© » KADIST
Wong Wai Yin
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
© » KADIST
Wong Wai Yin
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China. For this video, Wong accompanied six male friends from art school to a group show of their work titled “Inside Looking Out” at Osage Gallery in Beijing. Throughout her visit, she was rarely acknowledged for her own creative accomplishments and was more frequently introduced as an artist’s girlfriend, and often without name.
© » KADIST
Wong Wai Yin
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
© » KADIST
Wong Wai Yin
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
© » KADIST
Wong Wai Yin
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
© » KADIST
Stephen G. Rhodes
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain.
© » KADIST
Leslie Shows
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage. Both through its title and formally—through how the shapes in the composition resemble a mountain or natural formation—the piece relays us to a mineral quarry or a deep mining pit where materials are extracted. Interspersed among the block-like figures and rocky textures, we also see several human silhouettes, either cut-out, or as if they were whited out by a shining light, or lost in the shadows.
© » KADIST
Bjorn Copeland
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco. These rather austere collages were created by simply cutting and inverting the text from existing information signs. In Sign #2 , for example, the original image that presumably carried the message “NO RIDERS” was placed upside down.
© » KADIST
Raymond Pettibon
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
© » KADIST
Raymond Pettibon
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification. A full story seems present but is not fully within the viewer’s grasp. Here, Pettibon draws a connection between legal restrictions on free speech and the power of an elite on Wall Street.
© » KADIST
Raymond Pettibon
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
© » KADIST
Raymond Pettibon
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
© » KADIST
Jonathan Hernández
In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes. The artist has said that the appropriation of popular imagery is a way for him to take pictures without a camera and to register the things that happen in the everyday as visual essays that evidence the fragility of the world.
© » KADIST
Raymond Pettibon
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
© » KADIST
Raymond Pettibon
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style. The images in them allude to his ever-recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. However, it is worth noting that this formal quality of his work is not exhausted in the simple illustration.
© » KADIST
Raymond Pettibon
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.
© » KADIST
Jennifer Locke
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious. This closed circuit of dominance and submission between two powerful men, is echoed by the closed circuit of the video through which the viewer takes on the role of voyeur. The artist’s presence in the piece not only calls attention to its staging, but inverts the traditional power dynamic of the “male gaze” and gender roles.
© » KADIST
Jin Shan
Retired Pillar represents the death and deterioration of legacy of colonial Shanghai. The silicon Corinthian column lays horizontal upon its pedestal, inflating and deflating in the rhythm of difficult breathing, as if exhausted by its lifelong labor. Shan comments on the deterioration of the influence of French colonialism within Shanghai as well as the adoption of Western forms of architectural decoration as symbols of wealth and power.
© » KADIST
Haegue Yang
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.
© » KADIST
Kota Ezawa
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history. In 1995, OJ Simpson—a well-known American football player—was accused of the murders of his ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Based on the courtroom footage, Ezawa uses his signature style to create an abstract and graphically simplified echo of what happened in the room.
© » KADIST
Kota Ezawa
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock. At first glance, due to the oversimplified silhouettes Ezawa employs, the connection between his animation and Namuth’s film may not be obvious. However, when seen side by side, Ezawa’s piece is a faithful reproduction of the scene—up until a point in which his sequence begins playing in reverse, effectively unpainting every brushstroke.
© » KADIST
Ed Ruscha
In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.
© » KADIST
Tony Oursler
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium. Mounted on platforms suspended in space on metal stands, the video sculpture contemplates human relationships, expressed here by shouts and murmurs, the strange and the familiar.
© » KADIST
Luke Butler
Drawing & Print (Drawing & Print)
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment. However, Kirk’s passive pose doesn’t so much suggest the aftermath of a battle as it does heavy contemplation, depression, or utter despair. Captain X is part of a series of paintings depicting various Star Trek characters who are stricken with human emotion-—a tactic that diminishes the mythological grandeur associated with this heroic captain and his indefatigable crew.
