Untitled #1 #2 #3
2007 - Sculpture (Sculpture)
Piero Golia
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall. More than a simple reference to the sport, the work has the disconcerting effect of creating a danger zone in the gallery space. The reference to direct aggression or violence is reinforced by the piece’s rapid pace. But on another level, Untitled 3 ’s steady rhythm seems to constitute an alternate way of measuring time, an idea explored in other works in the Kadist Collection, like Mungo Thomson’s Untitled (TIME) , Geoffrey Farmer’s Ongoing Time Stabbed with a Dagger , and William E. Jones’s Killed , in which the rapid succession of images also points towards the passing of time in the historical sense.
Italian-born and Los Angeles-based Piero Giolia’s work assumes the form of actions, sculptures, and installations often characterized as being extreme yet poetic. With a particular love for mischief, Golia takes everyday gestures and pushes them to the limit in order to cast an ironic look at contemporary society. Following the steps of legendary artists such as Bas Jan Ader, some of Golia’s works have taken the form of adventurous trips, like Going to Tirana (2000), in which he rowed across the Adriatic Sea, moving in the direction opposite from migrants trying to leave Albania.
Colors:
Other related works, blended automatically
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Gabriel Orozco
1992Gabriel Orozco often documents found situations in the natural or urban landscape...
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Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
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Luisa Lambri
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Walead Beshty
2011Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
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Cinthia Marcelle
2012Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
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Lynn Hershman Leeson
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Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
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Tacita Dean
2001The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
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Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
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Walead Beshty
2018Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
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Hank Willis Thomas
2013The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
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Zanele Muholi
2014As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
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Luisa Lambri
2002Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
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Pascal Shirley
2006Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
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Carlos Amorales
2005Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
