Abuso de poder (Abuse of Power)

2010 - Sculpture (Sculpture)

3.14W x 7.48L x 0.6D inches

Marcelo Cidade

year born: 1979
gender: male
nationality: Brazilian

Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble. Originally made for the Carrara Biennale in 2010, it re-creates the iconic form down to the piece of cheese waiting for an unsuspecting victim. In this sculpture, Cicade challenges the viewer’s participation and intervention into the artistic object. As the title suggests, the work is also a commentary on the traps that are set for us politically, economically, and socially, questioning how free we really are.


Marcelo Cidade is an artist of situations, if not a Situationist of a new age, as he drifts through city streets around the world creating actions, interventions, films, photographs or drawings. His interests lie in the possibilities of public space and its connection with the private sphere, he resists forms of constraint and moves freely within the human community and through urban environments. Questioning systems and working in the peripheries or interstices allows Cidade poetic freedom in his artistic practice and open engagement with language, art history and politics. In 2005, he wrote “To resist = to (re) exist” 2000 times in downtown São Paulo.


Colors:



Related works featuring themes of: » Brazil, » Brazilian  
» see more

Periquitos (Parakeets)
© » KADIST

Marepe

2007

Marepe (an acronym for Marcos Reis Peixoto) is from northeastern Brazil, and his sculptures and installations are steeped in its culture, traditions, festivals; his personal memories associated with his birthplace; and his interactions with European culture...

Sobre la igualdad y las diferencias: casas gemelas
© » KADIST

Carla Zaccagnini

2005

This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...

Sunday (Domingo)
© » KADIST

Rivane Neuenschwander

2010

In this video, a parrot chews on seeds printed with punctuation marks...

On Fire
© » KADIST

Runo Lagomarsino

2020

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Other related works, blended automatically  
» see more

Adição por subtração - 4
© » KADIST

Marcelo Cidade

2010

Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...

Periquitos (Parakeets)
© » KADIST

Marepe

2007

Marepe (an acronym for Marcos Reis Peixoto) is from northeastern Brazil, and his sculptures and installations are steeped in its culture, traditions, festivals; his personal memories associated with his birthplace; and his interactions with European culture...

Sobre la igualdad y las diferencias: casas gemelas
© » KADIST

Carla Zaccagnini

2005

This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...

Mapa Mundi BR (postal)
© » KADIST

Rivane Neuenschwander

2007

Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...

Related works sharing similar palette  
» see more

Diane Arbus: A printed retrospective, 1960-1971
© » KADIST

Pierre Leguillon

2008

End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...

Antigua, Guatemala: Naufus Ramírez-Figueroa, El mensajero del bosque sumergido
© » KADIST

(The Messenger of the Sunken Forest) is the second chapter of a body of work that arises from the research carried out by Naufus Ramírez-Figueroa in December 2017 in the regions of Alta and Baja Verapaz, Guatemala...

White Raven
© » EVEN MAGAZINE

This essay appeared in Even no...

Weekly Southeast Asia Radar: Puja Pantai in Selangor; young Cambodian singers talk old music
© » ARTS EQUATOR

Weekly Southeast Asia Radar: Puja Pantai in Selangor; young Cambodian singers talk old music | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar AP January 16, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

Other works by: » Marcelo Cidade  
» see more

Adição por subtração - 4
© » KADIST

Marcelo Cidade

2010

Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...

Impossible Accomplishment or the power as addition of seductions 2
© » KADIST

Marcelo Cidade

2006

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...

450 Hayes Street (excavation site)
© » KADIST

Marcelo Cidade

2014

450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site...

Re: definition of architectural project 2
© » KADIST

Marcelo Cidade

2006

Marcelo Cidade interrogates the city, architecture and urban planning...

The Thinkers
© » KADIST

Adriana Lara

2014

Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society...

Almohada
© » KADIST

Mateo Lopez

2011

Mateo Lopez uses paper as a medium to conjure personal experiences...

¿Quién medirá el espacio, quién me dirá el momento?, 1 (columna alfarero)
© » KADIST

Mariana Castillo Deball

2015

Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...

Related works found in the same semantic group  
» see more

How UCCA Center For Contemporary Art's Expansion Project Is Bringing New Life To Shanghai's Art Scene - via Hong Kong Tatler
© » LARRY'S LIST

For years the UCCA Center for Contemporary Art has been at the forefront of the art scene in Beijing—now it’s expanding beyond the capital....

Himali Singh Soin: Radar Level
© » KADIST

Performance in collaboration with Lili Weckler Sound in collaboration with David Tappeser Developed especially for Frozen World of the Familiar Stranger, “Radar Level” is set in the world’s last geological minutes, in two ancient landscapes...

Paris Summer Break
© » KADIST

We are closed for the summer...