© » KADIST
Kota Ezawa
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964). Ezawa uses his signature cartoon-like style to remix and reenact these crime scenes, leaving only the artworks as “real” objects (as they are depicted in the films), rather than illustrating them. Reversing fiction and reality in an unexpected way, this gesture invites the viewer to question the reliability of the visual footage.
© » KADIST
Erika Verzutti
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.
© » KADIST
Haegue Yang
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work. Following Haegue Yang’s 2010 anthropomorphic series Medicine Men, this sculpture appears as a shamanic objet or being. It is mobile and can be activated.
© » KADIST
Dr. Lakra
Drawing & Print (Drawing & Print)
Like many of Dr. Lakra’s works, Cortes y la malinche is a drawing done on a found vintage magazine page. The text at the bottom of the page, “reclinandose inocentemente sobre el regazo de Hernan-Cortés,” translates to, “reclining innocently in the lap of Hernan Cortés,” and refers to the Spanish conquistador who brought down the Aztec empire. Malinche was a native Mexican who served both as Cortés’s translator in both the Mayan and Aztec languages, as well as his lover.
© » KADIST
John Baldessari
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text. The otherwise banal scissors become suggestively violent in relation to the text, which was originally the title of a print in Francisco de Goya’s Disasters of War series. However, Baldessari is less interested in the logical relationships between text and image than he is with the conceptual leaps that the viewer makes with the limited information provided.
© » KADIST
John Baldessari
Arms & Legs (Specif. Elbows & Knees), etc. : Arm (with Bottle) belongs to Baldessari’s most recent series of paintings in which the artist brings together photographic, painted, and three-dimensional elements, to juxtapose unlikely body fragments such as noses and ears, elbows and knees, or eyebrows and foreheads.
Raymond Pettibon
- location: Hermosa Beach, California
- year born: 1957
- gender: male
- nationality: American
- home town: Tucson, Arizona
Wong Wai Yin
Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...
Marion Scemama, David Wojnarowicz
Marion Scemama is a French photographer and filmmaker...
Bady Dalloul
Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...
Gabriel Orozco
- location: New York City, Paris
- location: Mexico
- year born: 1962
- gender: male
- nationality: Mexican
- home town: Jalapa, Mexico
John Baldessari
- location: Los Angeles, California
- year born: 1931
- gender: male
- nationality: American
- home town: National City, California
Charlotte Moth
Charlotte Moth has been constituting an image bank since 1999...
Martin Kippenberger
- location: Vienna, Austria
- year born: 1953
- gender: male
- nationality: German
- home town: Dortmund, Germany
Gozo Yoshimasu
Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
Ed Ruscha
- location: Los Angeles, California
- year born: 1937
- gender: male
- nationality: American
- home town: Omaha, Nebraska
Bruce Conner
- location: San Francisco, California
- year born: 1933
- gender: male
- nationality: American
- home town: McPherson, Kansas
Helina Metaferia
Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement...
Daniela Ortiz
In order to reveal and critique hegemonic structures of power, Daniela Ortiz constructs visual narratives that examine concepts such as nationality, racialization, and social class...
Jess
Jess Collins (most commonly known as Jess), is a celebrated San Francisco artist known for his highly symbolic paintings and layered collages that combine imagery from mythology, alchemy, popular culture and the male body...
Carter Mull
Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works...
Adelita Husni-Bey
Born in Milan, Italian-Libyan Adelita Husni-Bey is an artist and researcher...
Jinoos Taghizadeh
Jinoos Taghizadeh uses a variety of media including painting, collage, video and performance and deals with the problematic construction of collective identities in contemporary Iran....
Thomas Kilpper
- location: Stuttgart, Deutschland
- year born: 1956
- gender: male
- nationality: German
Karla Kaplun
Karla Kaplun’s practice centers on micro-utopias, the construction and functioning of collective memory, as well as mechanisms of political and economic power and control...
Haegue Yang
- location: Berlin, Germany & Seoul, South Korea
- year born: 1971
- gender: female
- nationality: Korean
- home town: Seoul, South Korea
Mary Helena Clark
Mary Helena Clark is an artist working in film, video, and installation...
