Forest Gathering N.2

2005 - Photography (Photography)

Gregory Crewdson

location: New York, New York
year born: 1962
gender: male
nationality: American
home town: Brooklyn, New York

Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios. These scenes are tangibly atmospheric, visually alluring and often deeply disquieting. Never anchored precisely in time or place, these and the other narratives of Beneath the Roses are rather located in the dystopic landscape of the anxious American imagination. Crewdson’s process and approach are patently cinematic. This series took shape over the course of three years in collaboration with a full production team. His projects are made both on studio soundstages and on location in various small towns. After the photograph is taken, Crewdson continues his obsessive process in post-production, using state-of-the-art digital compositing and special effects. And in the end – like film at its best – Crewdson’s fictions, elaborately staged and plotted though they may be, convey an experience that is intensely real.


Gregory Crewdson works within a photographic tradition that combines the documentary style of William Eggleston and Walker Evans with the dream-like vision of filmmakers such as Stephen Spielberg and David Lynch. Crewdson’s method is equally filmic, building elaborate sets to take pictures of extraordinary detail and narrative portent. When he was ten, Crewdson’s father, a psychoanalyst, took him to see a Diane Arbus exhibition at MoMA, an early aesthetic experience that informed his decision to become a photographer. Crewdson’s everyday scenes with charged, surreal moods hint at the longings and malaise of suburban America. The artist uses “the limitations of a photograph in terms of narrative capacity to have an image that is frozen in time, where there’s no before or after” and has turned that restriction into a unique strength. Gregory Crewdson was born in New York in 1962. He lives and works in New York.


Colors:



Gerald Hughes, a.k.a. Savage Fantasy’; about 25 years old
© » KADIST

Philip-Lorca diCorcia

For this series, Philip-Lorca diCorcia walked along Santa Monica Boulevard in Los Angeles in search of models who would be prepared to pose in hotel rooms according to pre- planned scenarios...

Raven (gun)
© » KADIST

Catherine Opie

1987

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...

27 Punk Photos: 11. Dim Wanker: F Word, May, 1978
© » KADIST

Bruce Conner

1978

In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...

Related works featuring themes of: » Americana, » Architecture in Art, » Bedrooms and Bathrooms, » Cinematic, » American  
» see more

Pipe Opening
© » KADIST

Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

Mickey Mouse
© » KADIST

Paul McCarthy

2010

To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...

Untitled (Governor of Ohio Judson Harmon), Damaged series
© » KADIST

Lisa Oppenheim

2003

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D.F., Third Gallery
© » KADIST

Tina Modotti

1927

Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...

Other related works, blended automatically  
» see more

Pipe Opening
© » KADIST

Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

Mickey Mouse
© » KADIST

Paul McCarthy

2010

To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...

Stanley "Tom" Durrell, Tinsmith
© » KADIST

Sharon Lockhart

2008

Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...

Golden Bridge
© » KADIST

Lin Yilin

Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...

Related works sharing similar palette  
» see more

Interview with Matthew Angelo Harrison
© » KADIST

Interview with Matthew Angelo Harrison...

Pedro Reyes
© » KADIST

Pedro Reyes speaks about Baby Marx...

Si Señor
© » KADIST

Abigail Reyes

2016

The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture...

Related works from the » 2000's created around » New York, New York  
» see more

Condition Report
© » KADIST

Glenn Ligon

2000

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

Jackass
© » KADIST

Ari Marcopoulos

2008

In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...

Stowe
© » KADIST

James Welling

2006

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...

Untitled
© » KADIST

Trisha Donnelly

2007

Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...

Related artist(s) to: Gregory Crewdson » Hilla Becher, » Hiroshi Sugimoto, » Thomas Demand, » Andy Warhol, » Cindy Sherman, » Jeff Wall, » Rineke Dijkstra, » Roni Horn, » Sophie Calle, » Tacita Dean  
» see more

Baobab
© » KADIST

Tacita Dean

2001

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...

Pipe Opening
© » KADIST

Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

Related works found in the same semantic group  
» see more

Paris-Based Collector Antoine de Galbert Is Launching a Support Fund for Artists - The Art Newspaper
© » LARRY'S LIST

The New-York Historical Society and others are soliciting donations of objects and ephemera to document the "unprecedented times in which we are now living"...

Art Basel 2019: Why Hong Kong Is a Lightning Rod for Luxury Art in Asia - via SCMP
© » LARRY'S LIST

Top fairs like Art Basel and Art Central are bringing in the world’s best collectors, which drives the quality of art and galleries being showcased in the city....

Untitled
© » KADIST

Kitty Kraus

Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006...

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours
© » SOUTH CHINA MORNING POST

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours...