This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series. It’s contrasting dark and vibrant tones presage his later series of works, exhibited at L. A.’s Hammer Museum as Scorched Earth. These larger works share a map-like quality, looking like aerial views of some scarred urban landscape. Black and red lines sear across the compositions, made through Bradford’s unique layering and burning techniques. The 2012 print—a small shard, perhaps, from one of these larger views of the land—shares this approach. Greyed fragments crisp along the edges into rock-like formations, engulfed in the umber and orange colors of fire.
Born and raised in Los Angeles, artist Mark Bradford draws material, inspiration, and methods from the city streets that surround him. His large-scaled collage paintings for which he is known are often built up through layers of repurposed street advertisements, hair papers, flyers, and scraps. Cementing these fragments together with paint and overlaying recycled street art stencils, Bradford evokes rich, colorful works that are alive with texture, and teeming with shards of the material world. In his earliest works, Bradford relied heavily on hair papers (used during the process of permanently curling hair), pilfered from his mother’s beauty salon in L.A. Singing the edges, Bradford created unsteady grids and jumbled geometries shot through with color.
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...
In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...
Converting is a piece about the Orang Laut, often called Sea Nomads, that inhabited the Riau archipelago...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
Reeder’s works often start with language—and his Pasta Paintings are no different...
In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...