Olaf Breuning
Olaf Breuning’s photographs, videos, performances and installations play with codes of mass production with references to publicity, fashion and cinema and “high” and “low” art...
Patricia Esquivias
Working primarily in video, Patricia Esquivias’s work focuses on the material remains of idiosyncratic occurrences that connect to larger historical narratives...
Pablo Pijnappel
Pablo Pijnappel’s work is foremost highly constructed...
Ana Vaz
Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...
Goshka Macuga
She works with archival materials she finds in libraries and museums...
Nandan Ghiya
Nandan Ghiya is an emerging whose practice explores the disjunction between various forms of image-based media...
Jennifer Locke
Working in video and installation-based performance, Jennifer Locke stages physically intense actions in relation to the camera and specific architecture in order to explore the unstable nature of artist/model/camera/audience hierarchies...
Fred Wilson
- location: Bronx, United States
- year born: 1954
- gender: male
- nationality: American
© » SLASH PARIS
about 3 months ago (02/01/2024)
Robert Courtright — Recovered time — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Robert Courtright — Recovered time — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Robert Courtright — Recovered time Exhibition Collage, painting Robert Courtright Robert Courtright Recovered time Ends in 27 days: February 1 → March 9, 2024 Dutko Gallery is pleased to present, from February 1st to March 9th, 2024, the first retrospective exhibition on the American artist Robert Courtright (1926-2012) in Paris...
© » SLASH PARIS
about 3 months ago (02/01/2024)
Robert Courtright — Recovered time — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Robert Courtright — Recovered time — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Robert Courtright — Recovered time Exposition Collage, peinture Robert Courtright Robert Courtright Recovered time Encore 27 jours : 1 février → 9 mars 2024 La galerie Dutko a le plaisir de présenter du 1 février au 9 mars 2024 la première exposition rétrospective de l’artiste américain Robert Courtright (1926-2012) à Paris...
© » ARTSY
about 3 months ago (01/30/2024)
Eddie Martinez will represent San Marino at the 2024 Venice Biennale...
© » SLASH PARIS
about 3 months ago (01/29/2024)
Camille Esayan, Lara Bouvet — Corps composé(s) — Hôpital européen Georges-Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Camille Esayan, Lara Bouvet — Corps composé(s) — Hôpital européen Georges-Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Camille Esayan, Lara Bouvet — Corps composé(s) Exhibition Collage, photography, mixed media © Camille Esayan Camille Esayan, Lara Bouvet Corps composé(s) Ends in 19 days: January 25 → March 1, 2024 Un projet de Camille Esayan et Lara Bouvet avec le Service de chirurgie cancérologique, gynécologique et du sein de l’Hôpital européen Georges-Pompidou, Paris...
© » SLASH PARIS
about 3 months ago (01/29/2024)
Camille Esayan, Lara Bouvet — Corps composé(s) — Hôpital européen Georges-Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Camille Esayan, Lara Bouvet — Corps composé(s) — Hôpital européen Georges-Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Camille Esayan, Lara Bouvet — Corps composé(s) Exposition Collage, photographie, techniques mixtes © Camille Esayan Camille Esayan, Lara Bouvet Corps composé(s) Encore 19 jours : 25 janvier → 1 mars 2024 Un projet de Camille Esayan et Lara Bouvet avec le Service de chirurgie cancérologique, gynécologique et du sein de l’Hôpital européen Georges-Pompidou, Paris...
© » TWOCOATSOFPAINT
about 3 months ago (01/28/2024)
The sharp, solitary eye of Sonia Gechtoff – Two Coats of Paint Sonia Gechtoff, Untitled , 1986, acrylic and graphite on paper mounted to linen, 38 1/4 × 46 inches Contributed by Natasha Sweeten / The contemplative works of Ukrainian American artist Sonia Gechtoff (born in Philadelphia 1926, died in NYC 2018), now on view at Bortolami and Andrew Kreps Gallery, range from the 1960s to early 2000s, but for me they evoke the frontality of Russian iconography , the dynamism of Italian Futurism , and the fractal abstractions of Sonia Delaunay...
