Materia en Reposo II (Brasil)

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...

One Million is a video work depicting the counting of bills...

The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...

Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...

Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...

Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...

"8888 Uprising": Thirty Years Later | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 1, 2018 By Sharaad Kuttan (650 words, four-minute read) Despite the flash of contemporary retail – some garish, some tasteful – Yangon’s old-world charms prevail...

Weekly Southeast Asia Radar: The relevance of "Soi Cowboy"; Malaysia's Zen Cho wins Hugo Award | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Illustration by Jared Downing | Frontier August 20, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

KADIST presents Memoirs or Moe Satt’s Memoirs , a solo exhibition by visual and performance artist Moe Satt...

Nikita Teryoshin goes into the backroom of war - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images from the series Nothing Personal – The Back Office of War by Nikita Teryoshin Shot in arms fairs around the world over the last eight years, Nikita Teryoshin’s Nothing Personal reveals the chilling business of conflict In a conflict-ridden world, weapons are instruments of both war and politics...

During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...

Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

Hashem El Madani, a studio photographer in Saida, began working in 1948...

“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani...