Ellen Lesperance begins with archival footage of various activist events throughout history. Poring through details of these moving images, Lesperance isolates out the clothing of the activists, identifying objects that seem to relate to the ideological goals of their wearers. Her ensuing gouche and graphite patterns re-imagine these objects as knitting patterns for the activist’s sweaters, carefully rendered and plotted on tea-stained paper. Memorializing these social protests through the smallest details, Lesperance hopes to cement these moments in our collective memory.
Reeder’s works often start with language—and his Pasta Paintings are no different...
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky...
Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...
Reeder’s works often start with language—and his Pasta Paintings are no different...
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture ...
Masterpiece in the Water by Lu Pingyuan tells the story of an impatient collector who is killed by an artist...
In the Soldier’s Head evokes the traumas of war through the prism of the hallucinations of a soldier...