© » SLASH PARIS
about 3 months ago (01/07/2024)
Jaume Plensa — Miroirs (collages) — Galerie Lelong & Co...
© » SLASH PARIS
about 3 months ago (01/06/2024)
Grace Weaver — Hotel Paintings — Max Hetzler Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Grace Weaver — Hotel Paintings — Max Hetzler Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Grace Weaver — Hotel Paintings Exhibition Collage, painting Closing Grace Weaver, Hotel — painting (Smeraldina Rima), 2023 Oil on canvas — 110 × 83 in...
© » FLASH ART
about 4 months ago (12/19/2023)
Maja Čule "Electronic Witches" Arcadia Missa / London | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » ART & OBJECT
about 4 months ago (12/12/2023)
Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » HYPERALLERGIC
about 4 months ago (12/12/2023)
Beauty and Danger in the Art of Ambreen Butt Skip to content Ambreen Butt, "Arsenal of Ambiguity" (2023), tea, coffee, watercolor, and collage on tea-stained paper, 44 x 30 inches (all images courtesy Gallery Wendi Norris) SAN FRANCISCO — Ambreen Butt: Lay Bare My Arms at Gallery Wendi Norris combines collage and text with traditional South Asian miniature painting to create energetic works that radiate delicate beauty, underpinned by a pervasive threat of violence...
© » ARTEFUSE
about 4 months ago (12/11/2023)
Andrew Woolbright & Gitte Maria Möller: A dreaming hand, wounded by thorns at Rachel Uffner Gallery, NYC (Review) - ArteFuse Installation view of A dreaming hand, wounded by thorns ...
© » HYPERALLERGIC
about 4 months ago (12/10/2023)
Deb Sokolow’s Wackadoodle World of Design Skip to content Deb Sokolow, "Visualizing the Manipulation of Light in a Built Environment for Various Agendas" (2023), graphite, crayon, colored pencil, ink, and collage on Arches paper, 22 x 30 x 1 inches (all images courtesy Western Exhibitions) CHICAGO — A random survey of recent architectural news items includes descriptions of: eco-certified ultra-luxury resorts in the Red Sea, the fact that less than half of one percent of licensed architects in the United States are Black women, and an analysis of how Russia has targeted historic landmarks as part of its war on Ukraine...
© » BOMB
about 5 months ago (12/06/2023)
BOMB Magazine | Stan Squirewell Interviewed Necessary (Required) Cookies that the site cannot function properly without...
© » MODERN MET ART
about 5 months ago (12/02/2023)
Stan Squirewell's Mixed-Media Collages Give a Fresh Perspective on the Past Home / Art Vibrant Mixed-Media Collages Give a Fresh Perspective on African American Ancestry By Jessica Stewart on December 2, 2023 “Mrs...
© » THE ARTBLOG
about 5 months ago (11/28/2023)
Artblog | How to Tickle the Mind, David Kettner’s Selected Works at Spruance Gallery, Arcadia University Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact How to Tickle the Mind, David Kettner’s Selected Works at Spruance Gallery, Arcadia University By Sharon Garbe November 28, 2023 Sharon Garbe sees works by David Kettner at Arcadia University that keep the eye and mind engaged with their psychologically puzzling imagery dealing with childhood, memory, and the hidden depths that can lie below a simple surface....
© » LENS CULTURE
about 5 months ago (11/21/2023)
Days of Future Passed - Photographs by Florence Iff | Text by Marigold Warner | LensCulture Feature Days of Future Passed Collecting photos from her daily life, the Internet, newspapers, and free image libraries, Swiss photographer Florence Iff amalgamates vast webs of organisms, structures, and scenes into a portrait of a planet in crisis...
© » ART AND CAKE
about 6 months ago (10/30/2023)
Art of the Joshua Tree – Art and Cake October 30, 2023 October 30, 2023 Author Art of the Joshua Tree Sossi Madzounian Deserts Ikebana , Photography Charity: Center for Biological Diversity Karin Lindeberg Frida, I see you under the shady tree , 35mm Photography 8×10 inches Charity: Center for Biological Diversity Chloe Allred, Dreaming in Cerulean and Quinacridone , Oil Paint on Canvas...
