 months ago (11/12/2018)
Open Calls and Job Opportunities: November 2018 (Singapore) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar November 12, 2018 Call for Applications for Southeast Asian Choreolab 2019 We invite emerging contemporary dance choreographers (or performance artists or physical theatre creators) from Southeast Asia to apply for the Southeast Asian Choreolab 2019...
© » ARTS EQUATOR
about 67 months ago (11/01/2018)
Rianto's "Medium": Of Journeys, Transformations & Corporeality | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng November 1, 2018 By Nirmala Seshadri (990 words, four-minute read) Total darkness...
© » ARTS EQUATOR
about 68 months ago (09/20/2018)
SHIFT at Esplanade’s da:ns festival 2018: A Sneak Peek in GIFs Thinking and Talking about Arts and Culture in Southeast Asia Articles September 20, 2018 Esplanade’s da:ns festival returns this year from 9 – 21 October...
-
1960-1969
Judy Chicago
1969Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
-
1970-1979
Larry Bell
Drawing & Print
1979(Drawing & Print) Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight...
Jiri Kovanda
1979This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio...
-
1990-1999
Alexis Smith
1990Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
Félix González-Torres
1992Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Alexis Smith
1995In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
John Wood and Paul Harrison
1996One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions...
John Wood and Paul Harrison
19973-Legged is an early video work by John Wood and Paul Harrison in which they appear with their legs tied together (as one would do in a three-legged race)...
-
2000-2009
Kota Ezawa
2002The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Jonathan Monk
2003Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
Martin Creed
2003This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...
Lu Chunsheng
2004A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Jean-Luc Moulène
2004It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops...
Alexandre da Cunha
2005His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...
Saâdane Afif
2005In this work, Saâdane Afif quotes André Cadere’s round wooden batons using the copy share and remix principles...
Emma Wolukau-Wanambwa
2005A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
Alexandre da Cunha
2005Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...
Larry Bell
2007Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s...
Roni Mocan
2007Roni Mocan’s work Welcome is a floorwork comprised of a grid-like arrangement of doormats that the artist borrowed from the local community, people in his building, and even from participating artists from the exhibition where it was first presented...
Ceal Floyer
2007NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist...
Simon Starling
2007Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
Jason Dodge
2007In Algeria, Djidjiga Meffre has woven a fabric with a string, a length equal to the distance from the earth to troposphere...
Aaron Young
2007The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...
Joe Scanlan
2007Spring Line is a piece shown for the first time in his solo exhibition at the Institut d’Art Contemporain in Villeurbanne in 2007...
Jean-Luc Moulène
2009Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
Pratchaya Phinthong
2009Phinthong provided 5,000 Euros to exchange for Zimbabwean dollars, the most devalued and worthless currency in the world...
-
2010-2019
Tomoko Yoneda
2010Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
Chris Duncan
2010Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I ...
Alexandre da Cunha
2010In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...
Arabella Campbell
2011In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe...
Chitti Kasemkitvatana
2011Mo(nu)ment / (…) / mem(y)orial (2011) is one of the artist’s first artworks after his retreat as a monk...
Renee Rhodes
2011The artist writes about her work: “There is an endless desire to know what we look like from outer space and many of us have evolved into a species that exists across the disorienting spaces and timeframes of virtuality...
Alexandre da Cunha
2011The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Mateo Lopez
2012With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Mateo Lopez
2012With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Voluspa Jarpa
2012To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
Santiago Borja
2012Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references...
Tadasu Takamine
2012The video work Japan Syndrome is a continuation of his lines of inquiry, taking post-Fukushima Japan as a case study...
Peter Robinson
2012Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic...
Fernanda Gomes
2013For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...
Oscar Tuazon
2014Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology...
Mona Marzouk
2014Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure...
Mona Marzouk
2014Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure...
Cameron Rowland
2014Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution...
Marc Nagtzaam
Drawing & Print
2014(Drawing & Print) Nagtzaam’s medium is drawing and his repertory of forms varies from abstract hard-edge and wall drawing to the reproduction of written material that he collects from art magazines...
Jesús ‘Bubu’ Negrón
Drawing & Print
2015(Drawing & Print) The series of drawings Cancha Abierta (Yellow Series) derive from a project in which Jesús ‘Bubu’ Negrón worked with the community of El Rosario, located in the region of Beni, Bolivia, approximately 500 meters away from the Mamoré River...
Yin-Ju Chen
2016Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...
Duto Hardono
2017Variation & Improvisation for ‘In Harmonia Progressio’ by Duto Hardono is part of a series of work that focuses on sound loops as a fundamental element of his performance – a metaphor that Hardono employs as he examines the human condition, such as time and temporal spatiality...
Dale Harding
2018Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
Yin-Ju Chen
2018Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Jordan Ann Craig
2019Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag...
Teresa Burga
Drawing & Print
2019(Drawing & Print) In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments...
-
2020-2029
Yuyan Wang
2022One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...