© » ART AND CAKE
about 6 months ago (10/30/2023)
Art of the Joshua Tree – Art and Cake October 30, 2023 October 30, 2023 Author Art of the Joshua Tree Sossi Madzounian Deserts Ikebana , Photography Charity: Center for Biological Diversity Karin Lindeberg Frida, I see you under the shady tree , 35mm Photography 8×10 inches Charity: Center for Biological Diversity Chloe Allred, Dreaming in Cerulean and Quinacridone , Oil Paint on Canvas...
© » ART AND CAKE
about 6 months ago (10/30/2023)
Art of the Joshua Tree – Art and Cake October 30, 2023 October 30, 2023 Author Art of the Joshua Tree Sossi Madzounian Deserts Ikebana , Photography Charity: Center for Biological Diversity Karin Lindeberg Frida, I see you under the shady tree , 35mm Photography 8×10 inches Charity: Center for Biological Diversity Chloe Allred, Dreaming in Cerulean and Quinacridone , Oil Paint on Canvas...
© » BOMB
about 7 months ago (09/27/2023)
BOMB Magazine | Justine Kurland Interviewed Necessary (Required) Cookies that the site cannot function properly without...
© » SLASH PARIS
about 7 months ago (09/19/2023)
Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris Login Newsletter Twitter Facebook Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Construire — Corrélations entre le dessin et la céramique Exhibition Ceramic, drawing, mixed media, video Closing Hélène Mougin, La dune, 2023 Grès et faïence émaillés et photo résinée, 20 × 32 × 23 cm Hélène Mougin Construire Corrélations entre le dessin et la céramique Ends in 5 days: October 7 → December 16, 2023 Une idée se conçoit, se développe et devient projet construit...
© » SLASH PARIS
about 7 months ago (09/19/2023)
Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Construire — Corrélations entre le dessin et la céramique Exposition Céramique, dessin, techniques mixtes, vidéo Derniers Jours Hélène Mougin, La dune, 2023 Grès et faïence émaillés et photo résinée, 20 × 32 × 23 cm Hélène Mougin Construire Corrélations entre le dessin et la céramique Encore 5 jours : 7 octobre → 16 décembre 2023 Une idée se conçoit, se développe et devient projet construit...
© » SLASH PARIS
about 7 months ago (09/13/2023)
Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Tomaso Binga — Corps — poésie Exposition Collage, dessin, installations, photographie Derniers Jours Tomaso Binga, Alfabetiere murale [Alphabet mural], 1976 (détail) Collage photographique sur carton, 21 éléments, 35,5 × 25,5 cm chaque Courtesy Archives Menna-Binga, galerie Tiziana Di Caro, Naples et galerie Frittelli arte contemporanea, Florence © Amedeo Benestante Tomaso Binga Corps — poésie Encore 5 jours : 16 septembre → 16 décembre 2023 Première exposition personnelle en France de Tomaso Binga (née en 1931 à Salerne, vit et travaille à Rome), artiste majeure de la scène artistique italienne depuis la fin des années 1960, « Corps — poésie » couvre sur plusieurs décennies différentes thématiques — identité et genre, critique sociale, réappropriation du langage, corps manifeste — tout en présentant des œuvres inédites...
© » SLASH PARIS
about 7 months ago (09/13/2023)
Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Tomaso Binga — Corps — poésie Exhibition Collage, drawing, installation, photography Closing Tomaso Binga, Alfabetiere murale (Mural alphabet), 1976 (detail of the work) Photo collage on cardboard, 21 elements, 35,5 × 25,5 cm each Courtesy Archives Menna-Binga, galerie Tiziana Di Caro, Naples et galerie Frittelli arte contemporanea, Florence © Amedeo Benestante Tomaso Binga Corps — poésie Ends in 5 days: September 16 → December 16, 2023 “Corps — poésie” is the first solo exhibition in France by Tomaso Binga (b...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Brooklyn-based art patron Carla Shen shares insights on her dynamic collection of ceramics, textiles, collage, and other dynamic works of contemporary art....
© » GAS
about 42 months ago (11/05/2020)
I'm pleased to present a new addition to our website : a collection of art and design books from publisher Gestalten...
© » HIGH FRUCTOSE
about 53 months ago (12/04/2019)
Chris Berens brings his distinctive blend of painting and collage to Jaski Gallery in Amsterdam with the show “Feniks." Among these new works is a massive "Crowning Glory," for which the artist constructed a handmade wooden frame...
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1950-1959
Jess
Drawing & Print
1955(Drawing & Print) Untitled (Disneyland Opens) is a collage by Jess that refers back to the inauguration of Disneyland in Anaheim, California in 1955, and suggests an alternate, more sinister version of events...
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1970-1979
Jeffrey Vallance
1978Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel...
Bruce Conner
1978In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
Antonio Ole
1978Antonio Ole’s Rhythm of N’gola Rhythms (1978), is a film about the struggle for Angolan political independence...
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1980-1989
Edward Kienholz
1984Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Jess
Drawing & Print
1986(Drawing & Print) The Antique Gem is a collage by Jess comprised of eight fantastical scenes featuring the Cupid as its central protagonist...
Martin Kippenberger
1988Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
Marion Scemama, David Wojnarowicz
1989Political artist, painter, writer, performer, photographer, David Wojnarowicz, was one of the leading figures of the New York Downtown artistic scene of the 1980s...
Marion Scemama, David Wojnarowicz
1989Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s...
Marion Scemama, David Wojnarowicz
1989Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s...
Marion Scemama, David Wojnarowicz
1989Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s...
Marion Scemama, David Wojnarowicz
1989Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s...
Martin Kippenberger
Drawing & Print
1989(Drawing & Print) 7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...
Martin Kippenberger
Drawing & Print
1989(Drawing & Print) Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
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1990-1999
John Baldessari
Drawing & Print
1991(Drawing & Print) The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
The Atlas Group
1991This image is an extract from a notebook in the archives of doctor Fakhouri that lists the cars that have been used for bombs between 1975 and 1991...
Gabriel Orozco
1992Gabriel Orozco often documents found situations in the natural or urban landscape...
Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
Bruce Conner
Drawing & Print
1995(Drawing & Print) Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
John Baldessari
1997In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
Jean-Luc Moulène
Drawing & Print
1997(Drawing & Print) On a piece of paper, the artist has traced two loops in black crayon and placed two eyes where the lines intersect...
Colectivo Tercerunquinto
Drawing & Print
1999(Drawing & Print) BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
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2000-2009
Raymond Pettibon
2000Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
Raymond Pettibon
2000The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Ian Wallace
2000Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...
Kota Ezawa
2002The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Olaf Breuning
2002For this image, Olaf Breuning invented a revised stone age corrected for the cinema in which dolmens and leather were replaced by surf boards and neoprene clothing...
Gabriel Orozco
2002Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Jennifer Locke
2005Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
Pablo Pijnappel
2005In Felicitas, we follow the converging routes of three characters: Felicitas, Michael and Andrew (the artist’s father-in-law who also features elsewhere)...
Kara Walker
2005In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
Raymond Pettibon
2006The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Raymond Pettibon
2007The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Stéphane Calais
Drawing & Print
2007(Drawing & Print) L’herbier (petit Trianon) consists of four “realistic” drawings of plants, screenprinted on transparent PVC...
Wong Wai Yin
2008In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
Jonathan Hernández
2008In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...
Luke Butler
Drawing & Print
2008(Drawing & Print) In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Jinoos Taghizadeh
Drawing & Print
2008(Drawing & Print) Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh...
Bruce Conner
2008Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Ian Breakwell
2008“BC/AD” (Before Cancer, After Diagnoses) is a video of photographs of the artist’s face dating from early childhood to the month before he died, accompanied by the last diary entries he wrote from April 2004 to July 2005 (entitled “50 Reasons for Getting Out of Bed”), from the period from when he lost his voice, thinking he had laryngitis, through the moment he was diagnosed with lung cancer and the subsequent treatment that was ultimately, ineffective...
Bjorn Copeland
2009Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
Thomas Kilpper
Drawing & Print
2009(Drawing & Print) These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
Thomas Kilpper
Drawing & Print
2009(Drawing & Print) These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
Bettina Pousttchi
2009For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby...
Fred Wilson
2009Fred Wilson’s flag paintings document the 20th century history of African people, indexing the period of liberation from colonialism...
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2010-2019
Stephen G. Rhodes
2010For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Haegue Yang
2010In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
Orion Shepherd
Drawing & Print
2010(Drawing & Print) Ballad of the Unabomber Part I is a painting by Orion Shepherd that features several manila folders stacked in order according to their size, resting atop a grainy hardwood pattern...
Charlotte Moth
2010Charlotte Moth asked the art critic Francesco Pedraglio to write a text in response to the Man Ray film “Les Mystères du Château de Dé”, the decor of which was the Villa Noailles, built by Mallet-Stevens...
Goshka Macuga
2011In this anti-collage, which comes from a series of 4, Macuga takes a photo she found in the archives of Zacheta National Gallery in Warsaw...
Ranu Mukherjee
2011Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Tun Win Aung and Wah Nu
2011Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators...
Adelita Husni-Bey
2011Postcards from the Desert Island is a remake of a 50s educational film Holiday from the rules in which four children interact with an omniscient narrator who teleports them to a tropical island where there are no rules...
Clément Rodzielski
Drawing & Print
2011(Drawing & Print) These photographs are installation shots of the exhibition De A à B, de B à P at Bielefelder Kunstverein (13 November 2010-30 January 2011)...
Tony Oursler
2012Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
Ana Roldán
2012Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
Ana Roldán
2012Ana Roldán’s Displacements works use images taken from a 1970s exhibition catalogue for an exhibition called The Death in Mexico...
Mark Bradford
Drawing & Print
2012(Drawing & Print) This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Daniela Ortiz
2012In her work, Maids Room (2012) which is part of a series, Daniela Ortiz undertakes an architectural analysis of the houses belonging to the upper class of Lima...
Nandan Ghiya
2012The Chair (2012) foregrounds media-based tensions between analog and digital imaging technologies as a means of challenging the continued circulation of visual ephemera from India’s colonial past...
Charlotte Moth
2012It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences...
Charlotte Moth
2012It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences...
Collier Schorr
2013In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
John Houck
2013John Houck’s multi-layered photographic compositions immortalize nostalgic objects from the artist’s childhood, manipulated in the studio and in post-production into unreal still-life arrangements...
Carter Mull
2013Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
Carter Mull
2013Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
Cheryl Donegan
2013Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy...
Lin Ke
Drawing & Print
2013(Drawing & Print) Jet Folder & Data Tree (2013) offers a humorous take on how computer and screen-based technologies affect our relationship to the natural world...
Daniela Ortiz
2013Previously, Ortiz produced a series of photographs related to her research on the position of ‘service architecture’, the vital space given to domestic servants in the modernist architectural houses of South American upper class families...
Kota Ezawa
2014Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
Volker Eichelmann
2014In his new series of collages, Eichelmann takes his starting point from the “Belvedere Torso” in the Vatican Museum...
Vivek Vilasini
2014In his work Housing Dreams Walls , the houses photographed are from a closely-knit locale in Kerala – a significant and rapidly popular pattern in this part of the country...
Mary Helena Clark
2014The Dragon is the Frame by Mary Helena Clark is an elegy that is somewhat paradoxically organized as a film noir or murder mystery, one that pays direct homage to Hitchcock’s Vertigo ...
Gozo Yoshimasu
Drawing & Print
2014(Drawing & Print) Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
Gozo Yoshimasu
Drawing & Print
2014(Drawing & Print) Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
Erika Verzutti
2015Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Phillip Maisel
2015While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Sara Cwynar
Drawing & Print
2015(Drawing & Print) Sara Cwynar’s composite photographs of found objects and images court feelings of time passing...
Elisabeth Wild
Drawing & Print
2015(Drawing & Print) Her collage works are made from the pages of glossy lifestyle magazines, from which the artist identifies colors, forms, and textures that she reconstitutes into rich, abstract compositions...
Julia Rommel
2015On the artwork, Rommel states: “I was reading Jonathan Franzen’s new novel Purity, where they take a lot of walks through the jungle in Uruguay, or Paraguay, I can’t remember...
Bady Dalloul
2015Bady Dalloul’s Scrapbook is a 48 minute video beginning from his birth, tracing major global events of the 20 th century, including the beginning and current Occupation and colonization of Palestine, the atomic bombings of Hiroshima and Nagasaki, assassination of family members and the Syrian diaspora...
Adelita Husni-Bey
2015After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
Gaëlle Choisne
2015Entre Chien et Loup is an installation incorporating a variety of media: rubber, discs, feathers and confetti that the artist weaves, sews and glues together...
Haegue Yang
2016A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
A.K. Burns
2016In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...
Rodrigo Torres
Drawing & Print
2016(Drawing & Print) In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms....
Bárbara Wagner & Benjamin de Burca
2016Originally commissioned for the 32nd Sao Paulo Biennial, the film Estás vendo coisas (You are seeing things) depicts the subculture of Brega music, a fusion of American Hip Hop, Brazilian techno and Caribbean reggaeton that emerged in North Eastern Brazil over the last decade...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Martha Colburn
2017Martha Colburn’s film, Western Wild … or How I Found Wanderlust and Met Old Shatterhand , about the famed German author Karl May weaves together a mixture of stop motion animation, travelogue and biography that generates a kind of sensory wanderlust...
Mary Helena Clark
2017By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities...
Gozo Yoshimasu
Drawing & Print
2017(Drawing & Print) Gozo Yoshimasu’s double-sided work on paper Fire Embroidery explores his response to the March 2011 Tohoku earthquake and tsunami...
Bady Dalloul
Drawing & Print
2017(Drawing & Print) geopoliticalThe Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East...
Bady Dalloul
Drawing & Print
2017(Drawing & Print) The Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East...
Bady Dalloul
Drawing & Print
2017(Drawing & Print) The Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East...
Camel Collective
2018Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects...
Karla Dickens
2019Karla Dickens’s collage Beneath the skim board addresses issues of discrimination and racism towards Indigenous communities in Australia through a constellation of historical and current events...
Xaviera Simmons
2019Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
Ali Yass
Drawing & Print
2019(Drawing & Print) Now; 1992 is Ali Yass’s attempt to remake his childhood drawings, which were lost after he was forced to leave Iraq following the 2003 US occupation...
Karla Kaplun
Drawing & Print
2019(Drawing & Print) Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
Alicia Henry
2019Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships...
Karla Kaplun
Drawing & Print
2019(Drawing & Print) Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
Helina Metaferia
2019By Way of Revolution is a series of works by Helina Metaferia that addresses the inherited histories of protest that inform contemporary social movements...
Andrew Norman Wilson
2019In Andrew Norman Wilson’s work Kodak the artist uses computer-generated imagery to create narratives that question the reliability of images in the age of post-production...
Tenzing Rigdol
2019Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events...
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2020-2029
Brook Andrew
2020This year: missing witness by Brook Andrew consists of a multi-layered collage of photographs...
Patricia Esquivias
2020Cardón Cardinal by Patricia Esquivias is part of a series of video works in which the artist develops a narrative in front of her computer screen...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Daniela Ortiz
2021The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism...
Anju Dodiya
2022The Shedding by Anju Dodiya is part of a series of mattress paintings the artist creates using fabric stretched on padded and shaped boards...
Bady Dalloul
2022With Inner Child , Bady Dalloul continues his ongoing reflection on migration and belonging, putting in balance levantine and Japanese histories...
Helina Metaferia
2023By Way of Revolution is a series of works by Helina Metaferia that addresses the inherited histories of protest that inform contemporary social movements...
Helina Metaferia
2023By Way of Revolution is a series that addresses the inherited histories of protest that inform contemporary social movements...
